The Peak Leisure Club — A Design Concept by Zaha Hadid

I was first introduced to Zaha Hadid while in Architecture School when I was asked by a professor to study and reproduce a rendering by a famous Architect.  I was fascinated and enamored with Zaha’s unique rendering style and architectural representation of her design and the surrounding contextual elements so I picked her for my project.  The sharp angles, contrasting colors, and her unique boldness intrigued me.  Other famous architectural rendering styles include Carlos Calatrava’s ink drawings (which I had the pleasure of seeing in person while at an AIA convention when he was honored with the AIA Gold Medal) and of course Steven Holl’s famous watercolor renderings which are all brilliant! Hope you enjoy this post as much as me…

THE PEAK LEISURE CLUB
Hong Kong, 1982
Description of The Project

“The winning architect describes her design as Suprematist Geology. First, she proposes that the ground be leveled to the site’s lowest point and then rebuilt from the excavated rock as a polished granite mountain. The building itself is composed of four beams , stacked atop one another in a splayed arrangement. Partially embeded, the two lowest layers contain 15 studio units and 20 apartments, forming a podium for the club facilities. A void approximately 42 feet high separates these strata from the two uppermost levels, which house the larger apartments and the developer’s penthouse. Suspended within the void like hovering spaceships are the club elements,  which extend back into the man-made mountain. The series of floating ramps and platforms that articulate this space are supported by two vertical members, an elevator, and a steel truss containing services. Two elevators linking the clubs to the upper residential zone provide additional support and a vertical counterpoint to the horizontal composition. Stress cables stabilize any other movement among the floating horizontal members of the void. The swimming pool rests in the roof of the second residential layer. Lateral changing rooms are hollow square beams in section, and act to stiffen the structure. The enire complex is constructed of steel and reinforced concrete. All volumes suspended in the club area are framed in lightweight alloys with aluminum or stone cladding. Although the jurors faulted the winning design for a ”certain lack of resolution in its details,” they praised its concentration ”on the exploration” of ideas… The sculptural nature of this solution,” they averred ”promises to extend the imagination and symbolize the essence of a new building type in a unique location.” *excerpt from Architectural Record, Sept 1983

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I Love My Architect – Facebook

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Architecture in Motion

Riverside Museum by Zaha Hadid Architects

When I think of the “flow” of a space the first image to come to mind is the motion of the occupant and how he or she experiences the space.  Of course the building itself (and/or site) can have a flow as well (visual flow) both outside with the facade (think strong horizontal/vertical features, or curved forms of aluminum panels for example) or inside with the finishes (think flow of flooring material/texture from one space to another), but to me the perception of the space through movement has a greater impact on the occupant’s perception and experience of the space.  If the “space” is correctly designed by someone who understands the flows of a particular building type, it will certainly make for a joyous experience for the occupant.  When this not the case the occupant will feel uneasy and will not be able to have a pleasant experience.  A seasoned designer will be able to work simultaneously in plan and section to develop a design concept that will result in proper flow for the type of function being asked of the space that he/she is creating.  When the layout of the space, the material/textures used, the colors used, the use of light, and the flow of movement of  are properly executed the space just feels right.

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Sincerely,
Frank Cunha III
I Love My Architect – Facebook 


Innovation in Architecture (Presented by The Architectural Review)

What does it mean to be an innovator in the field of Architecture? AR provides some insight to some of the masters of innovation in the field of Architecture.

 

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This month’s Innovators interview, produced in partnership with Hunter Douglas, features Junya Ishigami.

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The AR discuses coincidence, chance and mastering disorder with Brendan MacFarlane in his Paris studio. MacFarlane will join the international jury for the 2011 ar+d Awards for Emerging Architecture.

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The Architectural Review presents the first in a new monthly series of Innovators interviews, in partnership with Hunter Douglas, in which a group of internationally renowned architects and designers discuss in depth the theoretical and technological ideas behind their recent work.

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The AR speaks to Peter Zumthor in the second Innovators interview, in partnership with Hunter Douglas.

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This month’s Innovators interview, produced in partnership with Hunter Douglas, features an edited version of a discussion between Zaha Hadid and Architectural Association School of Architecture director Brett Steele.

PS Follow my favorite Architecture magazine online @TheARtweets and subscribe by clicking here.

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Frank Cunha III 
I Love My Architect – Facebook


Riverside Museum by Zaha Hadid Architects

Client: Glasgow City Council
Design Architect: Zaha Hadid Architects

Zaha Hadid Architects have completed the Riverside Museum in Glasgow with a zig-zagging, zinc-clad roof. Housing a museum of transport with over 3,000 exhibits, the building has a 36 metre-high glazed frontage overlooking the River Clyde. The building zig-zags back across its site from this pointy roofline in folds clad with patinated zinc panels. Reminds me a bit of John Hedjuk’s work.

Related Articles:
Architects Versus “Sculptor” Architects
Order, Formulas, and Rules
Architecture Shall Live On / Architecture Manifesto