Balthazar Korab (R.I.P. 1926 – 2013)

Balthazar Korab (born 1926 – died 2013) was a photographer based in Detroit, Michigan specializing in architectural, art and landscape photography. He was born in Budapest, Hungary, and migrated to France after fleeing from Hungary’s communist government in 1949. At the Ecole des Beaux Arts in Paris, France, he completed a diploma of architecture in 1954. For a time, he was a journeyman under the direction of leading European architects, including Le Corbusier.

In 1955, Korab arrived in the United States, and Eero Saarinen employed him to photograph the architectural design process. The architectural community in Detroit has embraced Korab’s career, and many firms have retained him to document their building and private home projects. In 1956 he was awarded fourth place in the international design competition for the Sydney Opera House. In 1994, American President Bill Clinton presented a portfolio of Balthazar Korab’s photography to Árpád Göncz, the president of Hungary.

Korab died on January 15, 2013 after a long battle with Parkinson’s disease. He is survived by his wife Monica and two children, Christian and Alexandra.

Korab-Modernism-Photo-01 Korab-Modernism-Photo-02 Korab-Modernism-Photo-03 Korab-Modernism-Photo-04 Korab-Modernism-Photo-05 Korab-Modernism-Photo-06 Korab-Modernism-Photo-07

All images from “Balthazar Korab: Architect of Photography” by John Comazzi; Princeton Architectural Press

Read more at Architizer or http://www.balthazarkorab.com.

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Contemporary Philosophy – Postmodernism & Critical Theory – Álvaro Siza Vieira

Álvaro Siza Vieira

Broadly and variously defined, Postmodernism refers to a specific period of time that began in the 1940s, a style of literature, architecture, art philosophy, or the plight of Western society in post-capitalist age.  This movement encompasses a set of critical and rhetorical practicesemploying concepts such as difference, repetition, and hyperreality to break apart or deconstruct other the structural elements achieved through modernism, including temporality, presence, identity, historical progress, epistemic certainty, and meaning achieved through unity.  For more information on Postmodernism, please click here.

Álvaro Joaquim de Melo Siza VieiraGOSEGCIH, is a contemporary Portuguese architect, born 25 June 1933 in Matosinhos a small coastal town by Porto. He is internationally known as Álvaro Siza (Portuguese pronunciation: [ˈaɫvɐɾu ˈsizɐ].

He graduated in architecture in 1955, at the former School of Fine Arts from the University of Porto, the current FAUP – Faculdade de Arquitectura da Universidade do Porto. He completed his first built work (four houses in Matosinhos) even before ending his studies in 1954, the same year that he first opened his private practice in Porto. Siza Vieira taught at the school from 1966 to 1969, returning in 1976. In addition to his teaching there, he has been a visiting professor at the Graduate School of Design, Harvard University; the University of Pennsylvania; Los Andes University of Bogota; and the École Polytechnique Fédérale de Lausanne.

Along with Fernando Távora, he is one of the references of the Porto School of Architecture where both were teachers. Both architects worked together between 1955 and 1958. Another architect he has collaborated with is Eduardo Souto de Moura, e.g. on Portugal’s flagship pavilions at Expo 98 in Lisbon and Expo 2000 in Hannover, as well as on the Serpentine Pavillon 2005. Siza’s work is often described as “poetic modernism“; he himself has contributed to publications on Luis Barragán.

Most of his best known works are located in his hometown Porto: the Boa Nova Tea House (1963), the Faculty of Architecture (1987–93), and the Serralves Museum of Contemporary Art (1997). Since the mid-1970s, Siza has been involved in numerous designs for public housing and universities. Most recently, he started coordinating the rehabilitation of the monuments and architectonic heritage of Cidade Velha (Old Village) in Santiago, an island of Cape Verde.

Álvaro Siza Vieira Hompage

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Contemporary Philosophy, Critical Theory and Postmodern Thought

Theodor Adorno Louis Althusser Roland Barthes
Michael Bakhtin Jean Baudrillard Walter Benjamin
Maurice Blanchot Kenneth Burke Albert Borgmann
Jacques Derrida Gilles Deleuze Terry Eagleton
Stanley Fish Michel Foucault Frankfurt School
Hans-George Gadamer Anthony Giddens Antonio Gramsci
Felix Guattari Jurgen Habermas Donna Haraway
Martin Heidegger Agnes Heller Max Horkheimer
Edmund Husserl Ivan Illich Fredric Jameson
Julia Kristeva Jacques Lacan Bruno Latour
Jean Francois Lyotard Georg Lukács Paul de Man
Herbert Marcuse Karl Marx Maurice Merleau-Ponty
Richard Rorty Jean-Paul Sartre Edward Said
Charles Taylor Paul Virilio Ludwig Wittgenstein

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Frank Cunha III
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Making Room | 0310201209110921 — Collaboration by @FC3ZMD @Zorlone @FrankCunhaIII

Look at you, of concrete and metal
against the dark smudged sky.
The ground prepares to grumble,
but you kept asking me why?

Progress makes way for birth
of art built on stolid need.
Don’t worry about the hurt
your loneliness shall heed.

Departed folks and tenants note
the memories you’ve helped create.
A passing of the times worth
every ounce of struggle you ablate.

Remembering you in black and white
to immortalize your passing.
A tower stood once so bright
now makes room for this town’s bidding.

Artwork: Frank Cunha III | Poetry: Lorenzo Bernardino

Photo taken by Frank Cunha III on March 8, 2010 – USA (using iPhone 4S, originally edited using “Snapseed” App) | Re-Edited using “Pic Stitch” by Lorenzo Bernardino – Philippines | Then Re-Edited by Frank Cunha III in Adobe Photoshop.

More FC3 Poetry

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