JAHN is an international architectural firm with over 75 years of experience that has achieved critical recognition and won numerous awards. JAHN’s ability to integrate design creativity and corporate professionalism makes it a leading firm in global design Innovation.
The Joe and Rika Mansueto Library opened at the heart of the University of Chicago campus in 2011. It features a soaring elliptical glass dome capping a 180-seat Grand Reading Room, state-of-the-art conservation and digitization laboratories, and an underground high-density automated storage and retrieval system. The Mansueto Library speeds scholarly productivity by allowing for the retrieval of materials within an average time of 3 minutes through use of robotic cranes. Designed by renowned architect Helmut Jahn, the Mansueto Library has been recognized with a Distinguished Building Citation of Merit by the American Institute of Architects’ Chicago chapter and a Patron of the Year Award by the Chicago Architecture Foundation.
Location: University of Chicago, Chicago, IL, United States
Lead Designer: Helmut Jahn
Area: 58,700 SF
Project Year: 2011
The site in the center of theUniversity of Chicago’s Campus is surrounded by a variety of different buildings. With a mixture of styles, ranging from the gothic quadrangle to the south, the Limestone Brutalism of Netsch’s Regenstein Library to the east, the Henry Moore monument and Legorreta’s colorful Student Housing to the north and a building to the west, which will be replaced by a new Science Building. There is not much to relate to.
The problem was to store 3.5 million books with an Automated Storage and Retrieval System (ASRS). The expectations in the brief suggested to house those in a well-designed “Box” above grade. In an effort to infringe as little as possible with the open space, make the Reading Room and the Preservation Department the most pleasant space to be in and in line with our approach to challenge habitual conventions, we opted to put the books below grade, where their environment can be better controlled to achieve the desired constant temperature and humidity of 60 degrees, 30% RH – at less cost. The people-oriented spaces could thus be located at grade in a minimal elliptical glass dome, which fits the context, because it defies conventional relationships.
Murphy Jahn think it has been embraced by the leadership of the University, because it represents the mission of theUniversity of Chicago as catalyst for the advancement of knowledge. It is interesting that this happened at an Institution where the disciplines of Architecture and Engineering are not taught, but a spirit prevails to go beyond where others stop. Science, Physics, the liberal and applied Art start, when others think they are complete.
Once a consensus on the design was reached, the normal process started to solve the problem: comfort and sustainability, light-control, structure, life-safety, operation and maintenance.
The structural grid-shell of 120 x 240 feet and the insulated glazing represent a very minimal and intelligent system for mediating between the varying exterior conditions and the desired interior comfort.
At the interior there is a seamless integration between lighting, air supply and furnishings, which were fabricated in solid European White Oak.
More than anybody the users will benefit from an environment that is pleasant and conductive to study and research. This is not your classical Library, but points to the library of the future.
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Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, 1959) was an American Architect, interior designer, writer and educator, who designed more than 1,000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935) featured in the photo above, which has been called “the best all-time work of American Architecture“. Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States.
Wright’s portfolio includes original and innovative examples of many different building types, including offices, churches, schools, skyscrapers, hotels, and museums. Wright also designed many of the interior elements of his buildings, such as the furniture and stained glass. Wright authored 20 books and many articles and was a popular lecturer in the United States and in Europe. His colorful personal life often made headlines, most notably for the 1914 fire and murders at his Taliesin studio. Already well known during his lifetime, Wright was recognized in 1991 by the American Institute of Architects as “the greatest American architect of all time.”
Wright’s most famous private residences —Fallingwater— was built from 1934 to 1937 for Mr. and Mrs. Edgar J. Kaufmann Sr., at Mill Run, Pennsylvania, not too far from Pittsburgh. It was designed according to Wright’s desire to place the occupants close to the natural surroundings, with a stream and waterfall running under part of the building. Wright wanted the new residences to live with the waterfalls, to make them part of their everyday lives. He didn’t want them to just look at them every now and again. Constructed over a 30-foot waterfall, the house may look very big on the outside but on the inside it is quite small, which surprises some visitors. It was made with three bedrooms, a massive living room and a dining room. The house was more of a design for a family getaway not for a live-in family. The construction is a series of cantilevered balconies and terraces, using limestone for all verticals and concrete for the horizontals. The house cost $155,000, including the architect’s fee of $8,000. It was one of Wright’s most expensive pieces. Kaufmann’s own engineers argued that the design was not sound. They were overruled by Wright, but the contractor secretly added extra steel to the horizontal concrete elements. In 1994, Robert Silman and Associates examined the building and developed a plan to restore the structure. In the late 1990s, steel supports were added under the lowest cantilever until a detailed structural analysis could be done. In March 2002, post-tensioning of the lowest terrace was completed.
The iconic “Guggenheim Museum” (also featured in the photo above) is located in New York City. This project kept Wright occupied for 16 years (1943–1959) and is probably his most recognized masterpiece. The building rises as a warm beige spiral from its site on Fifth Avenue; its interior is similar to the inside of a seashell. Its unique central geometry was meant to allow visitors to easily experience Guggenheim’s collection of nonobjective geometric paintings by taking an elevator to the top level and then viewing artworks by walking down the slowly descending, central spiral ramp, the floor of which is embedded with circular shapes and triangular light fixtures to complement the geometric nature of the structure. However, when the museum was completed, a number of details of Wright’s design were ignored, such as his desire for the interior to be painted off-white. Further, the Museum currently designs exhibits to be viewed by walking up the curved walkway rather than walking down from the top level.
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