DE CHIRICO

Giorgio de Chirico (July 10, 1888 – 20 November 20, 1978), an Italian artist, who in the years before World War I, founded the scuola metafisica art movement, which profoundly influenced the surrealists. After 1919, he became interested in traditional painting techniques, and worked in a neoclassical or neo-Baroque style, while frequently revisiting the metaphysical themes of his earlier work.
De Chirico is best known for the paintings he produced between 1909 and 1919, his metaphysical period, which are characterized by haunted, brooding moods evoked by their images. At the start of this period, his subjects were still cityscapes inspired by the bright daylight of Mediterranean cities, but gradually he turned his attention to studies of cluttered storerooms, sometimes inhabited by mannequin-like hybrid figures. 

 

   
    
    
    
    
 
  
 
 

In autumn, 1919, De Chirico published an article in Valori Plastici entitled “The Return of Craftsmanship”, in which he advocated a return to traditional methods and iconography. This article heralded an abrupt change in his artistic orientation, as he adopted a classicizing manner inspired by such old masters as Raphael and Signorelli, and became an outspoken opponent of modern art.In the paintings of his metaphysical period, De Chirico developed a repertoire of motifs—empty arcades, towers, elongated shadows, mannequins, and trains among others—that he arranged to create “images of forlornness and emptiness” that paradoxically also convey a feeling of “power and freedom”. According to Sanford Schwartz, De Chirico—whose father was a railroad engineer—painted images that suggest “the way you take in buildings and vistas from the perspective of a train window. His towers, walls, and plazas seem to flash by, and you are made to feel the power that comes from seeing things that way: you feel you know them more intimately than the people do who live with them day by day.”

In 1982, Robert Hughes wrote that De Chirico “could condense voluminous feeling through metaphor and association … In The Joy of Return, 1915, de Chirico’s train has once more entered the city … a bright ball of vapor hovers directly above its smokestack. Perhaps it comes from the train and is near us. Or possibly it is a cloud on the horizon, lit by the sun that never penetrates the buildings, in the last electric blue silence of dusk. It contracts the near and the far, enchanting one’s sense of space. Early de Chiricos are full of such effects. Et quid amabo nisi quod aenigma est? (“What shall I love if not the enigma?”)—this question, inscribed by the young artist on his self-portrait in 1911, is their subtext.”

In this, he resembles his more representational American contemporary, Edward Hopper: their pictures’ low sunlight, their deep and often irrational shadows, their empty walkways and portentous silences creating an enigmatic visual poetry.

For more information on Giorgio de Chirico click here.

  
    
    
 

 

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments.If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!
-FRANKCUNHAIII


Bicycle Photographic Artwork

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Photos by FRANK CUNHA III (2015)
Media: iPhone photo
Post Edits: Snapseed App

 


“Art that Everyone Should Know” #3 by @SophiaFine

Friends,

I recently asked my friend Sophia Fine to compile a series of posts of artists and artwork that should be known in every household. 

This is the third in the series…Hope you enjoy it!

Sincerely,
Frank

Read the rest of this entry »


New Art And Poetry By My Friend Karen Glosser @kglosserdesigns

Nature Whispers

Clear skyDeep crystalline blue
Sun, lingering late day warmth
Golden

My mind wanders…
I close my eyes
Pause…
Longing for more summer

Refreshing wind
Gentle rustling above
Eyes open, fiery auburn light
I look up

And Nature whispers,
“It is time to move on…
Look closer…
I have something new to show you.”
KGLosserDesigns

(Photo: Autumn, Afire.  Karen Glosser)

Also Check Out:

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Sincerely,
Frank Cunha III
I Love My Architect – Facebook


“Art that Everyone Should Know” #1 by @SophiaFine

Friends,

I recently asked my friend Sophia Fine to compile a series of posts of artists and artwork that should be known in every household. 

This is the first in the series…Hope you enjoy it!

Sincerely,
Frank

Read the rest of this entry »


Post-Minimalist Art by Miya Ando

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Miya Ando is an American post-minimalist artist. She has done most of her works in countries besides the United States. Ando is of half-Japanese and half-Russian heritage and is a descendent of Bizen sword maker Ando Yoshiro Masakatsu. She was raised by sword smiths-turned Buddhist priests in a Buddhist temple in Okayama, Japan and in the redwoods of Santa Cruz, California. After graduating from UC Berkeley with a degree in East Asian Studies, Ando attended Yale University to study Buddhist iconography and imagery before apprenticing at the Hattori Studio in Japan.

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Ando’s work has been featured in solo exhibitions in several U.S. states including New York and California. Ando has also exhibited in France, Australia, England, Germany, and Tokyo, Japan. Ando’s work can be found at Aldrich Contemporary, the Newhouse Center for Contemporary Art, the Byzantine Museum in Greece, and in Chapman University’s private collection.[citation needed]
In 2009, Against the Stream Buddhist Meditation Society commissioned Ando’s piece, “8-Fold Path,” which consists of a grid of four steel square canvases measuring 4 feet each. The work was featured in a July 2009 article for Shambhala Sun for its “meditative” nature and “spiritual” influence. Also in 2009, Ando created “Fiat Lux” (“Let There Be Light”), a grid of 144 individual 5″ x 5″ steel canvasses for the meditation room in Brooklyn’s St. John’s Bread and Life Chapel. Ando was next commissioned by president Jay Davidson of The Healing Place Non Denominational Chapel to produce an installation for its women’s facility. Ando’s forty-foot, phosphorescent-coated steel piece, “Shelter[Meditation 1-2],” collects sunlight during the day and radiates blue at night. Ando’s latest installation commemorates the tenth anniversary of the September 11 attacks on New York City’s Twin Towers. Commissioned by the 9/11 London Project Foundation as a permanent addition to Potters Fields Park in London, England, Ando’s sculpture stands eight meters tall and is crafted from polished World Trade Center steel. Ando has also completed public commissions for Safdi Plaza Realty, the Thanatopolis Exhibition, San Francisco General Hospital, and CalFire. In 2011, Ando worked on commissions for the Haein Art Project in Korea and the Fist Art Foundation in Puerto Rico.

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Ando became an advocate and public ambassador for Element Skateboards’ 2010 International print and media campaign[citation needed] and won the Thanatopolis Special Artist Award and Public Outdoor Commission in 2010. Ando also received grants from the Puffin Foundation and Gilbert Slomowitz Foundation in 2010 and 2011.[citation needed]
Ando donated 100% of sales from her limited edition 2009 series to the Indigo Youth Movement, a non-profit organization that provides art supplies, books, and school supplies to children of the Isithumba village in South Africa. Ando actively participates in a wide variety of philanthropic collaborations to benefit causes ranging from environmental preservation to humanitarian aid.

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Miya Ando currently lives and works in Brooklyn, New York. Ando’s two- and three-dimensional works reference American minimalism and Zen Reductivism in its exploration of reflectivity and luminosity. According to Rural Intelligence, Ando’s “works on steel canvas are post-minimalism at its very best.”

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We would love to hear from you on what you think about this post. We sincerely appreciate all your comments.

If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
Frank Cunha III
I Love My Architect – Facebook

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Architect Artist Le Corbusier

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Le Corbusier – The man best known in black and white finally finds some colour. First published in Paris Match 1953, photographer Willy Rizzo captured the legend in Medium Format colour, the photos somehow not published since. Now, an exhibition at Corbusier’s own Maison La Roche, presented by Fondation Le Corbusier and Mr Rizzo, uncovers these beautiful shots laying out the full palette used in both his architectural drawings and his artwork.

Le Corbusier by Willy Rizzo Sept 19th to Dec 20th, Maison La Roche, 10 square du Docteur Blanche, 75016 Paris – France

 

Le Corbusier was born Charles-Edouard Jeanneret-Gris in Switzerland on October 6, 1887. In 1917, he moved to Paris and assumed the pseudonym Le Corbusier. In his architecture, he chiefly built with steel and reinforced concrete and worked with elemental geometric forms. Le Corbusier’s painting emphasized clear forms and structures, which corresponded to his architecture.

Click here to see one of his most prominent projects which embodies his 5 Points of Architecture.

We would love to hear from you on what you think about this post.  We sincerely appreciate all your comments.

If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
Frank Cunha III
I Love My Architect – Facebook


FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in NJ, NY, PA, DE, CT.