Architect’s Sketchbook – Montclair State University (Sketches by @FrankCunhaIII, 2017)

College Hall is where the history and the future of Montclair State meet. It’s where every student’s college journey begins with Undergraduate Admissions and ends with the submission of their final audit to the Office of the Registrar for graduation.

College Hall is where it all started. Back in 1903, the New Jersey State Normal School in Trenton could no longer support New Jersey’s growing need for qualified teachers by itself, so the state approved plans for a new normal school to serve northern New Jersey. (A normal school was a post-secondary school devoted to training teachers.) And in 1908, the New Jersey State Normal School at Montclair admitted its first students.

College Hall’s Spanish mission-style architecture, which was adopted for other buildings on campus, was the inspiration of benefactor Edward Russ, a member of the New Jersey State Board of Education who liked buildings he saw on a trip to California. So he integrated the style into plans for College Hall, complete with red-tile roofs—a look that lives on in campus construction today.

In the beginning, College Hall housed almost everything—administrative offices, classrooms, a library and a gym. Today, it is Montclair State’s administrative hub, housing the offices of the President and the Provost, University Advancement, Admissions, the Registrar, the Graduate School and more.

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Dedicated to the first president of Montclair State, Charles S. Chapin, in 1928, it is one of the original buildings of the Montclair State Normal School. This former residence hall was renovated in 1974, and again in 2009, and is now the home of the John J. Cali School of Music. The Leshowitz Recital Hall is also located in Chapin Hall.

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Russ Hall was built in 1915 and served as the first residential facility of the State Normal School at Montclair, now of course known as Montclair State University. Converted at one point to an administrative building and then later renovated back to a residence hall, Russ Hall provides suite-style accommodations for approximately 100 students.

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IMG_2253Dedicated to Allan C. Morehead, an alumnus and former professor, executive vice president and provost at Montclair State. Morehead Hall was used as a demonstration high school from 1929 to 1973. It now houses several student support services offices.

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Architect’s Sketchbook – Cape May, NJ (Sketches by @FrankCunhaIII, August 5, 2017)

A few sketches from my brief trip to Cape May after my triathlon race.

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DE CHIRICO

Giorgio de Chirico (July 10, 1888 – 20 November 20, 1978), an Italian artist, who in the years before World War I, founded the scuola metafisica art movement, which profoundly influenced the surrealists. After 1919, he became interested in traditional painting techniques, and worked in a neoclassical or neo-Baroque style, while frequently revisiting the metaphysical themes of his earlier work.
De Chirico is best known for the paintings he produced between 1909 and 1919, his metaphysical period, which are characterized by haunted, brooding moods evoked by their images. At the start of this period, his subjects were still cityscapes inspired by the bright daylight of Mediterranean cities, but gradually he turned his attention to studies of cluttered storerooms, sometimes inhabited by mannequin-like hybrid figures. 

 

   
    
    
    
    
 
  
 
 

In autumn, 1919, De Chirico published an article in Valori Plastici entitled “The Return of Craftsmanship”, in which he advocated a return to traditional methods and iconography. This article heralded an abrupt change in his artistic orientation, as he adopted a classicizing manner inspired by such old masters as Raphael and Signorelli, and became an outspoken opponent of modern art.In the paintings of his metaphysical period, De Chirico developed a repertoire of motifs—empty arcades, towers, elongated shadows, mannequins, and trains among others—that he arranged to create “images of forlornness and emptiness” that paradoxically also convey a feeling of “power and freedom”. According to Sanford Schwartz, De Chirico—whose father was a railroad engineer—painted images that suggest “the way you take in buildings and vistas from the perspective of a train window. His towers, walls, and plazas seem to flash by, and you are made to feel the power that comes from seeing things that way: you feel you know them more intimately than the people do who live with them day by day.”

In 1982, Robert Hughes wrote that De Chirico “could condense voluminous feeling through metaphor and association … In The Joy of Return, 1915, de Chirico’s train has once more entered the city … a bright ball of vapor hovers directly above its smokestack. Perhaps it comes from the train and is near us. Or possibly it is a cloud on the horizon, lit by the sun that never penetrates the buildings, in the last electric blue silence of dusk. It contracts the near and the far, enchanting one’s sense of space. Early de Chiricos are full of such effects. Et quid amabo nisi quod aenigma est? (“What shall I love if not the enigma?”)—this question, inscribed by the young artist on his self-portrait in 1911, is their subtext.”

In this, he resembles his more representational American contemporary, Edward Hopper: their pictures’ low sunlight, their deep and often irrational shadows, their empty walkways and portentous silences creating an enigmatic visual poetry.

For more information on Giorgio de Chirico click here.

  
    
    
 

 

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments.If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!
-FRANKCUNHAIII


Bicycle Photographic Artwork

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Photos by FRANK CUNHA III (2015)
Media: iPhone photo
Post Edits: Snapseed App

 


“Art that Everyone Should Know” #3 by @SophiaFine

Friends,

I recently asked my friend Sophia Fine to compile a series of posts of artists and artwork that should be known in every household. 

This is the third in the series…Hope you enjoy it!

Sincerely,
Frank

Read the rest of this entry »


“Art that Everyone Should Know” #2 by @SophiaFine

Friends,

I recently asked my friend Sophia Fine to compile a series of posts of artists and artwork that should be known in every household. 

This is the second in the series…Hope you enjoy it!

Sincerely,
Frank

Read the rest of this entry »


“Art that Everyone Should Know” #1 by @SophiaFine

Friends,

I recently asked my friend Sophia Fine to compile a series of posts of artists and artwork that should be known in every household. 

This is the first in the series…Hope you enjoy it!

Sincerely,
Frank

Read the rest of this entry »