Posted: May 25, 2018 Filed under: Architecture, ILMA Interview, More FC3 | Tags: Aesthetics, African American, African-American Architect, African-American Architecture, Amazon Prime, America Has Talent, Architect, Architectural Design, Architecture Interview, Architecture School, Art, Associate, Church, College, conformitas, Construction, Construction Management, Contractor, Corporate, Creative, Creativity, Degree, Design, Designer, Diversity, Education, Entrepeneur, Equity, Exclusive, Experience, FC3, Home Design, ILMA, Innovation, interior design, Interiors, Interview, Island Architecture, Italy, Knowledge, Leader, Leadership, linkedin, Lisa Middleton, Love, management, New Construction, New Jersey, New York, NYC, NYCity, professional, Reginald Thomas, Residential, Retweet, Rome, RT, Share, South Bronx, Success, Talent, Technology, Urban, UrbanAesthetics, utilitas, venustas, Vitruvius, Wisdom
New York, New Jersey Reginald L. Thomas, AIA has garnered over twenty years’ experience working with a diverse group of distinguished architectural/design firms in New York City. Reginald L. Thomas Architect LLC specializes in historically based, high-end, residential projects. Recently, he has added commercial and institutional work to the firm’s diverse clientele. His work has been featured in several prestigious publications, notably The New York Times and Architectural Digest.
Web | Blog | Facebook | LinkedIn | Houzz
When and why did you decide to become an Architect?
- I’ve wanted to be an architect since I was 10 years old. During a weekend visit to the local art store to purchase paints, a how to book on architectural rendering caught my eye. I remember thinking that the floor plans seemed magical.
- We can thank Mike Brady, of the then popular Sitcom, the Brady Bunch, for that. My first introduction to renderings and models came from watching the episodes after school and I was hooked.
- Growing up in New York City, however, I visited the Museum of Natural History and MOMA regularly. I was fascinated by the dioramas at the Museum of Natural History and the artwork at the MOMA and so at first, I dreamt of being an artist and being able to create this kind of beauty.
What were some of the challenges of achieving your dream?
- I grew up in the South Bronx, so the first challenge was of course, money. I fretted about how I was going to pay for college or even how I was going to apply to college. It was stressful to think that I would have to help my siblings after college and therefore not be able to realize my own dreams.
Any memorable clients or project highlights?
- I’ve had the pleasure of working with corporate giants, entertainment and sports celebrities as well as hard working people who are interested in living in beautiful spaces. All are special to me. Each project has its own individual story However, I have had clients that allowed me to design and build every inch of their space including the furniture. That’s amazing in today’s climate.
How does your family support what you do?
- College was a priority in my household as both my parents attended college. My dad for his Associates Degree and my mother for her Master’s in Education. , Although I did not have money I had an abundance of support for what I wanted to accomplish and an expectation that I get there.
How do Architects measure success?
- I believe versatility is a skill we all value as designers. We build projects that are beautiful as well as functional. Being able to create an aesthetically pleasing space to satisfy each of my client’s specific taste and at the same time ensuring that it functions is its own reward.
What matters most to you in design?
What do you hope to achieve over the next 2 years? 5 years?
- To grow my business using all of the experience I’ve garnered over the last 30 years in multiple jurisdictions.
- Like most artists, I also wish to push the barriers of my creativity while remaining true to the traditional and timeless nature of my designs.
Who is your favorite Architect? Why?
- Paul Rudolph for salesmanship, talent, and cultural navigation skills which were beyond belief
- Frank Lloyd for his skill, as well as his ability to convince his clients to be daring and tenacious.
- Julia Morgan for her dedication and ability when she was the only one, and her clients who recognized and rewarded her abilities.
Do you have a coach or mentor?
What is your favorite historic and modern (contemporary) project? Why?
- The Great Pyramids of Giza. They are pure form, functional and beautiful. It was once written by an early 19th century explorer who catalogued the proclivity for ornamentation throughout the known world that what we are able to see of Egyptian Architecture now is this architecture represents the last 2500 of this work in decline, what left of this 5000 year old architectural culture.
- If that be the case, then how much more glorious the architectural vocabulary of this civilization must be. The elements of order including the concept of hyper style halls must be astounding. These are the elements that make an edifice “timeless.”
- Notre Dame du Haut: The building teaches the intangibles of architecture as art. How does one use light as a design element? Most people will never even notice how the intangible shapes made by light in their space let alone the effects on their psychological health.
- The Mildred B Cooper Memorial Chapel: The boundaries that identify characteristics of nature and the difference from manmade structures are so blurred I this building that it is magical. I think in this design he did make his mentor proud. It is truly great work.
Where do you see the profession going over the next few decades?
- I think we are finally reaching the point where we are accepting the fact that we are part of a global community. That means a true understanding, in real time, of the relationship and importance of urban design, architecture and interior design etc. to the human conditions.
- Our use of technology will continue to grow at a rapid pace and architects will be required to leverage their expertise to benefit the world community especially in the areas of sustainability, and resilience.
- I am most excited by the possibility of the profession as the lead, taking on the real-estate profession as developers
What type of technology do you see in the design and construction industries?
- The digital drafting board and smart drafting solutions. The stylus is back, Instant 3d models and the expansion of BIM as a tool.
- Wireless outlets
- ASCII, GPS, LiDAR technology continue to advance. Assisting historic preservation giving a vision of what was formally unseen thereby assisting design and limiting errors.
- 3d modeling, as a tool, will advance to the point that we will grow more independent of contractors and furniture designers
Who / what has been your greatest influence in design?
- The reading of a Pattern Language. The book continues to teach me to think in layers until I get to the optimum solution.
- Jean Michele Frank: The comprehensive business model that he practiced was one to be envied and to be emulated.
- My mentors Max Bond and Richard Dozier.
- New York City designers that I’ve work for like Peter Marino and Juan Montoya
Which building or project type would you like to work on that you haven’t been part of yet?
- A Place of worship on an island site
How do you hope to inspire / mentor the next generation of Architects?
- I hope to inspire the next generation through visibility. African-American descent represents a very small part of the architectural demographics.
- I hope to write treatise and guides thereby leaving a guide to others to build on.
- My suggestion always is to be assiduous; to be relentless, recognizing that this is a lifelong area of study, one that requires . “long distance runners.”
What advice would you give aspiring architects (K-12)? College students? Graduates?
- The best advice for K-12 is to engage with architects when they come in to your schools on career days. It is important as this stage to really get a clear understanding of what an architect does and the value of architects’ play in their daily lives.
- College students: Provide information and honest dialogue on expectations after graduation; how to set reasonable and attainable goals, and lastly the many ways to measure success.
- Financial guidance on how to plan for a secure retirement.
- Explain what it means to own one’s own firm.
What does Architecture mean to you?
- Architecture is life. It is the culmination of the aspirations of the human condition at different time periods.
- Architecture means being conscious of the places and spaces we occupy as humans. It’s being in the unique position of being able to effect change in the communities welive in a way that is unique to no other profession
What is your design process?
- Client interview: Do more listening than writing.
- Who or what community am I designing for.
- Identify client particulars not just in program but culturally. How does the client perceive and use space. What is the corporate or family dynamic?
- Where am I being asked to design?
- What are the constraints of the site or space?
- How do I make it function perfectly and at the same time be beautiful?
If you could not be an Architect, what would you be?
- Apart from very early on when I wanted to be an artist I have never given thought to being anything else, however, if you were to ask my father, a surgeon would have been his preference.
What is your dream project?
- One that encompasses urban planning, landscape architecture, architecture as sculpture, interior design and furniture design; the complete package in the vernacular of the local culture.
What advice do you have for future Executive leaders?
- Seek out and work with like-minded people who share your vision and whom you can trust to honestly evaluate, and counsel you. Also, do not be afraid to delegate or share responsibility giving you the time and space you need as the leader to imagine and create.
What are three key challenges you face as a leader in business today and one trend you see in your industry?
- The challenge of finding curious and willing junior staff who are willing to put in the long hours needed to really learn the ins and outs of the profession.
- Finding staff that is willing to learn how to build, even, by drawing the components rather than by cutting and pasting.
- My hope is that with the advances in Wacom Tablet technology we will have monitors as drafting boards and stylus as pencils causing the young architect to unconsciously pay more attention to what and how the building is being created.
What one thing must an executive leader be able to do to be successful in the next 3 years?
- The executive leader must to be able to leverage the power of the internet and especially social media
What are some executive insights you have gained since you have been sitting in the executive leadership seat – or what is one surprise you have encountered as the world of business continues to morph as we speak?
- I have been surprised at how much television, social media and the internet have impacted the decisions we now make as leaders.
Final Thoughts on How to Be Successful?
- Improving and adapting are keys to longevity and to success. Be relentless in your desire to grow and learn recognizing that learning is a lifelong pursuit.
For more exclusive ILMA interviews click here.
We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!
FRANK CUNHA III
I Love My Architect – Facebook
Posted: December 21, 2012 Filed under: Architecture, JustArch | Tags: ada, Aesthetics, Blind Design Paradox, Design, visually impaired, WJMArchitect
-by William J. Martin Architect
Designing for the visually impaired has obvious implications for the aesthetic factor.
Designing a successful object or building is, in many cases, heavily dependent upon visual aesthetic. The Paradox of a designed building not needing a visual aesthetic, highlights the concept of “Econo-functional Aesthetic Balance“. The visually impaired building user is unable to appreciate the visual aesthetic and beauty in a visual aesthetic design factor. Focusing in on creating only visual beauty of form in this situation is not appropriate and is theoretically not relevant from the perspective of the building user.
The paradox is useful since many people tend to think of aesthetics as derived only from
By separating the visual aesthetics from the other two factors, the “Blind Design Paradox” takes the focus off of the visual beauty of design and highlights the important role of
balancing all three factors.
Visual aesthetics alone does NOT constitute good design. The underlying point of this example demonstrates the role of the “Equilibrium of Appropriate Balance” when all three factors in the design interact.
In the “Blind Design Paradox”, the “E-FAB” between the factors is achieved not through visual beauty, but through the textural and acoustic design of architectural elements. In fact, the space could be visually unaesthetic, poorly proportioned, and devoid of any light or color. These normally important aspects of design are theoretically not important to a visually impaired building user since they cannot be visually perceived.
The visually impaired building user appreciates the beauty, not visually, but through the textures, temperature and acoustics of architectural elements while utilizing the function of the spaces designed for them.
The “Aesthetics Factor” is affected by refining it as the beauty of the physical texture and acoustical properties of the materials selected by the designer to create the aesthetic and balance the functional and economic requirements. In this example the primary effort is not put into creating the visual beauty of form. This factor utilizes tactile and acoustic beauty to create the aesthetics of the design.
The “Functions Factor” is affected by the design of space that needs to make use of material textures not visual material appearance. An example of this is flooring texture to communicate room type and function, wall textures to assist users in locating and orienting themselves, and even temperature and acoustic cues designed into the building. This factor considers the functional purpose of the building to make it perform for the visually impaired building user and balance with the aesthetic and economic factors.
The “Economics Factor” is affected by the re-allocating of economic resources to obtain the appropriate diversity of textured materials and acoustic cues necessary to realize the design and accomplish a balance with the function and aesthetic factors. This factor considers the reasonable availability of these materials or whether new materials or technologies will need to be developed. This should also reasonably consider the economic means of the user as defined by the resources allocated to accomplish the construction of the design.
It is important to understand that even in this theoretical example, the Formal Aesthetic Factor is not eliminated or even decreased in importance. It has shifted from visual beauty to tactile and acoustic beauty and still must be balanced with the other factors to achieve equilibrium and maximize the “Econo-functional Aesthetic Balance”. If the Three Factors are appropriately balanced the equilibrium created will transcend the sum of its parts.
This creates architectural beauty that is far more profound.
Also Check Out:
We would love to hear from you on what you think about this post. We sincerely appreciate all your comments.
If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!
Frank Cunha III
I Love My Architect – Facebook
FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
Licensed in NJ, NY, PA, DE, CT.