What sets one construction company apart from another?

Guest post by Sarah Grey

ILMA

What sets one construction company apart from another?

With so many builders competing for your construction contract, finding the right one for your job

can be a real challenge, especially if you don’t have any direct experience in construction. From

the perspective of a professional Architect, here are some things to look out for when comparing

partners for your next big project.

A strong commitment to budget

Budget overruns are so frequent in the construction industry that they’ve almost become

a standard expectation, particularly when it comes to large commercial and civil projects.

Whilst there will always be unpredictable factors that can blow out your construction time, it’s

not unreasonable to expect that the final cost will be within 5-10% of your original contract.

Reputable construction companies will provide guaranteed fixed price contracts so you can rest

assured that your project will stay on budget.

Awards, but not just any awards…

Every industry has their own respected body that recognises and rewards industry leaders. By

the same token, there are also plenty of less knowledgeable bodies who are only in the awards

business to promote their own business instead of the industry as a whole. In the Australian

building industry, HIA is the premier industry representative. If the builder you’re considering

can show off recent awards related to your specific project, you can be quite confident that they

know what they’re doing.

After care

The law can only go so far to protect you from dodgy workmanship. It’s worth spending more

of your budget to secure a builder that offers a more extensive warranty. Be sure to check the

details thoroughly, it’s not just about the length of time, it’s also about their process for arranging

repairs or replacement of material.

Local project management

A dedicated Project Manager who regularly visits your site and is always on call is an absolute

must. Don’t settle for anything less.

Favorable Reviews

The most reputable home builders are equally liked by their mum and dad clients as they are

by architect clients. Whilst industry colleagues can provide valuable recommendations, it’s

easy to forget that many home-owner/builders are eagerly sharing their own reviews of building

companies online. Browse building company reviews on product review websites to see if there

are any client horror stories waiting to be discovered.

Specialist knowledge

An increasing number of builders are now offering ‘design and build’ services to their direct

clients. While there’s no doubt that this service offering is an inferior substitute for a professional

architect, this doesn’t mean that you should avoid working with them. The greater the

understanding your builder has of the design process and of the latest developments, the easier

they will be to work with.

Sarah Grey is a Writer and Marketer who works for a home building company.


Exclusive ILMA Interview with Kurt Kalafsky, AIA @KurtKalafsky

Architect Q&A:

When and why did you decide to become an Architect? 

When I was in HS I took some mechanical and architectural drawings classes (yes hand drafting) I really enjoyed it and the teacher encouraged me to pursue it further.

AZTEC Corp

Design and Photo provided by The Aztec Corporation/Aztec Architects LLC

What were some of the challenges of achieving your dream? 

Setting priorities and committing to a future profession is always challenging with all of the potential distractions on a college campus. I was working during all of my breaks and summer recesses and getting a lot of real office experience while attending Syracuse University. Syracuse was a very design focused school with very little thought put toward what we would actually be doing when we got out. After my third year I choose to transfer to NYIT Old Westbury. While still focusing on a high level of design, most of my professors were also practicing architects. I believe this balance of two very different types of education has helped me to become the Architect that I am today.

 Any memorable clients or project highlights? 

Every client and project is memorable it its own way, they are all unique with a different set of problems to solve. Ultimately that’s what an Architect is, a problem solver.

How do you balance design with your family life?

I value my family time very much. I get involved with my kid’s activities not just as a spectator but as a coach or a scout leader. I started coaching youth football while I was still in college and I was parents that just dropped their kids off and others that took a more active role. With very little exception, the kids that excelled were the ones whose parents showed an active interest in what their kids were doing. I learned a great deal about parenting dos and don’ts before I ever had children of my own.

Calatrava New York WTC Station

World Trade Center Transportation Hub by Santiago Calatrava Valls

How does your family support what you do?

They are my #1 fans and supporters. A little over 20 years ago my wife was pregnant with our first child, we just purchased our first home and I come home one day and tell her I want to quit my steady job and start my own firm with some friends. She was behind me one hundred percent and now we just celebrated the 20th Anniversary The Aztec Corporation and Aztec Architects LLC.
 
How do Architects measure success?

I can’t speak for all Architects, but I measure it by going to work every day and enjoying what I do. Constantly learning about the industry, business, how other businesses work, what makes people tick…

What matters most to you in design? 

Solving the clients problems and making their dreams a reality.

What are the challenges you face realizing your vision?

Getting to know who my client is and what their vision is. Understanding where they’ve been and where they what to go.

What do you hope to achieve over the next 20-30 years?

I don’t put any limits on my future, I guess I’m at a point where I enjoy working with younger people in our profession not only teaching them what I’ve learned but also learning from them.

Who is your favorite Architect? Why?

I have eclectic tastes in architecture, from Michelangelo to Frank Lloyd Wright to Bruce Goff to Richard Meier. I really enjoy architecture that brings nature into the design and reacts to the site and its surroundings regardless of who the designer is.

What is your favorite historic and modern project? Why?

I find the classic lines of St. Peter’s Basilica awe inspiring. The detail that went into it is truly amazing. I also love the Library of Congress in Washington DC, easily my favorite building in a city with so much great architecture. I’m also really enjoying watching the progress of Santiago Calatava’s new Transportation Center at the World Trade Center Site.

Where do you see the profession going over the next few decades?

That’s going to be largely up to the next generation of architects to determine. We as a profession face many challenges and if we don’t stay at the forefront of today’s issues political, technology, business…. we will be left behind. We need to continue to show our communities the value that we bring to the table.

St. Peter's Basilica is a Late Renaissance church located within Vatican City designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini. It has been described as "holding a unique position in the Christian world"[3] and as "the greatest of all churches of Christendom".

St. Peter’s Basilica is a Late Renaissance church located within Vatican City designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini. It has been described as “holding a unique position in the Christian world”[3] and as “the greatest of all churches of Christendom”.

Who / what has been your greatest influence in design?

I believe that we are influenced by the totality of our life’s experiences. I don’t believe there is any one person, project or experience that has been life changing for me. I also think we need to keep an open mind to best serve our future clients.

How do you hope to inspire / mentor the next generation of Architects?

Keep them excited about learning; if we stop learning we will have no value.

What does Architecture mean to you? 

Architecture is both a process and a result. The process of defining the clients’ problem or vision and the process of solving that problem to get the end result that they are looking for.

If you could not be an Architect, what would you be? 

I would probably do something outdoors with nature, maybe a park ranger or something in the field of wildlife management.

What is your dream project?

The next one.

You can follow Kurt M Kalafsky on Twitter: @KurtKalafsky.

The oldest of the three United States Library of Congress buildings, the Thomas Jefferson Building was built between 1890 and 1897. It was originally known as the Library of Congress Building and is located on First Street SE, between Independence Avenue and East Capitol Street in Washington, D.C. The Beaux-Arts style building is known for its classicizing facade and elaborately decorated interior. Its design and construction has a tortuous history; the building's main architect was Paul J. Pelz, initially in partnership with John L. Smithmeyer, and succeeded by Edward Pearce Casey during the last few years of construction.

The oldest of the three United States Library of Congress buildings, the Thomas Jefferson Building was built between 1890 and 1897. It was originally known as the Library of Congress Building and is located on First Street SE, between Independence Avenue and East Capitol Street in Washington, D.C. The Beaux-Arts style building is known for its classicizing facade and elaborately decorated interior. Its design and construction has a tortuous history; the building’s main architect was Paul J. Pelz, initially in partnership with John L. Smithmeyer, and succeeded by Edward Pearce Casey during the last few years of construction.

We would love to hear from you on what you think about this post.

We sincerely appreciate all your comments.If you like this post please share it with friends.

And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

Frank Cunha III
I Love My Architect – Facebook

FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in CT, DC, DE, FL, MD NJ, NY, PA, VA


“Art that Everyone Should Know” #3 by @SophiaFine

Friends,

I recently asked my friend Sophia Fine to compile a series of posts of artists and artwork that should be known in every household. 

This is the third in the series…Hope you enjoy it!

Sincerely,
Frank

Read the rest of this entry »


New Art And Poetry By My Friend Karen Glosser @kglosserdesigns

Nature Whispers

Clear skyDeep crystalline blue
Sun, lingering late day warmth
Golden

My mind wanders…
I close my eyes
Pause…
Longing for more summer

Refreshing wind
Gentle rustling above
Eyes open, fiery auburn light
I look up

And Nature whispers,
“It is time to move on…
Look closer…
I have something new to show you.”
KGLosserDesigns

(Photo: Autumn, Afire.  Karen Glosser)

Also Check Out:

If you like this post please share it and spread the love.

Sincerely,
Frank Cunha III
I Love My Architect – Facebook


Friday Fun

ovxra


Under Construction: First Hurricane Sandy Rebuild by @FC3ARCHITECTURE #Home #Design

* * * UNDER CONSTRUCTION * * *

This home was impacted by Hurricane Sandy.

The repairs and alternations will include aesthetic enhancements and updates.

Click Here for more info.

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*** All Photos Taken & Provided by Homeowner ***

Architect:   FC3 Architecture + Design

Builder:   Fortis Developers

Budget:   Withheld at Owner’s Request

Location:   Linden, NJ

Linden - Ranch Transformation

EXISTING ELEVATIONS:

linden - existing

PROPOSED ELEVATIONS:

linden-proposed-01

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Also Check Out:

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments.

If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
Frank Cunha III
I Love My Architect – Facebook

FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in CT, DC, DE, FL, MD, NJ, NY, PA.


Happy “Labor Day” Works Progress Administration Federal Art Project

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Artwork by Frank Cunha III (2013)

The Works Progress Administration (renamed in 1939 as the Work Projects Administration; WPA) was the largest and most ambitious New Deal agency, employing millions of unemployed people (mostly unskilled men) to carry out public works projects, including the construction of public buildings and roads. In much smaller but more famous projects the WPA employed musicians, artists, writers, actors and directors in large arts, drama, media, and literacy projects.[1]
Almost every community in the United States had a new park, bridge or school constructed by the agency. The WPA’s initial appropriation in 1935 was for $4.9 billion (about 6.7 percent of the 1935 GDP), and in total it spent $13.4 billion.

At its peak in 1938, it provided paid jobs for three million unemployed men and women, as well as youth in a separate division, the National Youth Administration. Headed by Harry Hopkins, the WPA provided jobs and income to the unemployed during the Great Depression in the United States. Between 1935 and 1943, the WPA provided almost eight million jobs. Full employment, which emerged as a national goal around 1944, was not the WPA goal. It tried to provide one paid job for all families in which the breadwinner suffered long-term unemployment.

The WPA was a national program that operated its own projects in cooperation with state and local governments, which provided 10%-30% of the costs. WPA sometimes took over state and local relief programs that had originated in the Reconstruction Finance Corporation (RFC) or Federal Emergency Relief Administration (FERA) programs.

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Artwork by Frank Cunha III (2013)

Liquidated on June 30, 1943, as a result of low unemployment due to the worker shortage of World War II, the WPA provided millions of Americans with jobs for 8 years. Most people who needed a job were eligible for at least some of its positions. Hourly wages were typically set to the prevailing wages in each area. But, workers could not be paid for more than 30 hours a week. Before 1940, to meet the objections of the labor unions, the programs provided very little training to teach new skills to workers.

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Artwork by Frank Cunha III (2013)

The Federal Art Project (FAP) was the visual arts arm of the Great Depression-era New Deal Works Progress Administration Federal One program in the United States. It operated from August 29, 1935, until June 30, 1943. Reputed to have created more than 200,000 separate works, FAP artists created posters, murals and paintings. Some works still stand among the most-significant pieces of public art in the country.

The program made no distinction between representational and nonrepresentational art. Abstraction had not yet gained favor in the 1930s and 1940s and, thus, was virtually unsalable. As a result, the program supported such iconic artists as Jackson Pollock before their work could earn them income.

The FAP’s primary goals were to employ out-of-work artists and to provide art for non-federal government buildings: schools, hospitals, libraries, etc. The work was divided into art production, art instruction and art research. The primary output of the art-research group was the Index of American Design, a mammoth and comprehensive study of American material culture.
The FAP was one of a short-lived series of Depression-era visual-arts programs, which included the Section of Painting and Sculpture and the Public Works of Art Project (both of which, unlike the WPA-operated FAP, were operated by the U.S. Department of the Treasury).

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Artwork by Frank Cunha III (2013)

We would love to hear from you on what you think about this post.

We sincerely appreciate all your comments.If you like this post please share it with friends.

And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

Frank Cunha III
I Love My Architect – Facebook

FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in CT, DE, FL, MD NJ, NY, PA