NEW @FC3ARCHITECT RESIDENCE ON THE BOARDS – From Cape Cod to Center Hall Colonial

The latest designs for this new expanded home consist of a modern spin on a center hall colonial.  We achieve this by expanding the existing cape cod residence on the right side and the rear of the home.  New master bedroom suite and bedrooms are on the new second floor.   The new addition allows us to re-position the stairs to create a center hall.  The front of the home remains traditional with formal living and dining spaces on each side of the hall.  Access to the great room and new kitchen is provided through pocket doors.  The new kitchen will boost a built in breakfast nook and double-island design while the great room boosts a gas-fired fireplace.

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1864 - Bisset 332 Oak Avenue Woodbridge NJ EX-PHOTO-02EXISTING RESIDENCE

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EXTERIOR-ELEV-RENDER-02PROPOSED RIGHT ELEVATION

EXTERIOR-ELEV-RENDER-03PROPOSED LEFT ELEVATION

EXTERIOR-ELEV-RENDER-04PROPOSED RIGHT ELEVATION

We would love to hear from you about what you think about this project. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

Feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


NEW @FC3ARCHITECT RESIDENCE ON THE BOARDS – From Plain Saltbox to Mediterranean-Style Residence

The latest designs for this new expanded home consist of a modern spin on a Mediterranean-style county home with spanish tile roof.  We achieve this by expanding the existing two-story home to the left of the existing garage and the the entrance of the existing home.  Updated second floor layouts allow for outdoor living space over the new garage addition. The new front addition boosts a new curved staircase connecting the main level living space with the bedroom spaces above.  A new foyer and dining room is created reusing existing rooms in the house.  The interior will elaborate on the theme by integrating curved archways and stone details.  The front facade was designed with order in mind – arches and columns provide rhythm and elegance for this new home.  The client opted for cast iron railings both inside and outside.

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We would love to hear from you about what you think about this project. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

Feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


History of Architecture

Jacqueline Gargus is a professor of architecture at the Knowlton School. Educated at Wellesley College and the University of Pennsylvania, she joined the Knowlton School faculty in 1988. She has also taught at the Harvard Graduate School of Design and has been a Senior Research Fellow at the Bauhaus Universität, Weimar, and the Technical University of Vienna. She is the author of Ideas of Order: A Formal Approach to Architecture (Kendall Hunt, 1994) and the multimedia digital video textbook, Architectural History 1, produced by iTunes University. Her most recent book is Architecture Guide: China (2016), co-authored with Evan Chakroff and Addison Godel.

Follow this link for access to over 40 youtube videos that take you from antiquity through mid-1800’s.

History of Architecture Youtube Playlist

If you just cannot get enough (like me) click here for another 100 episodes: iTunes History of Architecture Course

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

Feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


What is the Thinking Hand in Architecture (and why we, as architects, must defend the natural slowness and diversity of experience) #ilmaBlog #Discourse #Theory #Architecture #Design

ILMA The Thinking Hand 01

2009 Book, The Thinking Hand written byArchitect Juhani Pallasmaa

In The Thinking Hand, Architect Juhani Pallasmaa reveals the miraculous potential of the human hand. He shows how the pencil in the hand of the artist or architect becomes the bridge between the imagining mind and the emerging image. The book surveys the multiple essences of the hand, its biological evolution and its role in the shaping of culture, highlighting how the hand–tool union and eye–hand–mind fusion are essential for dexterity and how ultimately the body and the senses play a crucial role in memory and creative work. Pallasmaa here continues the exploration begun in his classic work The Eyes of the Skin by further investigating the interplay of emotion and imagination, intelligence and making, theory and life, once again redefining the task of art and architecture through well-grounded human truths.

Pallasmaa notes that, “…architecture provides our most important existential icons by which we can understand both our culture and ourselves. Architecture is an art form of the eye, the hand, the head and the heart. The practice of architecture calls for the eye in the sense of requiring precise and perceptive observation. It requires the skills of the hand, which must be understood as an active instrument of processing ideas in the Heideggeran sense. As architecture is an art of constructing and physical making, its processes and origins are essential ingredients of its very expression…”

Linking art and architecture he continues, “…as today’s consumer, media and information culture increasingly manipulate the human mind through thematized environments, commercial conditioning and benumbing entertainment, art has the mission to defend the autonomy of individual experience and provide an existential ground for the human condition. One of the primary tasks of art is to safeguard the authenticity and independence of human experience.”

Pallasmaa asserts that,

“Confidence in future architecture must be based on the knowledge of its specific task; architects need to set themselves tasks that no one else knows how to imagine. Existential meanings of inhabiting space can be articulated by the art of architecture alone. Thus architecture continues to have a great human task in mediating between the world and ourselves and in providing a horizon of understanding in the human existential condition.

The task of architecture is to maintain the differentiation and hierarchical and qualitative articulation of existential space. Instead of participating in the process of further speeding up the experience of the world, architecture has to slow down experience, halt time, and defend the natural slowness and diversity of experience. Architecture must defend us against excessive exposure, noise and communication. Finally, the task of architecture is to maintain and defend silence. The duty of architecture and art is to survey ideals and new modes of perception and experience, and thus open up and widen the boundaries of our lived world.”

(Source: https://www.wiley.com/en-us/The+Thinking+Hand%3A+Existential+and+Embodied+Wisdom+in+Architecture-p-9780470779293)

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

Feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


The History of Western Architecture in Photos

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Happy Friday and enjoy the brief history lesson!

Prehistoric Times: Stonehenge in Amesbury, United Kingdom
Jason Hawkes/Getty Images

Ancient Egypt: The Pyramid of Khafre (Chephren) in Giza, Egypt
Lansbricae (Luis Leclere)/Getty Images (cropped)

Classical: The Pantheon, Rome
Werner Forman Archive/Heritage Images/Getty Images (cropped)

Byzantine: Church of Hagia Eirene, Istanbul, Turkey
Salvator Barki/Getty Images (cropped)

Romanesque: Basilica of St. Sernin, Toulouse, France
Anger O./AgenceImages courtesy Getty Images

Gothic: Notre Dame de Chartres, France
Alessandro Vannini/Getty Images (cropped)

Renaissance: Villa Rotonda (Villa Almerico-Capra), near Venice, Italy
Massimo Maria Canevarolo via Wikimedia Commons

Baroque: Palace of Versailles, France
Loop Images Tiara Anggamulia/Getty Images (cropped)

Rococo: Catherine Palace near Saint Petersburg, Russia
Sean Gallup/Getty Images

Neoclassicism: The U.S. Capitol in Washington, D.C.
Architect of the Capitol

Art Nouveau: Hôtel Lutetia, 1910, Paris, France
Justin Lorget/chesnot/Corbis via Getty Images

Beaux Arts: The Paris Opéra, Paris, France
Francisco Andrade/Getty Images (cropped)

Neo-Gothic: The 1924 Tribune Tower in Chicago
Glowimage/Getty Images (cropped)

Art Deco: The 1930 Chrysler Building in New York City
CreativeDream/Getty Images

Modernism: De La Warr Pavilion, 1935, Bexhill on Sea, East Sussex, U.K.
Peter Thompson Heritage Images/Getty Images

Postmodernism: Celebration Place, Celebration, Florida
Jackie Craven

Neo-Modernism and Parametricism: Heydar Aliyev Centre, 2012, Baku, Azerbaijan
Christopher Lee/Getty Images

Prehistoric to Parametric: Prehistoric Stonehenge (left) and Moshe Safdie’s 2011 Marina Bay Sands Resort in Singapore (right)
Left: Grant Faint / Right: photo by William Cho

(Source: Craven, Jackie. “Architecture Timeline – Western Influences on Building Design.” ThoughtCo, Apr. 21, 2018, thoughtco.com/architecture-timeline-historic-periods-styles-175996)

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


What is the Role of the Architect in the Future of AR Design?

Never before in the modern history of technology has the architect, the designer, been a more important part of technology’s future. Architects have been curating and ideating on the development of ‘place’ for centuries. Gensler covers how they are leveraging AR in the coverage of AI, the Internet of Things, and Cloud computing, and how to design places using game engine technology.

Speaker: Alan Robles of Gensler

Over 24 years exploring the relationship between users and their surroundings, Alan’s been creating experience environments for clients and projects of every scale around the world. In his role at Gensler he explores the opportunities found at the fringes of the design practice, searching for the edges of the play space of each design opportunity.

(Source: bit.ly/visionsummit17)

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


ILMA Architect of the Week: Adolf Loos

Do You Like Modern Architecture?

You can thank Adolf Franz Karl Viktor Maria Loos (December 10, 1870 – August 23, 1933).

Adolf  Loos was an Austrian and Czech architect and influential European theorist of modern architecture. His essay Ornament and Crime advocated smooth and clear surfaces in contrast to the lavish decorations of the fin de siècle and also to the more modern aesthetic principles of the Vienna Secession, exemplified in his design of LooshausVienna. Loos became a pioneer of modern architecture and contributed a body of theory and criticism of Modernism in architecture and design and developed the “Raumplan” (literally spatial plan) method of arranging interior spaces, exemplified in Villa Müller in Prague.

Adolf Loos Architect 02 Moller House

Villa Müller Elevation

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Villa Müller Floor Plan of Mezzanine

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The Looshaus is a building in Vienna designed by Adolf Loos, regarded as one of the central buildings of Viennese Modernism. It marks the departure from historicism, but also from the floral decor of Secession, an an art movement formed in 1897 by a group of Austrian artists who had resigned from the Association of Austrian Artists, housed in the Vienna Künstlerhaus.

At age 23, Loos traveled to the United States and stayed there for three years from 1893–96. While in the United States, he mainly lived with relatives in the Philadelphia area, supported himself with odd jobs and also visited other cities such as the World’s Columbian Exposition in Chicago, St. Louis and New York. Loos returned to Vienna in 1896 and made it his permanent residence. He was a prominent figure in the city and a friend of Ludwig Wittgenstein, Arnold Schönberg, Peter Altenberg and Karl Kraus.

Inspired by his years in the New World he devoted himself to architecture. After briefly associating himself with the Vienna Secession in 1896, he rejected the style and advocated a new, plain, unadorned architecture. A utilitarian approach to use the entire floor plan completed his concept. Loos’s early commissions consisted of interior designs for shops and cafés in Vienna.

Modern architecture is a group of styles of architecture which emerged in the first half of the 20th century and became dominant after World War II. It was based upon new technologies of construction, particularly the use of glasssteel and reinforced concrete; and upon a rejection of the traditional neoclassical architecture and Beaux-Arts styles that were popular in the 19th century.  They also rejected embellishments.

Modern architecture continued to be the dominant architectural style for institutional and corporate buildings into 1980s, when it was largely deposed by postmodernism.

Notable architects important to the history and development of the modernist movement include Frank Lloyd Wright, Ludwig Mies van der Rohe, Le Corbusier, Walter Gropius, Konstantin Melnikov, Erich Mendelsohn, Richard Neutra, Louis Sullivan, Gerrit Rietveld, Bruno Taut, Gunnar Asplund, Arne Jacobsen, Oscar Niemeyer and Alvar Aalto.

Adolf Loos’ lamentation Ornament and Crime made a lasting impression on le Corbusier and Mies van der Rohe and left behind a body of attractive commercial and domestic work blending simplicity and great material warmth.

As noted by The Australian in the article Looking at Adolf Loos, modern architecture as it evolved through the middle decades of the 20th century, might have been better – more individualistic, humanistic and warmer in tone – if it had been more deeply attuned to the quirky legacy of Adolf Loos than the rigidities of Bauhaus-inspired internationalism. If Adolf Loos is our contemporary, it is not before time.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook