What Can Architects Do To Design Safer Classrooms For Our Children? Part 3 Actions We Can Take To Promote Safe And Successful Schools

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Photo Source: S&S Worldwide

Policies and funding that support comprehensive school safety and mental health efforts are critical to ensuring universal and long-term sustainability. However, school leaders can work toward more effective approaches now by taking the following actions:

  1. Work with School Leadership to promote, develop and establish a “Safety Team” that includes key personnel: principals, teachers, school-employed mental health professionals, instruction/curriculum professionals, school resource/safety officer, and a staff member skilled in data collection and analysis.
  2. Work with the school’s “Safety Team” assess and identify needs, strengths, and gaps in existing services and supports (e.g., availability of school and community resources, unmet student mental health needs) that address the physical and psychological safety of the school community.
  3. Assist with the evaluation of the safety of the school building and school grounds by examining the physical security features of the campus.
  4. Safety Team should review how current resources are being applied.
  5. Are school employed mental health professionals providing training to teachers and support staff regarding resiliency and risk factors?
  6. Do mental health staff participate in grade-level team meetings and provide ideas on how to effectively meet students’ needs?
  7. Is there redundancy in service delivery?
  8. Are multiple overlapping initiatives occurring in different parts of the school or being applied to different sets of students?
  9. Safety Team should implement an integrated approach that connects behavioral and mental health services and academic instruction and learning (e.g., are mental health interventions being integrated into an effective discipline or classroom management plan?).
  10. Safety Team should provide adequate time for staff planning and problem solving via regular team meetings and professional learning communities. Identify existing and potential community partners, develop memoranda of understanding to clarify roles and responsibilities, and assign appropriate school staff to guide these partnerships, such as school-employed mental health professionals and principals.
  11. Safety Team should provide professional development for school staff and community partners addressing school climate and safety, positive behavior, and crisis prevention, preparedness, and response.
  12. Safety Team should engage students and families as partners in developing and implementing policies and practices that create and maintain a safe school environment.
  13. As Architects we can assist the “Safety Team” by utilizing strategies developed by Crime prevention through environmental design(CPTED), a multi-disciplinary approach to deterring criminal behavior through environmental design. CPTED strategies rely upon the ability to influence offender decisions that precede criminal acts. Generally speaking, most implementations of CPTED occur solely within the urbanized, built environment. Specifically altering the physical design of the communities in which humans reside and congregate in order to deter criminal activity is the main goal of CPTED. CPTED principles of design affect elements of the built environment ranging from the small-scale (such as the strategic use of shrubbery and other vegetation) to the overarching, including building form of an entire urban neighborhood and the amount of opportunity for “eyes on the street”.

ILMA Classroom 06.png
Image Source: School Security – Threat and Vulnerability Assessments

Sources:

The National Association of School Psychologists (NASP)

The National Association of School Psychologists (NASP) School Violence Prevention

The National Association of School Psychologists (NASP) Framework For Safe Schools

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Look out for our next post about “What Architects Can Do to Design Safer Classrooms for Our Children.”

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook

 

 

 

 

 

 

 


Small Project – Successful Conversion (Tech Classrooms) Before & After

Working with our consultants and contractors we were able to transform worn out old spaces into new energetic spaces for creative art students.

My Role: Project Executive
Project Team:
A/E: SSP Architects & Whitman
Contractor: Brahma Construction
AV Integrator: Tele-Measurements
Telecommunications: CTCI
Client: Montclair State University, College of the Arts


New Project by @FC3Architect is Almost 100% Completed (Teaneck, NJ) #BeforeAndAfter #CustomResidential #Home

One of the things we enjoy doing is: Helping People Make Their Dreams Come True!!! Here is another example of a successful transformation we helped imagine for the homeowners.

One of our projects is nearly completed. We more than doubled the size of the existing residence by creating a dynamic link that opens up the garden into the home with a connecting link. This “knuckle” becomes a link from the old home (which serves as the existing den and existing kitchen on the lower level) to the new home which includes a new dining area and family room. Upstairs, the addition boasts a master suite allowing us to increase the size of the existing bedrooms. Click here to read the original post about this project.

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

To see more projects by FC3 Architecture + Design, please click here.

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


What Will Higher Education Look Like 5, 10 or 20 Years From Now? Some Ways Colleges Can Reinvent Themselves #iLMA #eMBA #Innovation #Technology #Planning #Design #HigherEducation #HigherEd2030 #University #Architect

Introduction

Change is a natural and expected part of running a successful organization. Whether big or small, strategic pivots need to be carefully planned and well-timed. But, how do you know when your organization is ready to evolve to its next phase? Anyone that listens, watches, or reads the news knows about the rising cost of higher education and the increasing debt that education is putting on students and alumni and their families.

At a time when education is most important to keep up with increasing technological changes, institutions need to pivot or face imminent doom in an ever increasing competitive environment. Competition can come from startups or external factors in the higher education market therefore it is increasingly necessary for institutions of higher learning to take a different approach to their business operations.

This post will focus on:

  • Current Trends
  • Demographic Shifts
  • Future of Higher Education (and impacts on University Facilities & Management)
    • Changing Assumptions
    • Implications for the Physical Campus
    • Changing Trajectory
    • More Trends in Higher Education (Towards 2030)
  • Driving Technologies
  • External Forces

Current Trends

  • Online education[i] has become an increasingly accepted option, especially when “stackable” into degrees.
  • Competency-based education lowers costs and reduces completion time for students.
  • Income Share Agreements[ii] help students reduce the risk associated with student loans.
  • Online Program Manager organizations benefit both universities and nontraditional, working-adult students.
  • Enterprise training companies are filling the skills gap by working directly with employers.
  • Pathway programs facilitate increasing transnational education[iii], which serves as an additional revenue stream for universities.

Demographic Shifts

According to data from the National Clearinghouse and the Department of Education[iv]:

  • The Average Age of a College/University Student Hovers Around Twenty-Seven (Though That Is Decreasing as The Economy Heats Up)
  • 38% of Students Who Enrolled In 2011 Transferred Credits Between Different Institutions At Least Once Within Six Years.
  • 38% of Students Are Enrolled Part-Time.
  • 64% of Students Are Working Either Full-Time or Part-Time.
  • 28% of Students Have Children of Their Own or Care For Dependent Family Members.
  • 32% of Students Are from Low-Income Families.
  • The Secondary Education Experience Has an Increasingly High Variation, Resulting In Students Whose Preparation For College-Level Work Varies Greatly.

Future of Higher Education (and impacts on University Facilities & Management)

The future of higher education depends on innovation. 

University leaders who would risk dual transformation are required to exercise full commitment to multiple, potentially conflicting visions of the future. They undoubtedly confront skepticism, resistance, and inertia, which may sway them from pursuing overdue reforms.[v]

Change is upon us.

“All universities are very much struggling to answer the question of: What does [digitization[vi]] mean, and as technology rapidly changes, how can we leverage it?” . . . . Colleges afraid of asking that question do so at their own peril.”[vii]

James Soto Antony, the director of the higher-education program at Harvard’s graduate school of education.

Changing Assumptions

Until recently the need for a physical campus was based on several assumptions:

  • Physical Class Time Was Required
  • Meaningful Exchanges Occurred Face to Face
  • The Value of an Institution Was Tied to a Specific Geography
  • Books Were on Paper
  • An Undergraduate Degree Required Eight Semesters
  • Research Required Specialized Locations
  • Interactions Among Students and Faculty Were Synchronous

Implications for the Physical Campus

  • Learning – Course by course, pedagogy is being rethought to exploit the flexibility and placelessness of digital formats while maximizing the value of class time.
  • Libraries – Libraries are finding the need to provide more usable space for students and faculty.  Whether engaged in study, research or course projects, the campus community continues to migrate back to the library.
  • Offices – While the rest of North America has moved to mobile devices and shared workspaces, academic organizations tend to be locked into the private, fixed office arrangement of an earlier era – little changed from a time without web browsers and cell phones. 
  • Digital Visible – From an institutional perspective, many of the implications of digital transformation are difficult to see, lost in a thicket of business issues presenting themselves with increasing urgency. 

Changing Trajectory

University presidents and provosts are always faced with the choice of staying the course or modifying the trajectory of their institutions.  Due to failing business models, rapidly evolving digital competition and declining public support, the stakes are rising.  All should be asking how they should think about the campus built for the 21st century.[viii]  J. Michael Haggans[ix] makes the following recommendations:

  • Build no net additional square feet
  • Upgrade the best; get rid of the rest
  • Manage space and time; rethink capacity
  • Right-size the whole
  • Take sustainable action
  • Make campus matter

More Trends in Higher Education (Towards 2030)

  • The Rise of The Mega-University[x]
  • ; Public Private Partnerships (P3’s) Procurement Procedures Will Become More Prevalent
  • More Colleges Will Adopt Test-Optional Admissions
  • Social Mobility Will Matter More in College Rankings
  • Urban Colleges Will Expand[xi] — But Carefully
  • Financial Crunches Will Force More Colleges to Merge
  • The Traditional Textbook Will Be Hard to Find; Free and Open Textbooks
  • More Unbundling and Micro-Credentials
  • Continued Focus on Accelerating Mobile Apps
  • Re-Imagining Physical Campus Space in Response to New Teaching Delivery Methods
  • Transforming the Campus into A Strategic Asset with Technology
  • Education Facilities Become Environmental Innovators
  • Ethics and Inclusion: Designing for The AI Future We Want to Live In
  • Visibility (Transparency) And Connectedness
  • Sustainability from Multiple Perspectives
  • Better Customer Experiences with The Digital Supply Chain
  • Individualized Learning Design, Personalized Adaptive Learning
  • Stackable Learning Accreditation
  • Increased Personalization: More Competency-Based Education They’ll Allow Students to Master A Skill or Competency at Their Own Pace.
  • Adaptation to Workplace Needs They’ll Adapt Coursework to Meet Employer Needs for Workforce Expertise
  • Greater Affordability and Accessibility They’ll Position Educational Programs to Support Greater Availability.
  • More Hybrid Degrees[xii]
  • More Certificates and Badges, For Example: Micro-Certificates, Offer Shorter, More Compact Programs to Provide Needed Knowledge and Skills Fast[xiii]
  • Increased Sustainable Facilities – Environmental Issues Will Become Even More Important Due to Regulations and Social Awareness; Reduced Energy Costs, Water Conservation, Less Waste
  • Health & Wellness – Physical, Spiritual and Metal Wellbeing
  • Diversity and Inclusion Will Increase
  • Rise of The Micro-Campus[xiv] And Shared Campuses[xv]
  • E-Advising to Help Students Graduate
  • Evidence-Based Pedagogy
  • The Decline of The Lone-Eagle Teaching Approach (More Collaboration)
  • Optimized Class Time (70% Online, 30% Face to Face)
  • Easier Educational Transitions
  • Fewer Large Lecture Classes
  • Increased Competency-Based and Prior-Learning Credits (Credit for Moocs or From “Real World” Experience)[xvi]
  • Data-Driven Instruction
  • Aggressive Pursuit of New Revenue
  • Online and Low-Residency Degrees at Flagships
  • Deliberate Innovation, Lifetime Education[xvii]
  • The Architecture of The Residential Campus Will Evolve to Support the Future.
  • Spaces Will Be Upgraded to Try to Keep Up with Changes That Would Build In Heavy Online Usage.
  • Spaces Will Be Transformed and Likely Resemble Large Centralized, Integrated Laboratory Type Spaces. 
  • Living-Learning Spaces in Combination Will Grow, But On Some Campuses, Perhaps Not In The Traditional Way That We Have Thought About Living-Learning To Date.

Driving Technologies:

  • Emerging Technologies – Such as Augmented Reality, Virtual Reality, And Artificial Intelligence – Will Eventually Shape What the Physical Campus Of The Future Will Look Like, But Not Replace It.[xviii]
  • Mobile Digital Transformation[xix]
  • Smart Buildings and Smart Cities[xx]
  • Internet of Things
  • Artificial Intelligence (AI), Including Natural Language Processing
  • Automation (Maintenance and Transportation Vehicles, Instructors, What Else?)
  • Virtual Experience Labs, Including: Augmented Reality, Virtual Reality Learning, And Robotic Telepresence 
  • More Technology Instruction and Curricula Will Feature Digital Tools and Media Even More Prominently
  • New Frontiers For E-Learning, For Example, Blurred Modalities (Expect Online and Traditional Face-To-Face Learning to Merge)[xxi]
  • Blending the Traditional; The Internet Will Play Bigger Role in Learning
  • Big Data: Colleges Will Hone Data Use to Improve Outcomes

External Forces:

  • [xxii]: Corporate Learning Is A Freshly Lucrative Market
  • Students and Families Will Focus More on College Return On Investment, Affordability And Student Loan Debt
  • [xxiii]
  • Greater Accountability; Schools will be more accountable to students and graduates
  • Labor Market Shifts and the Rise of Automation
  • Economic Shifts and Moves Toward Emerging Markets
  • Growing Disconnect Between Employer Demands and College Experience 
  • The Growth in Urbanization and A Shift Toward Cities 
  • Restricted Immigration Policies and Student Mobility
  • Lack of Supply but Growth in Demand
  • The Rise in Non-Traditional Students 
  • Dwindling Budgets for Institutions[xxiv]
  • Complex Thinking Required Will Seek to Be Vehicles of Societal Transformation, Preparing Students to Solve Complex Global Issues

Sources & References:


[i] Online education is a flexible instructional delivery system that encompasses any kind of learning that takes place via the Internet. The quantity of distance learning and online degrees in most disciplines is large and increasing rapidly.

[ii] An Income Share Agreement (or ISA) is a financial structure in which an individual or organization provides something of value (often a fixed amount of money) to a recipient who, in exchange, agrees to pay back a percentage of their income for a fixed number of years.

[iii] Transnational education (TNE) is education delivered in a country other than the country in which the awarding institution is based, i.e., students based in country Y studying for a degree from a university in country Z.

[iv] Article accessed on April 16, 2019: https://er.educause.edu/articles/2019/3/changing-demographics-and-digital-transformation

[v]Article accessed on April 16, 2019: https://ssir.org/articles/entry/design_thinking_for_higher_education

[vi] Digitization is the process of changing from analog to digital form.

[vii] Article accessed on April 16, 2019:  https://qz.com/1070119/the-future-of-the-university-is-in-the-air-and-in-the-cloud

[viii] Article accessed on April 16, 2019: http://c21u.gatech.edu/blog/future-campus-digital-world

[ix] Michael Haggans is a Visiting Scholar in the College of Design at the University of Minnesota and Visiting Professor in the Center for 21st Century Universities at Georgia Institute of Technology.  He is a licensed architect with a Masters of Architecture from the State University of New York at Buffalo.  He has led architectural practices serving campuses in the US and Canada, and was University Architect for the University of Missouri System and University of Arizona.

[x] Article accessed on April 16, 2019:  https://www.chronicle.com/interactives/Trend19-MegaU-Main

[xi] Article accessed on April 16, 2019:  https://www.lincolninst.edu/sites/default/files/pubfiles/1285_wiewel_final.pdf

[xii] Article accessed on April 16, 2019: https://www.fastcompany.com/3046299/this-is-the-future-of-college

[xiii] Article accessed on April 16, 2019: https://www.govtech.com/education/higher-ed/Why-Micro-Credentials-Universities.html

[xiv] Article accessed on April 16, 2019: https://global.arizona.edu/micro-campus

[xv] Article accessed on April 16, 2019: https://evolllution.com/revenue-streams/global_learning/a-new-global-model-the-micro-campus

[xvi] Article accessed on April 16, 2019:  https://www.chronicle.com/article/The-Future-Is-Now-15/140479

[xvii] Article accessed on April 16, 2019:  https://evolllution.com/revenue-streams/market_opportunities/looking-to-2040-anticipating-the-future-of-higher-education

[xviii] Article accessed on April 16, 2019: https://www.eypae.com/publication/2017/future-college-campus

[xix] Article accessed on April 16, 2019: https://edtechmagazine.com/higher/article/2019/02/digital-transformation-quest-rethink-campus-operations

[xx] Article accessed on April 16, 2019: https://ilovemyarchitect.com/?s=smart+buildings

[xxi] Article accessed on April 16, 2019: https://www.theatlantic.com/education/archive/2018/04/college-online-degree-blended-learning/557642

[xxii] Article accessed on April 16, 2019: https://qz.com/1191619/amazon-is-becoming-its-own-university

[xxiii] Article accessed on April 16, 2019: https://www.fastcompany.com/3029109/5-bold-predictions-for-the-future-of-higher-education

[xxiv] Article accessed on April 16, 2019: https://www.acenet.edu/the-presidency/columns-and-features/Pages/state-funding-a-race-to-the-bottom.aspx

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


What Makes Notre Dame Cathedral So Important as a Work of Architecture? #NotreDame #Architecture #Design #History

Notre Dame Cathedral is a medieval Catholic cathedral on the Île de la Cité located in Paris, France. The cathedral is considered to be one of the finest examples of Gothic architecture. The innovative use of the rib vault and flying buttress, the enormous and colorful rose windows, gothic arched windows and doorways, and the naturalism and abundance of its sculptural decoration all set it apart from earlier Romanesque architecture.

Notre Dame Cathedral is considered to be of the most well-known church buildings in the world. Construction started in 1163 and finished in 1345. It is devoted to Virgin Mary and it is one of the most popular monuments in Paris. The cathedral underwent many changes and restorations throughout time.

The location of this cathedral has a long history of religious cult. The Celts celebrated rituals there before the Romans erected a temple devoted to Jupiter. It was also the place were the first Christian church, Saint Étienne, was built. It was founded by Childeberto I in 528 AD. In 1160 the church was deemed and in 1163 the construction of the cathedral started. Opinions differ as to whether Sully or Pope Alexander III laid the foundation stones of the cathedral. Several architects took part in the construction, so differences in style are clearly seen.

There are around 13 million people who visit the Notre Dame de Paris Cathedral every year, which means this is an average of 30,000 people every day, growing to around 50,000 pilgrims and visitors who enter the cathedral on peak days.

History

Construction began in 1163 after Pope Alexander III laid the cornerstone for the new cathedral. By the time of Bishop Maurice de Sully’s death in 1196, the apse, choir and the new High Altar were all finished, while the nave itself was nearing completion. In 1200, work began on the western facade, including the west rose window and the towers, all of which were completed around 1250, along with a new north rose window. Also during the 1250s, the transepts were remodeled in the latest style of Rayonnant Gothic architecture by architects Jean de Chelles and Pierre de Montreuil, and the clerestory windows were enlarged. The last remaining elements were gradually completed during the following century.

The Cathedral of Notre-Dame de Paris was built on a site which in Roman Lutetia is believed to have been occupied by a pagan temple, and then by a Romanesque church, the Basilica of Saint Étienne, built between the 4th century and 7th century.

Notre-Dame Cathedral suffered damage and deterioration through the centuries, and after the French Revolution it was rescued from possible destruction by Napoleon, who crowned himself emperor of the French in the cathedral in 1804. Notre-Dame underwent major restorations by the French architect E.-E. Viollet-le-Duc in the mid-19th century. The cathedral is the setting for Victor Hugo’s historical novel Notre-Dame de Paris (1831).

Gothic Cathedral Builders

With the aid of only elementary drawings and templates, master stone masons meticulously directed the construction of the great medieval cathedrals of Europe. The practices of intuitive calculation, largely based on simple mathematical ratios and structural precedent, were closely guarded and passed between successive generations of masons. Specific site conditions and the insatiable demand by church authorities for higher and lighter buildings provided the impetus for continual development.

The Spire

Symbolically, spires have two functions. Traditionally, one has been to proclaim a martial power of religion. A spire, with its reminiscence of the spear point, gives the impression of strength. The second is to reach up toward the skies. The celestial and hopeful gesture of the spire is one reason for its association with religious buildings.

Holy Christian Relics

The Relics of Sainte-Chapelle are relics of Jesus Christ acquired by the French monarchy in the Middle Ages and now conserved by the Archdiocese of Paris. They were originally housed at Sainte-Chapelle in Paris and are now in the cathedral treasury of Notre Dame de Paris.  Relics believed to be a piece of the cross on which Jesus was crucified, as well as the Crown of Thorns he wore, have been kept at the cathedral for centuries. The braided circle held together by golden thread has about 70 or so thorns attached. The relics were obtained from the Byzantine Empire in 1238 and brought to Paris by King Louis IX.

Wood Construction

The framing of Notre-Dame de Paris is certainly one of the oldest structures in Paris with that of Saint-Pierre de Montmartre (1147).

It is poetically and endearingly called the Forest because of the large number of wood beams that had to be used to set it up.  Each beam coming from a different tree. It is a framework of oaks. Its measurements are very impressive: More than 328 feet (100 meters) long, 43  feet (13 meters) wide in the nave, 130 feet (40 meters) in the transept and 33 feet (10 meters) high.

In the choir, there existed a first frame with woods felled around 1160-1170 (it is estimated that some could have 300 to 400 years, which brings us to the 8th or 9th centuries !!!). This first frame has disappeared, but woods were reused in the second frame installation in 1220.

In the nave, the carpentry is set up between 1220 and 1240.  The work of the nave began between 1175 and 1182, after the consecration of the choir. The work stops after the fourth bay leaving the nave unfinished while the elevation of the facade is begun in 1208. The work of the nave will be resumed in 1218 to counter the façade.

On this frame rests a lead roof consisting of 1326 tables 0.20 inches (5 mm) thick weighing 210 tons . In the eleventh and twelfth centuries, roofs were covered with flat tile churches because of the abundant clay deposits. Paris, being far from such deposits, was preferred to lead. In 1196, Bishop Maurice de Sully bequeathed 5,000 pounds for the purchase of lead.

Although the carvings of the choir and the nave went through the centuries, those of the transepts and the spire were redone in the middle of the 19th century during the great restoration campaign of the cathedral under the direction of The Duke . Made according to the principles then in force, they differ from the framework of the choir and the nave, in particular as regards the dimensions of the beams which are much more imposing than those of the Middle Ages and more distant.

The Facade

Notre Dame’s iconic facade evokes a harmony of design based on nature and represents a level of detailed craftsmanship that no longer subsists in contemporaneous architecture. From Georges-Eugène Haussmann’s immense plaza the visitor is captivated by a stunning view of the facade’s three elaborately-decorated portals.

The left-side portal of the Virgin depicts the life of the Virgin Mary, as well as a coronation scene and an astrological calendar. The central portal depicts the Last Judgement in a kind of vertical triptych. The first and second panels show the resurrection of the dead, the judgment, Christ, and apostles.The pièce de résistance is the reigning Christ which crowns the scene.

The portal of Saint-Anne on the right features Notre Dame’s oldest and finest surviving statuary (12th century) and depicts the Virgin Mary sitting on a throne, the Christ child in her arms. Above the portals is the gallery of kings, a series of 28 statues of the kings of Israel.

The magnificent exterior of Notre Dame’s West rose window depicts the biblical figures of Adam and Eve on the outer rim. It measures an impressive 33 feet (10 meters) in diameter, which was the largest rose window constructed in its day.

The final level of the facade before reaching the towers is the “Grande Galerie” which connects the two towers at their bases. Fierce demons and birds decorate the grand gallery but are not easily visible from the ground.

The Cathedral Towers

Notre Dame’s ornate towers became a legend thanks to 19th-century novelist Victor Hugo, who invented a hunchback named Quasimodo and had him inhabit the South tower in “The Hunchback of Notre Dame”.

The towers are 223 feet (68 meters) tall offering remarkable views of the Ile de la Cité, the Seine River and the entire city itself.  After climbing 400 stairs you are rewarded with gargoyles of grimacing demons and menacing carrion birds. The South tower houses Notre Dame’s infamous 13-ton bell.

You can also admire the detail of Notre Dame’s magnificent spire, destroyed during the revolution and restored by Viollet-le-Duc.

The Magnificent Interior

Medieval architects represented their idea of human earthliness in relation to heaven through structures that were at once grandiose and ethereal–and Notre Dame’s interior achieves exactly this. The cathedral’s long halls, vaulted ceilings, and soft light filtered through intricate stained glass help us understand the medieval perspective of humanity and divinity. There is no access to the cathedral’s upper levels, obliging visitors to remain earthbound, gazing upward. The experience is breathtaking, especially on a first visit.

The cathedral’s three stained-glass rose windows are the interior’s outstanding feature. Two are found in the transept: the North rose window dates to the 13th century and is widely considered to be the most stunning. It depicts Old Testament figures surrounding the Virgin Mary. The South rose window, meanwhile, depicts the Christ surrounded by saints and angels. More modern stained glass, dating to as late as 1965, is also visible around the cathedral.

Notre Dame’s organs were restored in the 1990’s and are among the largest in France.

The choir includes a 14th-century screen which portrays the biblical Last Supper. A statue of the Virgin and Christ child, as well as funeral monuments to religious figures, are also found here.

Near the rear, Notre Dame’s treasury includes precious objects, such as crosses and crowns, made of gold and other materials.

Countless processions and historical moments took place inside the cathedral, including the crowning of Henry VI, Mary Stuart, and Emperor Napoleon I.

Sources:

http://www.notredamedeparis.fr/en/la-cathedrale/architecture/la-charpente

https://www.tripsavvy.com/notre-dame-cathedral-highlights-and-facts-1618863

https://en.wikipedia.org/wiki/Haussmann%27s_renovation_of_Paris

https://en.wikipedia.org/wiki/Notre-Dame_de_Paris

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


Leadership Series: Live Your Passion #ilmaBlog #fc3Leadership #Leadership #Passion #DiscoverYourPurpose #LiveYourPassion

Leadership Series: Living Your Passion

Presented by: Frank Cunha III on behalf of the Montclair State University Center for Leadership Development (Spring 2019)

This 50-minute presentation will be a discussion on why it is important to live your passion and follow your dreams.  I will use my experience as a leader in my field to encourage the audience to make choices that will enhance their lives.  I will discuss the importance of using metrics and guiding values in making life choices that will define who we are and who we are destined to become.  I will draw on my personal experience to encourage the audience to follow their dreams and succeed in life by choosing a path that may not always be easy but will always be rewarding. We will be discussing how we can lead through a life of service and dedication to our passion.

Outcomes for participants:

  • Discover that success often follows passion
  • Discover your gifts and talents
  • The sooner you discover your life’s purpose the sooner you can start living your dreams
  • Passion will help you follow your dreams through difficult challenges
  • Success can be measured in different ways – time, people, money
  • Discover the virtues of integrity and honesty in your professional life
  • Understanding courage and earning respect
  • Life is not meant to be easy, but it is meant to be fulfilling
  • Serving people by tapping into your passion

Brainstorm Questions to Help You Discover Your Passion and Purpose in Life:

  1. What do you love to do?  
  2. What would you do even if you were not getting paid?
  3. What comes easily to you?
  4. What are two qualities I most enjoy expressing in the world?
  5. What are two ways I most enjoy expressing these qualities?
  6. Make a list of all the times you’ve felt the greatest joy in your life.
  7. When have I felt most fulfilled?
  8. What am I naturally good at?
  9. How could I apply my talents creatively?
  10. What makes me feel good about myself?
  11. What do I fear that excites me?
  12. What activities allow me to be creative?
  13. What causes am I interested in?
  14. What do I enjoy reading about?
  15. What do I love talking about?
  16. What would I regret not having tried?
  17. What would I love to teach others about?
  18. What help or advice do others often seek out from me?
  19. What am I most grateful for?
  20. What would I do for free for the rest of my life?
  21. What kind of life do I want to live?
  22. What do I want to be known for?
  23. How do I define success?
  24. What is my real passion?

5 Lessons Learned From Interviewing And Learning From People Who Are Doing Work They Love. 

By Jessica Semaan (Founder, www.thepassion.co

We’re all gifted with a set of talents and interests that tell us what we’re supposed to be doing. Once you know what your life purpose is, organize all of your activities around it. Everything you do should be an expression of your purpose. If an activity or goal doesn’t fit that formula, don’t work on it.

Practice Your Fears

Afraid of rejection? Lack of structure? Uncertainty? Practice it. We found that the secret to successfully transitioning to doing what you love is to build a thick skin. 

Create Your Own Board

Support is a necessary part of pursuing your passions. Surround yourself with people that inspire you and want to help you. I have seen those who have chosen a “board of supporters” to be the most successful. Pick three or four people: an expert in the space you are interested in, two people pursuing similar passions and a close friend who knows you well and you can reach out to them throughout the process. Most importantly be sure you are on this board too, supporting yourself throughout the journey.

Simplify

Doing work you love can oftentimes mean less money in the bank in the short to medium term. Be prepared to simplify your life. Think cooking at home with friends over expensive dinners; buy one less new outfit. I found that this part of the experience is the most gratifying: it pushes you to become resourceful and creative and you realize that the pleasures of life are rarely related to money.

Be Patient

They say do what you love and the rest will follow. I say do what you love with persistence and the rest will follow. When you’re following your passions, unexpected doors will open to you. With more clarity, you are more likely to spot opportunities that will lead to your success. Just keep believing, especially in moments when you feel stuck, overwhelmed or don’t see tangible results.

A palliative nurse recorded the most common regrets and put her findings into a book called “The Top Five Regrets of The Dying.” The #1 regret of the dying was: “I wish I had the courage to live a life true to myself and instead lived the life that others expected of me”

Don’t wait till your deathbed to live the life that you want and do work you love. Start small and start now.

What is one small step you can take towards one of your passions today? If you are unsure about your passion, what is one interest you have that you can test out on the side?

“True desire in the heart for anything good is God’s proof to you sent beforehand to indicate that it’s yours already. So the desire you have, that itch that you have to be whatever it is you want to be … that itch, that desire for good is God’s proof to you sent already to indicate that it’s yours. You already have it. Claim it.” –Denzel Washington

Developed by Chris and Janet Attwood, The Passion Test is a simple, yet elegant, process. You start by filling in the blank 15 times for the following statement: “When my life is ideal, I am ___.” The word(s) you choose to fill in the blank must be a verb.

“What should I do with my life?” “What is my passion?” or “What is my life purpose.”

  • PASSION AS AN ENGINE FOR SUCCESS
    • Living a life of passion motivates and gets you excited about what you do
    • Living a life of passion helps you face challenges
  • DISCOVERING YOUR GIFTS & TALENTS
    • How can I discover what I am passionate about?
    • Creating a network of advisors – They can help you see things you cannot see
      • Even CEO’s have coaches and mentors
  • HOW DOES PASSION LEAD TO SUCCESS?
    • Living a life of passion informs what you do with your life
    • Passion gives you drive, clarity and focus
  • HOW DO YOU MEASURE SUCCESS?
    • Time for yourself and time for love ones
    • Connecting with people, socially, professionally, and personally
    • Experiences (Traveling)
    • Hobbies: Fitness, Reading, Museums, Sports
    • How much money you make, compensation/benefits
    • Security
  • LIVING A PASSIONATE & VIRTUOUS LIFE
    • Honesty, Integrity, Courage, Persistence, Loyalty, Respect for self and others
      • These virtues and values help guide your decisions
  • SERVING PEOPLE BY UTILIZING YOUR PASSION
    • Living a life of passion helps you serve others by filling a need
    • Makes you feel like your life has purpose and meaning and gives you a reason to wake up excited to start your day
  • USING YOUR PASSION TO BECOME UNSTUCK
    • When life offers you a choice, you can use your passion to help you make a decision
    • Be ready for when life offers you an opportunity

Contact Information:        

Frank Cunha III, University Architect at Montclair State University

                                                LinkedIn: https://www.linkedin.com/in/fc3arch

                                                Website: https://www.frankcunha.com

                                                Blog: https://ilovemyarchitect.com

                                                Email: fc3arch@gmail.com

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


Art Everyone Should Know – Selfies By Vincent van Gogh #ILMA #Art

Before Instagram there was Vincent van Gogh who painted over 30 selfportraits between the years 1886 and 1889. His collection of selfportraits places him among the most prolific self-portraitists of all time. Van Gogh used portraitpainting as a method of introspection, a method to make money and a method of developing his skills as an artist.

Vincent van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. During his lifetime, he was not commercially successful and his suicide at 37 followed years of mental illness and poverty.

Here are some examples of his selfies:

If any of these are “fakes” please let me know.

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

Feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


Higher Education

Blog Posts Related to Higher Education

  1. Library of the Future – For Colleges & Universities
  2. Mansueto Library by JAHN
  3. Creative Arts Center at Brown University by Diller Scofidio + Renfro
  4. What is a High Performance School?
  5. Architect’s Sketchbook – Montclair State University (Sketches by @FrankCunhaIII, 2017)
  6. 13 Examples of Green Architecture
  7. WELL Communities: Health & Wellness Lifestyle
  8. You Know LEED, But Do You Know WELL?
  9. The 2030 Challenge for Planning @Arch2030
  10. What is The 2030 Challenge? @Arch2030
  11. Smart Cities
  12. Top 20: Technology & Innovation Ideas For Architects

My Higher Education Projects

  1. New Computer Science Facility for College of Science & Mathematics
  2. School of Nursing & Graduate School
  3. New Research Facility, Montclair State University
  4. Conrad J. Schmitt Hall Renovation, Montclair State University
  5. Frank Sinatra Hall, Montclair State University
  6. Music School, Montclair State University
  7. Student Recreation Center, Montclair State University
  8. College Hall (In Progress)
  9. Conceptual Design – Adaptive Re-Use of Existing Cogeneration Plant
  10. Conceptual Design – Study Atrium
  11. Small Project – Successful Conversion (Tech Classrooms) Before & After
  12. New Center for Environmental Life Sciences
  13. Babbio Center, Stevens Institute of Technology

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook

 


Benefits of Using Digital Twins for Construction

Technologies like augmented reality in construction are emerging to digitalize the construction industry, making it significantly more effective.

What if we could have instant access to all the information about a construction site, down to smallest details about every person, tool, and bolt? What if we could always be sure about the final measurements of a beam or that soil volumes in the cuts are close to those of the fills? What if we could always track how fast the supply of materials runs out, and re-order supplies automatically?

All this is achievable with a digital twin — a concept of having a real-time digital representation of a physical object.

The following are some real-time digital twins applications on construction sites.

3d-model

Automated Progress Monitoring

Progress monitoring verifies that the completed work is consistent with plans and specifications. A physical site observation is needed in order to verify the reported percentage of work done and determine the stage of the project.

By reconstructing an as-built state of a building or structure we can compare it with an as-planned execution in BIM and take corresponding actions to correct any deviations. This is usually done by reconstructing geometry of a building and registering it to the model coordinate systems, which is later compared to an as-planned model on a shape and object level.

Often data for progress monitoring is collected through the field personnel and can be hugely subjective. For example, the reported percentage of work done can be faster in the beginning and much slower close to the end of the project. People are often initially more optimistic about their progress and the time needed to finish the job.

Hence, having automated means of data collection and comparison means that the resulting model to as-designed BIM models is less liable to human error. Digital twins solve the common construction process problems.

As-Built vs As-Designed Models

With a real-time digital twins, it is possible to track changes in an as-built model — daily and hourly. Early detection of any discrepancies can lead to a detailed analysis of historical modeling data, which adds an additional layer of information for any further decision-making processes.

The project manager can then reconstruct the steps that led to the error and make changes in the future work schedule in order to prevent any similar mistakes from occurring. They can also detect under-performers and try to fix the cause of the problem earlier in the project or plan the necessary changes to the budget and timescale of the whole project.

Resource Planning and Logistics

According to the Construction Industry Institute, about 25% of productive time is wasted on unnecessary movement and handling of materials.

Digital twin technology provides automatic resource allocation monitoring and waste tracking, allowing for a predictive and lean approach to resource management. With digital twin technology companies would avoid over-allocation and dynamically predict resource requirements on construction sites, thus avoiding the need to move resources over long distances and improving time management.

Safety Monitoring

The construction industry is one of the most dangerous sectors in the world. According to the Bureau of Labor Statistics in the United States, more than four thousand construction workers died on-site between 2008 and 2012.

The real-time site reconstruction feature digital twins allows the industry’s companies to track people and hazardous places on a site, so as to prevent inappropriate behavior, usage of unsafe materials, and activity in hazardous zones. A company can develop a system of early notification, letting a construction manager know when a field worker is located in dangerous proximity to working equipment and sending a notification about nearby danger to a worker’s wearable device.

Microsoft recently shared a great vision of how AI combined with video cameras and mobile devices can be used to build an extensive safety net for the workplace.

Quality Assessment

Image-processing algorithms make it possible to check the condition of concrete through a video or photographic image. It is also possible to check for cracks on columns or any material displacement at a construction site. This would trigger additional inspections and thus help to detect possible problems early on.

See an example of how 2D images using 3D scene reconstruction can be used for concrete crack assessments.

Optimization of Equipment Usage

Equipment utilization is an important metric that construction firms always want to maximize. Unused machines should be released earlier to the pool so others can use them on other sites where they are needed. With advanced imaging and automatic tracking, it is possible to know how many times each piece of machinery has been used, at what part of the construction site, and on what type of the job.

Monitoring and Tracking of Workers

Some countries impose tough regulations on how to monitor people presence on a construction site. This includes having a digital record of all personnel and their location within the site, so that this information could be used by rescue teams in case of emergency. This monitoring is another digital twins application. Still, it is better to integrate digital twin-based monitoring with an automatic entry and exit registration system, to have a multi-modal data fused into a single analytics system.

Getting Data for Digital Twins

Some ways to gather data to be used for digital twins includes the following:

  1. Smartphone Cameras
  2. Time-Lapse Cameras
  3. Autonomous UAV and Robots
  4. Video Surveillance Cameras
  5. Head-mounted Cameras and Body Cameras

Image data processing algorithms for digital twins can be created with the following methods:

  1. 3D Reconstruction: Conventional Photogrammetry
  2. 3D Reconstruction: Structure from Motion
  3. Object Detection and Recognition
  4. Localization
  5. Object Tracking

(Source: https://www.intellectsoft.net/blog/advanced-imaging-algorithms-for-digital-twin-reconstruction)

From an Investor’s Viewpoint

On projects to date, this approach has proven to save time, reduce waste and increase efficiencies.

From a Standardization Proponent’s Viewpoint

Open, sharable information unlocks more efficient, transparent and collaborative ways of working throughout the entire life-cycle of buildings and infrastructure.

From a Solution Provider’s Viewpoint 

While the digital twin is needed initially for planning and construction, it’s also intended to provide the basis for building operations moving forward.

(Source: https://www.siemens.com/customer-magazine/en/home/buildings/three-perspectives-on-digital-twins.html)

The vision of “construction 4.0” refers to the 4th industrial revolution and is a fundamental challenge for the construction industry. In terms of automated production and level of digitalization, the construction industry is still significantly behind other industries. Nevertheless, the mega-trends like Big Data or the Internet of Things offer great opportunities for the future development of the construction sector. Prerequisite for the successful Construction 4.0 is the creation of a digital twin of a building. Building Information Modeling (BIM) with a consistent and structured data management is the key to generate such a digital building whose dynamic performance can be studied by building simulation tools for a variety of different boundary conditions.

Along the total life cycle from design to construction, operation and maintenance towards remodeling or demolition, the digital twin follows all modifications of the real building and dynamically readjusts itself in case of recorded performance differences.

Thus, for the whole life span of the real building, performance predictions generated with the virtual twin represent an accurate basis for well-informed decisions. This helps to develop cost-effective operation modes, e.g. by introducing new cyber-controlled HVAC systems. The digital twin may also analyze the building’s dynamic response to changes in occupation or energy supply; it also indicates the need for building maintenance or upgrades.

The digital twin follows all modifications of the real building and dynamically readjusts itself in case of recorded performance differences.

(Source: https://www.bau.fraunhofer.de/en/fieldsofresearch/smartbuilding/digital-twin.html)

Gartner-digital-twin-best-practices-to-tackle-challenges

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook


Architecture Robots

Environmental Robots

Robots Revolutionizing Architecture's Future 003

Robots are increasingly being utilized in everyday life to monitor and improve our environments. For example, Researchers from theNational University of Singapore have created a bevy of robotic swans that are designed to monitor the quality of freshwater lakes and reservoirs – such as levels of dissolved oxygen or chlorophyll – while blending in with the natural environment. The robotic birds, fitted with a number of sensors, autonomously swim across the water’s surface using underbody propellers.

(Source: https://www.dezeen.com/tag/robots/)

Robots in Construction

060306_040_ProduktionCurtainWal_SilvanOesterle_023

At ETH Zurich, Gramazio & Kohler, an architectural partnership that is especially
known for its contribution to digital fabrication and robotic construction, taught at class
using a robot arm to lay bricks. This is the course as they describe it:

“If the basic manufacturing conditions of architecture shift from manual work to digital
fabrication, what design potential is there for one of the oldest and most widespread
architectural elements — the brick? Students investigated this question in a four-week
workshop, designing brick walls to be fabricated by an industrial robot. Unlike a mason,
the robot has the ability to position each individual brick in a different way without optical reference or measurement, i.e. without extra effort. To exploit this potential, the students developed algorithmic design tools that informed the bricks of their spatial disposition according to procedural logics. Positioning this way it was possible to draft a brick wall in which each of over 400 bricks took up a specific position and rotation in space. The students defined not the geometry of the wall, but the constructive logic according to which the material was organized in a particular temporal order, and which thus produced an architectonic form.”

Though robot arms are currently the most prevalent form of robotics in architecture,
architects and designers have begun to employ other, and sometimes more radical,
robotic strategies for design. Gramazio & Kohler, in collaboration with Raffaello
d’Andrea recently put together an exhibition titled ‘Flight Assembled Architecture’ for
which small quad-rotor helicopter bots assembled a 6m-tall and 3.5m wide tower out of
1500 polystyrene foam blocks in Orléans, France.

(Source:https://www.archdaily.com/336849/5-robots-revolutionizing-architectures-future)

Robots Revolutionizing Architecture's Future 002

Walmart filed five more patents for farming processes

The patent was one of six filed by Walmart, including several focused on automating agricultural processes. The supermarket chain also plans to use drones for spraying pesticides and monitoring crop conditions.

However artificial pollination has the bigger potential to significantly affect the company’s business.

According to research by Greenpeace, pollination by bees contributes $265 billion to the global economy. So, with the world’s bee population now in major decline, robotic alternatives could prove necessary to meet the global demand for food production.

Walmart isn’t the first to have invested in artificial-pollination technology. Brisbane-based artist Michael Candy recently unveiled his design for a device featuring 3D-printed robotic flowers, while a research lab in Japan recently became the first to successfully achieve pollination using a drone.

(Source: https://www.dezeen.com/2018/03/20/walmart-patent-autonomous-robot-bees-pollinating-drones/)

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook


Our Exclusive ILMA Interview with @KimVierheilig

AECOM welcomed Kim Vierheilig, AIA, LEED AP BD+C as vice president and managing principal for our Design and Consulting Services New Jersey Buildings + Places practice in June of 2018. Kim brings 19 years of experience in the development and leadership of high-performing teams and has worked across the education, transit, hospitality and corporate commercial sectors. As managing principal for the New Jersey team, she will provide strategic oversight, management and direction for the region’s architecture; engineering; interiors; design + planning/ economics; strategy plus and asset advisory practices.

“In everything that we do, we create value,” says Kim. “Our focus is on design excellence and creating value by bringing the very best in interdisciplinary thinking to our clients and our communities. I’m thrilled to work with the talented team here at AECOM to develop effective, innovative and holistic solutions for our region’s most pressing challenges.”

Prior to joining AECOM, Kim most recently served as vice president for another firm where she managed the architectural, business development and marketing departments. Over the course of her career, she has partnered with clients across markets to deliver highly engaging environments. With clients such as Unilever, Four Seasons and Marriott Hotels and many K-12 and higher education institutions, she has built a portfolio of award-winning work and is widely recognized for her impact on the development industry. In 2017, Kim was named one of the Best 50 Women in Business by NJBIZ and received the Outstanding Woman Award from the Women Builder’s Council. She has also been recognized in the NJBIZ 40 Under 40 and honored with the 2016 Smart CEO Brava Award. From the New Jersey Institute of Technology, she holds a Master of Science in Management and a Bachelor of Architecture.

“Kim will lead [AECOM’s] teams in New Jersey to connect and creatively partner with our clients to develop the most impactful projects in the region,” says Tom Scerbo, vice president, Buildings + Places, New York metro regional lead. “Kim’s depth of experience leading teams to deliver complex, functional buildings and places affords our team strategic growth opportunities and brings tremendous value to our clients.”

 

ILMA INTERVIEW

When and why did you decide to become an Architect?    

Growing up an only child, I was always encouraged to participate in anything that was of interest. My weekends often involved household construction projects with my dad, which I enjoyed tremendously. At the age of ten, I decided I wanted to become an architect. Architecture was the natural choice of a profession that blended creativity and science.

What were some of the challenges of achieving your dream?     

As a woman in the architecture and engineering industry, where women make up only 15% of the job force, there were several challenges I faced to get to where I am today. In beginning of my career, I was the sole woman at the firm slotted as the office “receptionist,” where I answered phones and made coffee while designing and working on building projects. I was told I was not allowed to go into the field for construction site visits, even though my male counterparts were allowed, because I was “too much of a liability.” I realized that I could either complain about the situation or take what opportunities presented themselves and use these to better myself.  It wasn’t long until in addition to answering the phones, clients were calling to talk to me about projects, not just get transferred to a male colleague.  What I’ve learned is that in every bad situation there is something you can take from it to grow both personally and professionally.  Although eventually I left that firm, to find a company that more fully supported my development as an architect, there is no doubt my early work experiences made me a more passionate professional who wants to support the next generation of female architects.

How does your family support what you do?  

My family has always been extremely supportive of my career. As a partner of my firm, I often travel or attend evening receptions. I am fortunate enough to rely on my family’s support which has been a major factor in my success.

How do Architects measure success?    

I like to think I have a broader vision of what architects and engineers can bring to their communities through the design and construction industry. Almost all of the projects we work on have an impact on our communities; a successful project is one that fosters long-term relationships with the client and positively impacts the community.

What matters most to you in design?    

To me, designing a space that sparks creativity is most important. Using a holistic design approach, we focus on incorporating light, flexibility, choice, connection, complexity, and color into all of our designs.

What type of technology do you see in the design and construction industries?

Over the last few years, we’ve seen a significant shift in technology in the A/E/C industry. We are now incorporating virtual reality renderings and realistic walk-throughs of buildings or spaces, as well as, 3D printed models to allow our clients to better understand our design before construction begins.

How do you hope to inspire / mentor the next generation of Architects?   

I have been active in mentoring female architects on many different levels, from helping to fund architectural scholarships, to lobbying for change in the intern development process, assembling opportunities through design competitions to promote general learning, and serving as an individual mentor to numerous staff with her firm. I have partnered with various vendors and professional organizations to bring awareness about the challenges facing female architects. As such, I previously served as the American Institute of Architecture (AIA) Women in Architecture Chair for New Jersey to educate women on how to conduct business in a male-dominated industry by hosting seminars and providing networking opportunities with successful women speakers from various disciplines.

What advice would you give aspiring architects (K-12)? College students? Graduates?

I am an advocate and mentor for young women who wish to pursue a career in the Science, Technology, Engineering, and Math (STEM) fields. If I could give any advice to aspiring architects, I would say to break the barriers and follow your passion. This is a great industry with amazing potential.

Final Thoughts on How to Be Successful?

Continue to push forward every day by overcoming any hurdles that might face you and success will find you.

For more exclusive ILMA interviews click here.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook


Our Exclusive ILMA Interview with Reginald Thomas

New York, New Jersey Reginald L. Thomas, AIA has garnered over twenty years’ experience working with a diverse group of distinguished architectural/design firms in New York City.  Reginald L. Thomas Architect LLC specializes in historically based, high-end, residential projects. Recently, he has added commercial and institutional work to the firm’s diverse clientele. His work has been featured in several prestigious publications, notably The New York Times and Architectural Digest.

Web | Blog | Facebook | LinkedIn | Houzz

ILMA INTERVIEW

When and why did you decide to become an Architect? 

  • I’ve wanted to be an architect since I was 10 years old. During a weekend visit to the local art store to purchase paints, a how to book on architectural rendering caught my eye.   I remember thinking that the floor plans seemed magical.
  • We can thank Mike Brady, of the then popular Sitcom, the Brady Bunch, for that.  My first introduction to renderings and models came from watching the episodes after school and I was hooked.
  • Growing up in New York City, however, I visited the Museum of Natural History and MOMA regularly.  I was fascinated by the dioramas at the Museum of Natural History and the artwork at the MOMA and so at first, I dreamt of being an artist and being able to create this kind of beauty.

What were some of the challenges of achieving your dream?    

  • I grew up in the South Bronx, so the first challenge was of course, money.  I fretted about how I was going to pay for college or even how I was going to apply to college.  It was stressful to think that I would have to help my siblings after college and therefore not be able to realize my own dreams.

Any memorable clients or project highlights?   

  • I’ve had the pleasure of working with corporate giants, entertainment and sports celebrities as well as hard working people who are interested in living in beautiful spaces. All are special to me.  Each project has its own individual story However, I have had clients that allowed me to design and build every inch of their space including the furniture. That’s amazing in today’s climate.

How does your family support what you do?    

  • College was a priority in my household as both my parents attended college.  My dad for his Associates Degree and my mother for her Master’s in Education.  , Although I did not have money I had an abundance of support for what I wanted to accomplish and an expectation that I get there.

How do Architects measure success?   

  • I believe versatility is a skill we all value as designers. We build projects that are beautiful as well as functional. Being able to create an aesthetically pleasing space to satisfy each of my client’s specific   taste and at the same time ensuring that it functions is its own reward.

What matters most to you in design?

What do you hope to achieve over the next 2 years? 5 years?

  • To grow my business using all of the experience I’ve garnered over the last 30 years in multiple jurisdictions.
  • Like most artists, I also wish to push the barriers of my creativity while remaining true to the traditional and timeless nature of my designs.

Who is your favorite Architect? Why?    

  • Paul Rudolph for salesmanship, talent, and cultural navigation skills which were beyond belief
  • Frank Lloyd for his skill, as well as his ability to convince his clients to be daring and tenacious.
  • Julia Morgan for her dedication and ability when she was the only one, and her clients who recognized and rewarded her abilities.

Do you have a coach or mentor?

What is your favorite historic and modern (contemporary) project? Why?

  • The Great Pyramids of Giza. They are pure form, functional and beautiful.  It was once written by an early 19th century explorer who catalogued the proclivity for ornamentation throughout the known world that what we are able to see of Egyptian Architecture now is this architecture represents the last 2500 of this work in decline, what left of this 5000 year old architectural culture.
  • If that be the case, then how much more glorious the architectural vocabulary of this civilization must be. The elements of order including the concept of hyper style halls must be astounding. These are the elements that make an edifice “timeless.”
  • Notre Dame du Haut: The building teaches the intangibles of architecture as art. How does one use light as a design element?  Most people will never even notice how the intangible shapes made by light in their space let alone the effects on their psychological health.
  • The Mildred B Cooper Memorial Chapel: The boundaries that identify characteristics of nature and the difference from manmade structures are so blurred I this building that it is magical. I think in this design he did make his mentor proud. It is truly great work.

Where do you see the profession going over the next few decades? 

  • I think we are finally reaching the point where we are accepting the fact that we are part of a global community.  That means a true understanding, in real time, of the relationship and importance of urban design, architecture and interior design etc. to the human conditions.
  • Our use of technology will continue to grow at a rapid pace and architects will be required to leverage their expertise to benefit the world community especially in the areas of sustainability, and resilience.
  • I am most excited by the possibility of the profession as the lead, taking on the real-estate profession as developers

What type of technology do you see in the design and construction industries?

  • The digital drafting board and smart drafting solutions. The stylus is back, Instant 3d models and the expansion of BIM as a tool.
  • Wireless outlets
  • ASCII, GPS, LiDAR technology continue to advance. Assisting historic preservation giving a vision of what was formally unseen thereby assisting design and limiting errors.
  • 3d modeling, as a tool, will advance to the point that we will grow more independent of contractors and furniture designers

Who / what has been your greatest influence in design?  

  • The reading of a Pattern Language. The book continues to teach me to think in layers until I get to the optimum solution.
  • Jean Michele Frank: The comprehensive business model that he practiced was one to be envied and to be emulated.
  • My mentors Max Bond and Richard Dozier.
  • New York City designers that I’ve work for like Peter Marino and Juan Montoya

Which building or project type would you like to work on that you haven’t been part of yet?   

  • A Place of worship on an island site

How do you hope to inspire / mentor the next generation of Architects?   

  • I hope to inspire the next generation through visibility. African-American descent represents a very small part of the architectural demographics.
  • I hope to write treatise and guides thereby leaving a guide to others to build on.
  • My suggestion always is to be assiduous; to be relentless, recognizing that  this is a lifelong area of study, one that requires . “long distance runners.”

What advice would you give aspiring architects (K-12)? College students? Graduates?

  • The best advice for K-12 is to engage with architects when they come in to your schools on career days.  It is important as this stage to really get a clear understanding of what an architect does and the value of architects’ play in their daily lives.
  • College students: Provide information and honest dialogue on expectations after graduation; how to set reasonable and attainable goals, and lastly the many ways to measure success.
  • Financial guidance on how to plan for a secure retirement.
  • Explain what it means to own one’s own firm.

What does Architecture mean to you? 

  • Architecture is life.  It is the culmination of the aspirations of the human condition at different time periods.
  • Architecture means being conscious of the places and spaces we occupy as humans.  It’s being in the unique position of being able to effect change in the communities welive in a way that is unique to no other profession

What is your design process? 

  • Client interview: Do more listening than writing.
  • Who or what community am I designing for.
  • Identify client particulars not just in program but culturally. How does the client perceive and use space. What is the corporate or family dynamic?
  • Where am I being asked to design?
  • What are the constraints of the site or space?
  • How do I make it function perfectly and at the same time be beautiful?

If you could not be an Architect, what would you be?  

  • Apart from very early on when I wanted to be an artist I have never given thought to being anything else, however, if you were to ask my father, a surgeon would have been his preference.

What is your dream project?  

  • One that encompasses urban planning, landscape architecture, architecture as sculpture, interior design and furniture design; the complete package in the vernacular of the local culture.

What advice do you have for future Executive leaders?  

  • Seek out and work with like-minded people who share your vision and whom you can trust to honestly evaluate, and counsel you.  Also, do not be afraid to delegate or share responsibility giving you the time and space you need as the leader to imagine and create.

What are three key challenges you face as a leader in business today and one trend you see in your industry?    

  • The challenge of finding curious and willing junior staff who are willing to put in the long hours needed to really learn the ins and outs of the profession.
  • Loyalty
  • Finding staff that is willing to learn how to build, even, by drawing the components rather than by cutting and pasting.
  • My hope is that with the advances in Wacom Tablet technology we will have monitors as drafting boards and stylus as pencils causing the young architect to unconsciously pay more attention to what and how the building is being created.

What one thing must an executive leader be able to do to be successful in the next 3 years?

  • The executive leader must to be able to leverage the power of the internet and especially social media

What are some executive insights you have gained since you have been sitting in the executive leadership seat – or what is one surprise you have encountered as the world of business continues to morph as we speak?    

  • I have been surprised at how much television, social media and the internet have impacted the decisions we now make as leaders.

Final Thoughts on How to Be Successful?   

  • Improving and adapting are keys to longevity and to success.   Be relentless in your desire to grow and learn recognizing that learning is a lifelong pursuit.

For more exclusive ILMA interviews click here.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook


Our Exclusive ILMA Interview with Rosario Mannino @RSMannino

Rosario Mannino was born and raised in New Jersey.  He holds a Bachelor of Architecture from Florida Atlantic University and a Professional Certificate from New York University in Construction Project Management. Eight years after graduating from FAU, Mannino founded the Architect-Led Design-Build company RS|MANNINO Architecture + Construction.  RS|MANNINO builds on our diverse professional and construction backgrounds to provide a balanced and thoughtful approach to our clients’ projects. Together with our trusted network of professionals, trade and supplier resources, we bring the expertise and hands-on experience in architecture, design, engineering, construction trades, and project management necessary to make every project we take on a success. They approach everything we do with a commitment to an integrated design and construction process.  For more information visit them online FacebookTwitter; LinkedInWebsite

ILMA INTERVIEW

When did you first become interested in Architect-Led Design-Build?

I knew I wanted to be an architect from a very young age.  Growing up around construction, I was so intrigued by the entire process.  I loved being on the job site watching the architectural plans unfold into a beautiful home or building.  I always thought I had to decide on which path to pursue: architecture vs. construction/office vs. jobsite.  I had been exploring the idea of both disciplines from a very young age, and it grew into a focused research project for me by the time I reached high school.  I don’t think there was ever this “ah ha” moment.  It was a passion that I had from the start.

Can you describe the process of ALDB?

As the Architect, we contract with the owner both to design and to construct a building, and we procure the construction services by contracting directly with the various construction trades.

Can you walk us through a typical project?

In ALDB, we start our projects very similarly to a traditional method.  We start with a budget and scope.  If the budget and scope are approved, we start to design.  Once we complete our schematic design, we provide an updated preliminary estimate.  Once we confirm we are within budget, we continue to refine the design and the cost estimates.  We want our clients to be informed and included throughout the entire process.   This factor creates a trusting relationship between our firm and our clients.  With our method, the clients only need to communicate with us.  There are less parties involved making communication much more efficient.

How are the fees structured?

Depends on the complexity and size of the project; some are hourly design fees with the Construction documents set at a fixed fee which is determined after Schematic Design.  Most of our projects are defined well enough that we can provide a professional fee plus reimbursable expenses.  Our Construction Management fee is a fixed fee which also includes a pre-construction management fee.  Occasionally we will perform Construction as a fixed price.

What are some of the risks and rewards of ALDB?

If a problem arises, there is only one place to point the finger.  In the traditional design-bid-build method, miscommunication between Architect and Contractor can cause unnecessary tension.  With ALDB, the entire process is much more cohesive creating a team-like environment. The clients also feel a sense of comfort when only having to communicate with one entity.

What are the three greatest challenges with ALDB process?

Higher Insurance premiums – This is one of the main reasons why we separate our business entities, having separate insurance for both entities and separate contracts for the client.

Most Architecture firms can take on smaller projects if the work load is slowing down, and most builders have very small overhead to compensate for the slower times. With ALDB, you need to have separate staff for both Architecture and Construction; it’s a bigger machine to feed.

Training new staff is much more of an investment because overall, they are becoming much more knowledgeable about our whole profession. There is even more training involved because new staff must learn both Architecture and Construction. It is extremely gratifying to educate Architects to think in a different way.

What are the three greatest advantages of ALDB?

One of the best advantages of being an ALDB firm is that we get to work directly with the craftsmen themselves to discuss how we can make improvements to the project; it is a learning experience for both of us. We appreciate this close relationship, and I am certain our craftsmen enjoy working in close contact with the designer. The designer and the craftsman work directly together.

As the Architect, we take on a role that allows better control of project budgets, schedules, and overall project quality, including the quality of design.

It’s so much fun. I think it’s so much fun because we are truly going back to being Master builders. As Architects we love to problem solve; that’s what we do all day long, but now it’s even more in depth and more dynamic.

Do you see ALDB as a way for Architects to take back “control” of the design and construction process?

For certain markets, yes.  I have had the pleasure of working on projects with unlimited design budgets, having total control of the project as the Architecture firm.  In reality, not every client is going to have an unlimited budget.  The client relationship in ALDB is far greater than in a traditional design-bid-build method.  We have found our clients to be so much more appreciate of our talents on our design-build projects vs. our design only jobs.  Some of our design jobs have a 2-3 month duration, followed by phone calls and quick site meetings.  In design-build, we have a much closer relationship with our clients; most of them feel like family before the project is over!

Why do you think that most Architects, Clients and Contractors shy away from ALDB?

For Architects, it is not necessarily something they ever thought about because they weren’t introduced to it.  We are trained in (most) schools to be Starchitects with grand budgets.  After school and our internship is completed, most architects find the niche they are most comfortable in.  I cannot say that ALDB is easy nor is it for everyone to pursue.  There is a more executive and dynamic role; there is a much more entrepreneurial mode to ALDB as opposed to running a boutique design firm.  You can be a one-person design firm, but to do design-build you need to build a solid team.  The daily tasks of designing, managing the office, managing the sites, and keeping finances in order is not for everyone, nor can one person do it all.  It requires a great team, and we are fortunate to have that.

I have not yet met a client who shied away from ALDB. However, we do work on design only jobs.  This usually happens when the client already has a relationship with a contractor.  We are agreeable to this because we can only build so much, and we want our clients to be comfortable with who they are working with.

For contractors, there is a sense of losing the market.  Good builders and contractors should not be concerned.  They may choose to adapt, but to be honest I do not think this will be some sweeping trend in the AEC industry.

What are some of the tools you use (from AIA, NCARB, Insurance Company, Other Professional Organizations) to help you manage your firm’s performance and reduce risk?

I have read a lot of literature on ALDB; the AIA has a few great articles as well as a book on ALDB.  There is an organization specifically for design-build called Design Build Institute of America (DBIA).  This organization is geared more toward government and large-scale projects.  There are also a few attorneys who have published articles on ALDB that have been very helpful.

My research has lead me to separate my design and construction contracts, but each project is unique.  I treat each project differently.  I cannot really say I have a set method because our scale of work differs so greatly, spanning a large spectrum.  On one end, we have worked on small kitchen renovations, and on the other end we have done new construction on vacant lots.

What is the percentage of ALDB your firm is currently working on – what are the major differences between traditional project delivery vs ALDB projects?

Being recently engaged in a few large multi-family developments, we’ve found that we are providing more than the basic services on those scale projects.  This is due to our experience.  Developers are taking advantage of our management and construction background.  Our role is much more than just producing design documents.   I would say we are about 60% design only and 40% ALDB projects.

Is there anything you would like to see to make the ALDB even better for future projects?

I hope to see more architecture schools incorporating some type of design-build programs.  If Architects played a larger role, communities would greatly benefit.  It would be nice if ALDB gained more popularity so that clients can learn to appreciate Architects playing a larger role.

For more exclusive ILMA interviews click here.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook

 


Our Exclusive ILMA Interview with Caterina Roiatti of @TRAstudio

Who is Caterina Roiatti?

Caterina Roiatti received her Doctor in Architecture Degree from the IUAV Istituto Universitario di Architettura di Venezia in Italy, she is a Fulbright Scholar and received in 1985 her Master in Architecture from Harvard, where she attended both the GSD, and the Harvard Business School. Prior to founding, in 1995, TRA studio together with her Partner Robert Traboscia, she worked in the modernist offices of Peter Forbes and Pei Cobb Freed and Partners, gained large scale experience at Kohn Pedersen Fox and worked on interiors and identity projects at Vignelli Associates.

She began her own practice in 1995 following a five year association with Mathias Thoerner Design where she was the project architect for several flagship stores worldwide and the coordinator for the branding programs. Having worked in fashion, she understands how, like couture, a well designed interior can empower and improve the user’s self-esteem. TRA studio Architecture pllc, founded in 1995, is the New York based firm led by Caterina Roiatti, AIA, an architect originally from Venice, and Robert Traboscia, an environmental designer and an artist.

For more information: Web Site  ; Facebook Page ; Instagram ; Twitter ; LinkedIn

ILMA INTERVIEW

When and why did you decide to become an Architect? 

My whole family were architects, as hard as the profession looked, they all loved it.  

What were some of the challenges of achieving your dream?

This profession presents a new challenge every day, but you get more confident with experience, in the beginning, it is much more difficult to believe that you will find the solution for the project you are working on. Architecture requires endurance, when you are young it is easier to panic.

Any memorable clients or project highlights? 

Always the first “big”, (or bigger), client: the New York Academy of Arts, after eighteen years they are still our Client!

How does your family support what you do? 

I work with my family, my husband is my partner.

How do Architects measure success?

Surviving first, followed by feeling in control, followed by having fun working.

What matters most to you in design? 

Longevity of our projects, timeless design.

What do you hope to achieve over the next 2 years? 5 years? 

I always think I will design a skyscraper, but really all projects are a challenge, so they are all good.

Who is your favorite Architect? Why? 

I like to look at Herzog de Meuron projects, they approach restoration and adaptive reuse with the same surprising solutions they employ when designing new buildings, yet they remain respectful of the context and historic structures. To me preservation/adaptive reuse is not a specialty, it is simply another aspect of design.

Do you have a coach or mentor?

I think you have to mentor yourself first, but my partner is really my most important mentor.

What is your favorite historic and modern (contemporary) project? Why? 

The last project we are working on, favorites come and go, depending on what I am preoccupied with at the moment.

Where do you see the profession going over the next few decades? 

My partner and I often marvel at the fact that architects are more and more needed, technology, sustainability, safety requirements, regulations make the profession more complex, which in turn gives responsibility but also control to architects. Other professions are becoming kind of obsolete, everybody can to a certain extent be their own photographer or graphic designer.

What type of technology do you see in the design and construction industries? 

We cannot design anything without 3D modeling, I think programs like Revit will be the norm soon for all disciplines.

Who / what has been your greatest influence in design? 

The eye of my partner Robert Traboscia, nothing goes out without his approval! In general, I am very curious and I look for new information and inspiration everywhere.

Which building or project type would you like to work on that you haven’t been part of yet? 

All, we do everything and get into all challenges. It is amazing how quickly you can become an expert in a new building type, but you always need great consultants. 

How do you hope to inspire / mentor the next generation of Architects? 

I would tell them that it can be exciting every day, not many professions can offer that, but if you want to make any real money you have to try to be part of the development process and invest in your own projects. Right now we are trying to get our first development project going, it is very exciting.

What advice would you give aspiring architects?

Study all subjects, you will need to know a little of everything.

What does Architecture mean to you? Lifestyle What is your design process? If you could not be an Architect, what would you be? What is your dream project? The next  What advice do you have for a future Executive leader? 

Executive thinking

What are three key challenges you face as a leader in business today and one trend you see in your industry? 

The first challenge is always to keep the studio financially healthy, we owe it our staff, the second is to recognize bad clients and the most important never do excellent work, not work you might not want to show! 

What one thing must an executive leader be able to do to be successful in the next 3 years? 

It takes longer than that to be successful 

What are some executive insights you have gained since you have been sitting in the executive leadership seat – or what is one surprise you have encountered as the world of business continues to morph as we speak? 

We are still a small studio, although we have been in business many years, we do learn every day, may be the most important lesson we learned is always strive for more control, not less. More involvement in your projects makes you more essential and, frankly, creates more opportunities for financial reward.

Final Thoughts on How to Be Successful? 

Are we that old that people see us as successful just because we have been around a long time? I always think someday we will grow up and truly finally be…

For more exclusive ILMA interviews click here.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook


Our Exclusive ILMA Interview with @Collier1960 Collier Ward

Collier Ward is a registered Architect, an aspiring novel and short story writer, an acknowledged construction industry influencer, and a follower of Jesus, who thrives on communication and community.

“One of my long-term career goals is to see more books, movies, and television shows about architects and architecture. For years I have said “Architecture Holds a Thousand Stories” and it remains an untapped source for dramatic content. If you are in charge of story development in the entertainment industry I would be glad to discuss the comedy and drama embedded in my profession. If you have interest in any of these subjects, I’d be pleased to connect with you.” -Collier Ward

Connect with Collier Ward on LinkedIn or  Twitter.

ILMA INTERVIEW

When and why did you decide to become an Architect?

As a child, I’m not even sure how old I was, I saw my older brother drawing a floor plan. I didn’t understand the series of rectangles and asked him what it was. He informed me that it was our house. To me, a house was depicted by the archetypal image of a simple box with a door, a sloped roof, and a chimney with a swirl of smoke. I told him it was an awful drawing. He explained that it was what we’d see from above if we took the roof off and looked in from above. Then I saw it! The bedrooms, the kitchen, the carport were just as they should be. Although I considered art teacher, artist, cartoonist, and ad man as possible careers, this childhood revelation of architecture proved to be my origin story.

What were some of the challenges of achieving your dream?

Other than a few financial struggles and loan debts (which don’t even compare to today’s students’) my schooling and internship were fairly typical. From the first day I walked on campus (Auburn University, 1979) to the day I became registered in North Carolina was just under a decade.

Any memorable clients or project highlights?

As an intern, I worked on the College of Architecture building at the University of North Carolina at Charlotte. The design architect was Gwathmey Siegel (I worked for the local firm that produced the Construction Documents.) I had the pleasure of detailing the three monumental stairs in the main gallery, based on concepts by Charles Gwathmy. Since then I’ve worked with many Architects who climbed those stairs and pulled all-nighters in those studios.

How does your family support what you do?

My wife and I were married in my third year of school. If there were awards for architects’ spouses Celese would have several by now. She has supported, humored, and encouraged me to this day.

Who is your favorite Architect? Why?

As a student, I had two architects (one past, one current) that inspired and influenced me most; both for their writings as well as their designs. I think it’s interesting that both Alvar Aalto and Robert Venturi practiced with their wives.

What is your favorite modern (contemporary) project? Why?

Having grown up in St. Louis, MO, the Gateway Arch (as much sculpture as a building) has always been a favorite landmark for me. It was a source of pride – we took visitors up when they came to town. It was also a link to my fascination with Finnish architecture.

Where do you see the profession going over the next few decades?

Our profession has transformed very little over the past three decades. Groups within the profession push for change (improved education, environmental sustainability, employment diversity, etc,) but to the rank and file architect (and the clients we serve) I’m not sure much has changed. Nevertheless, I have hope for future.

What does Architecture mean to you?

“True Architecture exists only where man stands in the center, his comedy and tragedy both,” said Alvar Aalto. When all is said and done, architecture is the stage upon which we live the stories of our lives.

If you could not be an Architect, what would you be?

This is my favorite question. I will always be an architect, but I hope to reach more people with my other passion – writing. For years I have said, “Architecture holds a thousand stories.” Our profession is a closed book to most people. I believe well-written stories will reveal to the population at large what Architects can do. Every other profession has its TV shows, books, and movies; why not Architecture?

What is your dream project?

Per my previous answer, I would like to be the story consultant for a movie or TV series that accurately portrays what architects do – and can do – for our society. I want a wide audience to know the joy and drama that is embedded in every work of architecture.

Final Thoughts on How to Be Successful?

As cliché as it sounds, hard work is essential. But not hard work and long hours for the sake of fulfilling a stereotype; hard work toward a personal goal. I quote Daniel Burnham; “Make no little plans; they have no magic to stir men’s blood and probably themselves will not be realized. Make big plans; aim high in hope and work…”

For more exclusive ILMA interviews click here.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook