NEW YORK CITY REIMAGINED

City officials and developers have long imagined a dazzling future for the airspace over the gritty, 26-acre West Side Rail Yard, near Pennsylvania Station in Midtown Manhattan. A plan to transform the site into a mixed-use area with glass towers and pockets of green space is finally gaining traction.  Click Here for the rest of the story

Image courtesy Whitney Museum/RPBW

Like every Manhattan resident, the Whitney Museum has long griped about the need for more space. After years of failed proposals to expand its Marcel Breuer-designed home on the Upper East Side, the museum’s board voted in 2010 to build an entirely new facility, by Renzo Piano, in the Meatpacking District. Groundbreaking occurred in May, with an opening planned for 2015.  Click here for the rest of the story.

The Cooper Union School of Architecture, New York City, USA

The Cooper Union School of Architecture, New York City, USA

The Cooper Union School of Architecture, New York City, USA

Photo of the Day – August 8, 2010

AIA West Jersey 2010 Photo Competition – Photo Entry #3

This image was captured in Spring 2010 when I visited Cooper Union for a symposium on Cuban Architecture.  I had so much fun photographing this building by Morphosis in between and after the seminars.  Although I have many interesting photographs of this dynamic building this one is one of my favorites because it really captures the essence of the metal curtainwall skin.  Note the letters that are bent to create positive-negative spaces.  the designers carried this theme inside the building as well.  I still have alot of editing to do, but here are a few more images of this wonderful and inspiring building.

I hope you like this photograph as much as I do.

Frank

___________________________________________________________

Copyright © 2010 Frank Cunha III.
Frank Cunha III – Architect & Visual Artist
Registered Architect, NJ, NY, PA, CT, DE
PO Box 335, Hamburg, NJ 07419
E-mail: fc3arch @me.com
Tel: 973.970.3551
Fax: 973.718.4641

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Soul City, New York City, USA


Soul City, New York City, USA

Soul City, New York City, USA

AIA West Jersey 2010 Photo Competition – Photo Entry #2

This photograph was taken earlier this year and entered in an “Art in Architecture” design competition.  For more information please check out this website dedicated to Soul City.

In this photograph the city is reduced to a black and white image slightly tilted perhaps describing one’s disposition or agitation.  From across the river the City seems peaceful, especially when viewed as a black and white image.

I hope you like this photograph as much as I do.

Frank

___________________________________________________________

Copyright © 2010 Frank Cunha III.
Frank Cunha III – Architect & Visual Artist
Registered Architect, NJ, NY, PA, CT, DE
PO Box 335, Hamburg, NJ 07419
E-mail: fc3arch @me.com
Tel: 973.970.3551
Fax: 973.718.4641

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New Center for Environmental Life Sciences

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My Role: Project Manager – Involved in the project from concept design through construction.

Owner: Montclair State University

Architect: The SLAM Collaborative

Contractor: Terminal Construction

About the Project:

The new “Center for Environmental & Life Sciences” (CELS) project will include construction of 107,500 gross square feet of new academic and research space and associated site development on the site of McEachern Hall, located along the eastern ridgeline of MSU’s upper campus.

PROJECT OVERVIEW

The Architect for this project is S/L/A/M Architects & Engineers P.C. The building was designed to achieve LEED Silver Enhanced Commissioning Certification based on the latest version of LEED New Construction.  Enhanced Commissioning is one of the LEED points to be achieved.

The new CELS facility is a four-story Spanish-Mission style building (with a mechanical penthouse) with a gross area of 107,500 SF with roughly 58,000 SF of teaching laboratories, research laboratories, classrooms and office space.

The building superstructure is comprised of steel framing on concrete footings and foundations. The exterior finishes include the University’s signature white stucco and clay tile roof.

A 2-Story atrium consists of three over-sized arched windows opens to a new patio facing the east-ridge with views of New York City. There is an East-facing green roof located on the third level.

 

Building Program:

The CELS program identifies approximately 57,000 Net Square Feet of new space and is organized into four specific functional space categories:

Office:  departmental hub, private offices for all FT faculty offices, open offices for graduate students, adjuncts, visiting professors and technical staff.

Instructional:  departmental and CSAM assigned teaching labs, classrooms and support (i.e. prep / storage).

Research:  shared and dedicated research space, including both traditional “wet” and dry labs, to support computational and equipment-intensive activities.

Other:  includes common spaces such as multipurpose rooms, lobbies, lounges and support.

The CELS building will be focused on trans-disciplinary research.  Key components of the proposed CELS program include:

  • Trans-disciplinary research lab group suites (accommodating as many as 148 faculty and students)
  • 6 core research labs, accommodating as many as 44 faculty and students
  • 150-seat lecture hall
  • Earth & Environmental Studies Department
  • 4 institutes & centers office suites (+ 1 lab group)
  • College of Science and Mathematics Dean’s Suite
  • Lounges and study/breakout areas for students
  • Vivarium research laboratories

Planning/Design Objectives:

  • Create a new identity for the Sciences thru the building and landscape design (Formation of a Science Quad).
  • Consolidate the Sciences and promote better adjacencies.
  • Utilize program density to create a building with activity and a sense of place for the sciences.
  • Design the building to compliment the campus context with the Quad to the west and the distant views to the east.
  • Reinforce with campus mission-style architecture.
  • Design to LEED certification level of Silver.
  • Design to accommodate trans-disciplinary research thru flexible/adaptable lab configurations.
  • Plan to allow for future expansion of the Sciences with a possible connection to the existing buildings.

 

 


New Research Facility, Montclair State University

CELS Montclair_2011

Slide07 Slide12

My Role: Senior Project Manager for the Owner during the Programming, Design, Bidding/Procurement & Construction Phases of the Project

Owner: Montclair State University

Architect: SLAM

Contractor: T.B.D.

Construction Manger: T.B.D.

About the Project:

The new Center for Environmental & Life Sciences (CELS) project will include construction of 100,000 (plus mechanical penthouse) gross square feet of new academic and research space and associated site development on the site of McEachern Hall, located along the eastern ridgeline of MSU’s upper campus.

The CELS program identifies approximately 57,000 Net Square Feet of new space and is organized into four specific functional space categories:

Office:  departmental hub, private offices for all FT faculty offices, open offices for graduate students, adjuncts, visiting professors and technical staff.

Instructional:  departmental and CSAM assigned teaching labs, classrooms and support (i.e. prep / storage).

Research:  shared and dedicated research space, including both traditional “wet” and dry labs, to support computational and equipment-intensive activities.

Other:  includes common spaces such as multipurpose rooms, lobbies, lounges and support.

The CELS building will be focused on trans-disciplinary research.  Key components of the proposed CELS program include:

  • 7 trans-disciplinary research lab group suites (accommodating as many as 148 faculty and students)
  • 6 core research labs, accommodating as many as 44 faculty and students
  • 150-seat lecture hall
  • Earth & Environmental Studies Department
  • 4 institutes & centers office suites (+ 1 lab group)
  • College of Science and Mathematics Dean’s Suite
  • Lounges and study/breakout areas for students

Planning/Design Objectives:

  • Create a new identity for the Sciences thru the building and landscape design (Formation of a Science Quad).
  • Consolidate the Sciences and promote better adjacencies.
  • Utilize program density to create a building with activity and a sense of place for the sciences.
  • Design the building to compliment the campus context with the Quad to the west and the distant views to the east (New York City skyline).
  • Reinforce with campus mission-style architecture.
  • Design to LEED certification level of Silver.
  • Design to accommodate trans-disciplinary research thru flexible/adaptable lab configurations.
  • Plan to allow for future expansion of the Sciences with a possible connection to the existing Buildings.

Also Check Out:

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments.

If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
Frank Cunha III
I Love My Architect – Facebook

FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in NJ, NY, PA, DE, CT.


Parachute Pavilion (Coney Island, New York) Designed by @FC3ARCHITECT

Site

The Parachute Pavilion is located on the boardwalk edge of the former Steeplechase Park site adjacent to “Brooklyn’s Eiffel Tower” (a 262-foot-high Parachute Jump, which is a New York City designated landmark since 1989) and KeySpan Park. The pavilion encompasses the entire 7,800 SF footprint.

Program

The Parachute Pavilion boosts a two-story indoor/ outdoor Restaurant, kitchen, bar, and restrooms accessible from the existing boardwalk. On the lower level is a Multi-use Exhibition/Event Space (a flexible and revenue producing space for private and public exhibits and events) and four offices (for city agencies or local advocacy groups). The store sells Coney Island and Parachute Jump souvenirs, surfing gear, and fishing supplies.

Concept

The form from which this building was developed was inspired by all things American – apple pie, baseball, hotdogs on the boardwalk, the (feeling of) Fourth of July, and Rock-and-Roll. After visiting the site, a 4-minute 14-second video using the still images of the trip was produced. The moving images were accompanied by Jimi Hendrix’s “Star-spangled Banner” (August 17, 1969 recording), which affected the transitions from image-to-image (because a moving photo editing filter was used). The still images from the video were used to create figure-grounds, which were explored using a series photo editing filtering techniques.

The final diagram was placed on the given site to respect the historic Parachute Jump. The building opens itself to “create” and “frame” views much like the “filtering process” used to develop the building form. The occupants of the pavilion will sense the presence (and omnipresence) of the jump structure while flowing through the “filtering” spaces as shadows dance on the floors through the 3-dimensional light wells, from the upper level down to the lower level. Materials and finishes tie new with old.  Outside and inside are blurred and intertwined by elegant glass walls.

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We would love to hear from you on what you think about this post.  We sincerely appreciate all your comments.

If you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
Frank Cunha III
I Love My Architect – Facebook

FC3 ARCHITECTURE+DESIGN, LLC
P.O. Box 335, Hamburg, NJ 07419
e-mail: fcunha@fc3arch.com
mobile: 201.681.3551
direct: 973.970.3551
fax: 973.718.4641
web: http://fc3arch.com
Licensed in NJ, NY, PA, DE, CT.


Sweet Fix “FM Radio” Releases New Video

SWEET FIX @ Highline Ballroom in New York City

CLICK HERE    to see the Official Press Release

Want More Sweet Fix? Click Here


New York, New York

New York, New York, a helluva town. The Bronx is up, but the Battery’s down. The people ride in a hole in the groun’. New York, New York, it’s a helluva town!!


Cool Concrete Home in Jersey City

Building an asymmetrically shaped house from an unusual material was the green thing to do for Jersey City man

By Janet Leonardi

When one thinks of building an eco-friendly home, Jersey City might not immediately come to mind as a place to do it.

With nearly a quarter-million residents packed into a dense 15 square miles, all things green there would seem to be at a premium.

But architects and Jersey City residents Richard Garber and Nicole Robertson of GRO Architects in New York rose to the challenge of designing and overseeing the construction of a single-family house that’s a true testament to both innovative design and eco-friendly technology.

Garber, also an assistant professor at New Jersey Institute of Technology’s College of Architecture and Design in Newark, was commissioned in 2007 by Denis Carpenter to design a concrete home with a fixed budget of $250,000.

Click here for the rest of the article.  And also check out this story as well.

Asymmetrical Concrete Home

Do You Love Your Architect?

Copyright © 2010 Frank Cunha III.
Frank Cunha III – Architect & Visual Artist
Registered Architect, NJ, NY, PA, CT, DE
PO Box 335, Hamburg, NJ 07419
E-mail: fc3arch @me.com
Tel: 973.970.3551
Fax: 973.718.4641

WebFC3 ArchitectureFC3 PhotographyBlogFacebookTwitterLinkedIn


City on the Gulf: Urban Experiment in Dubai

Image Courtesy of the Office for Metropolitan Architecture

City on the Gulf: Koolhaas Lays Out a Grand Urban Experiment in Dubai

By NICOLAI OUROUSSOFF

It has been 12 years since the Dutch architect Rem Koolhaasunleashed his concept of “the generic city,” a sprawling metropolis of repetitive buildings centered on an airport and inhabited by a tribe of global nomads with few local loyalties. His argument was that in its profound sameness, the generic city was a more accurate reflection of contemporary urban reality than nostalgic visions of New York or Paris.

Now he may get a chance to create his own version.

Designed for one of the biggest developers in the United Arab Emirates, Nakheel, Mr. Koolhaas’s master plan for the proposed 1.5-billion-square-foot Waterfront City in Dubai would simulate the density of Manhattan on an artificial island just off the Persian Gulf. A mix of nondescript towers and occasional bold architectural statements, it would establish Dubai as a center of urban experimentation as well as one of the world’s fastest growing metropolises.

The mixed-use project, startling in scale, is a carefully considered critique not just of the generic city but of a potentially greater evil: the growing use of high-end architecture as a tool for self-promotion. To Mr. Koolhaas this strategy, which many architects refer to as the Bilbao syndrome, reduces cities to theme parks of architectural tchotchkes that mask an underlying homogeneity.

His strategy is not to reject either trend outright but to locate each one’s hidden, untapped potential, or as he puts it, “to find optimism in the inevitable.”

Click here for the rest of the story.

Do You Love Your Architect?

Copyright © 2010 Frank Cunha III.
Frank Cunha III – Architect & Visual Artist
Registered Architect, NJ, NY, PA, CT, DE
PO Box 335, Hamburg, NJ 07419
E-mail: fc3arch @me.com
Tel: 973.970.3551
Fax: 973.718.4641

WebFC3 ArchitectureFC3 PhotographyBlogFacebookTwitterLinkedIn


Art in Architecture – Celebration of “Soul City”

Art in Architecture Exhibit Info

My Submission click here.


An Excellent Reading Experience – The Devil in the White City by Eric Larson

About “The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America” by Eric Larson

Bringing Chicago circa 1893 to vivid life, Erik Larson’s spellbinding bestseller intertwines the true tale of two men–the brilliant architect behind the legendary 1893 World’s Fair, striving to secure America’s place in the world; and the cunning serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

“As absorbing a piece of popular history as one will ever hope to find.” —San Francisco Chronicle






A view of the Ferris Wheel, the star attraction of the 1893 World’s Fair. George W. Ferris invented the wheel specifically for the fair as an answer to France’s Eiffel Tower. The wheel was a wondrous feat of engineering: supported by two 140-foot steel towers and connected by a 45-foot axle, it was the largest single piece of forged steel ever made at the time. With a diameter of 250 feet and thirty-six cars holding sixty riders each, the Ferris wheel carried 1,450,000 paying customers over the course of the fair. (Photographer: Waterman / Credit: Chicago Historical Society, used by permission.)











A woman stands on the balcony of the Manufactures and Liberal Arts Building, overlooking the canal, the Machinery Building, and the Agriculture Building. The Machinery Building contained exhibits such as Whitney’s cotton gin and the world’s largest conveyor belt, as well as the fair’s power plant, which provided electricity for the entire fair. The Agriculture Building, designed by New York’s McKim, Mead & White, contained weather stations, animals, machines, tools, cigarette booths, a model of the Liberty Bell constructed with oranges, Canada’s 22,000-pound “Monster Cheese,” and the popular Schlitz Brewery booth. (Photographer: C.D. Arnold / Credit: Chicago Historical Society, used by permission.)










A view of the Court of Honor and the Statue of the Republic (also known as “Big Mary”). Created by sculptor David Chester French, the statue was a 65-foot figure atop a 40-foot base and depicted a woman covered in gold leaf holding an eagle, a globe, and a lance (symbolizing the republic of the United States). A replica of the original statue can be found today at the former site of the Administration Building, in Chicago’s Jackson Park. (Photographer: William Henry Jackson / Credit: Chicago Historical Society, used by permission.)



From Publishers Weekly….



Not long after Jack the Ripper haunted the ill-lit streets of 1888 London, H.H. Holmes (born Herman Webster Mudgett) dispatched somewhere between 27 and 200 people, mostly single young women, in the churning new metropolis of Chicago; many of the murders occurred during (and exploited) the city’s finest moment, the World’s Fair of 1893. Larson’s breathtaking new history is a novelistic yet wholly factual account of the fair and the mass murderer who lurked within it. Bestselling author Larson (Isaac’s Storm) strikes a fine balance between the planning and execution of the vast fair and Holmes’s relentless, ghastly activities. The passages about Holmes are compelling and aptly claustrophobic; readers will be glad for the frequent escapes to the relative sanity of Holmes’s co-star, architect and fair overseer Daniel Hudson Burnham, who managed the thousands of workers and engineers who pulled the sprawling fair together 0n an astonishingly tight two-year schedule. A natural charlatan, Holmes exploited the inability of authorities to coordinate, creating a small commercial empire entirely on unpaid debts and constructing a personal cadaver-disposal system. This is, in effect, the nonfiction Alienist, or a sort of companion, which might be called Homicide, to Emile Durkheim’s Suicide. However, rather than anomie, Larson is most interested in industriousness and the new opportunities for mayhem afforded by the advent of widespread public anonymity. This book is everything popular history should be, meticulously recreating a rich, pre-automobile America on the cusp of modernity, in which the sale of “articulated” corpses was a semi-respectable trade and serial killers could go well-nigh unnoticed.


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Personal Reflection on the Tragedy of April 15, 2019 at Notre Dame Cathedral in Paris, France #Paris #Fire #NotreDame #Reflection #Architecture #CarpeDiem

Reflection on the Tragedy of April 15, 2019

This week is Holy Week, when millions of Western Christians mark the death and resurrection of Jesus. Under normal circumstances, Notre Dame cathedral in Paris would have been preparing to display its holy relics to the faithful on Good Friday.

But as fire engulfed the sacred site on April 15, 2019, Catholics across the world reacted in horror and disbelief, particularly when the cathedral’s iconic spire toppled amid the flames.

For generations, Notre Dame Cathedral has been a place of pilgrimage and prayer, and, even as religion in France has declined for decades, it remained the beating heart of French Catholicism, open every day for Mass.

Source: CNN

REFLECTION

When something that is tragic like the Notre Dame Cathedral fire occurs, it is important to take time to reflect on what happened.  First, I look at this tragedy as a Christian, then as the grandson of European immigrants, and finally as an Architect.  I reflect on these recent events using three distinct but entwined lenses:

  • As a Christian, I reflect on what it means to be Christian.  Although imperfect, we are all put on Earth to accomplish great things.  Some have more than others, but we all have our crosses to bear.  As Easter approaches, for many Christians around the world who celebrate this holiest of days it is a time of reflection and hope of things to come.  As Jesus said, you are not of this world (we belong to Him).  When these events happen it also makes us aware of our fleeting earthly lives.
  • As a grandson of Europeans, I feel a strong camaraderie with my neighbors in France.  As technology helps the world shrink we are becoming global citizens.  But as someone who has spent many summers and taken many trips to Europe (probably more than 30 trips over my four decades), I feel a strong connection to what happens in Europe.  I have the same feeling in my stomach that I had when 9-11 happened in New York City.  We take for granted that these beautiful structures will always be here with us.  These events remind us that we must cross off trips that are on our bucket lists sooner rather than later.
  • As an Architect, my primary objective is to safeguard the public.  Sure, I love great design and inspiring spaces as much as the next designer.  However, being an Architect means that we must put safety above all else.  When these events occur, I cannot help but think how vulnerable we are.  As Architects we are always trying to evoke safety and security into our projects – Many times decisions are made with money more than risk aversion.  A 100% safeguard world is not possible, but I challenge my fellow Architects to consider ways that we can educate and confront our clients to ensure that all our buildings are safe.  We are all human with earthly perspectives and we are all bound to mistakes as we manage economics with safety.  Take for example, the Seton Hall student housing fires that changed safety for campus of higher educations around the country.  Can this tragedy bring some good? Perhaps as leaders in our industry we can shape the safety and preservation of our landmarks and new building projects to ensure the safety of the occupants.

Churches, castles and forts are the primary reason I chose this profession. Whenever we lose a structure of significance it is like losing a loved one. Like life itself, our art and architecture must be cherished because it is all temporary after all. Carpe Diem.

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


The History of Western Architecture in Photos

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Happy Friday and enjoy the brief history lesson!

Prehistoric Times: Stonehenge in Amesbury, United Kingdom
Jason Hawkes/Getty Images

Ancient Egypt: The Pyramid of Khafre (Chephren) in Giza, Egypt
Lansbricae (Luis Leclere)/Getty Images (cropped)

Classical: The Pantheon, Rome
Werner Forman Archive/Heritage Images/Getty Images (cropped)

Byzantine: Church of Hagia Eirene, Istanbul, Turkey
Salvator Barki/Getty Images (cropped)

Romanesque: Basilica of St. Sernin, Toulouse, France
Anger O./AgenceImages courtesy Getty Images

Gothic: Notre Dame de Chartres, France
Alessandro Vannini/Getty Images (cropped)

Renaissance: Villa Rotonda (Villa Almerico-Capra), near Venice, Italy
Massimo Maria Canevarolo via Wikimedia Commons

Baroque: Palace of Versailles, France
Loop Images Tiara Anggamulia/Getty Images (cropped)

Rococo: Catherine Palace near Saint Petersburg, Russia
Sean Gallup/Getty Images

Neoclassicism: The U.S. Capitol in Washington, D.C.
Architect of the Capitol

Art Nouveau: Hôtel Lutetia, 1910, Paris, France
Justin Lorget/chesnot/Corbis via Getty Images

Beaux Arts: The Paris Opéra, Paris, France
Francisco Andrade/Getty Images (cropped)

Neo-Gothic: The 1924 Tribune Tower in Chicago
Glowimage/Getty Images (cropped)

Art Deco: The 1930 Chrysler Building in New York City
CreativeDream/Getty Images

Modernism: De La Warr Pavilion, 1935, Bexhill on Sea, East Sussex, U.K.
Peter Thompson Heritage Images/Getty Images

Postmodernism: Celebration Place, Celebration, Florida
Jackie Craven

Neo-Modernism and Parametricism: Heydar Aliyev Centre, 2012, Baku, Azerbaijan
Christopher Lee/Getty Images

Prehistoric to Parametric: Prehistoric Stonehenge (left) and Moshe Safdie’s 2011 Marina Bay Sands Resort in Singapore (right)
Left: Grant Faint / Right: photo by William Cho

(Source: Craven, Jackie. “Architecture Timeline – Western Influences on Building Design.” ThoughtCo, Apr. 21, 2018, thoughtco.com/architecture-timeline-historic-periods-styles-175996)

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


Precedents in Architectural Composition: Measured Drawing at the Morris-Jumel Mansion Drawing Course for Architects & Students Hosted by ICAA

Great opportunity to earn 6 AIA LUs and 6 Credits Toward the Certificate in Classical Architecture.  New York City Event, September 21 & 22, 2018.  Follow link below for additional information about the event.   The course is intended for both students and seasoned architects, as drawings can be tailored to experience level. No specific artist training is required. Basic pencil drawing and drafting skills are recommended, including knowledge of the use of an architectural scale and tape measure. A passion for classical architecture and a love of drawing are required.

The Institute of Classical Architecture & Art (ICAA) is a nonprofit membership organization committed to promoting and preserving the practice, understanding, and appreciation of classical design.

chrisman-featured

“Regarding Roman Buildings, I began to measure all their parts minutely and with the greatest care. I became so assiduous an investigator of such things that, being unable to find anything that was not made with fine judgment and beautiful proportions. I repeatedly visited various parts of Italy and abroad in order to understand the totality of buildings from their parts and commit them to drawings.”
– Andrea Palladio, Forward to The Four Books on Architecture

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook