Ask the Architect: How Will Technology Change the Way We Live in the Future? #ILMA #Architecture #Ideas #Design #Planning


What are some predictions about technologies that will shape our lives in the next 15-20 years?

  • High-rise farms
  • Lab-grown meats
  • Space tourism
  • The colonization of other planets
  • Robots in space and in the workplace
  • Electric vehicles and self-driving cars
  • Robot butlers
  • Roads over rivers
  • Flying cars
  • Solar panel technology
  • Hyper-fast trains
  • Augmented/Mixed Reality
  • Gesture-based computing
  • Wearable screens
  • Driverless Trucks
  • 3D printed food
  • 3D printed metal
  • Fridges and appliances that order for you
  • Smart toothbrushes that send data to your dentist
  • Smart mirrors that check your health
  • A toilet that analyses your deposits
  • 5G mobile connectivity
  • Light Fidelity runs wireless communications that travel at very high speeds. With Li-Fi, your light blub is essentially your router.
  • Exo-Skeletons
  • Recycling and re-engineering
  • Artificial Intelligence
  • Robot soldiers
  • Healthcare Nanobots
  • Cloud gaming without machines

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook


Production & Productivity: Part 4/12 of the 12 P’s–– A Guideline of Design for Architects and Other People Who Want to Save the World and Design Like an Architect #ilmaBlog #Architecture

A 12 part series on the 12 P’s Doctrine: A Guideline of Design for Architects & Other People Who Want to Save the World and Design Like an Architect; developed by Frank Cunha III, AIA, NCARB, MBA.

PART FOUR

Project Resource Allocation and Resource Management 

The resources of an organization consist of people, materials, equipment, knowledge and time. Organizations typically have limited resources; therefore, tradeoffs on what project resources are expended and when are made every day within organizations. A resource allocation plan is an important tool in effective management of scarce resources. The timing of the need of those resources can be and should be determined within the project schedules. A resource plan, which describes the type of resource needed and the timing of that need, is critical to effective resource management. As the project schedule changes, the resource plan must also be flexible enough to adjust as these changes occur.

Production – During Design

Construction drawings are produced by the design team, and go through several drafts during the design phase before the final draft becomes part of the contract, which is then sent out to be bid on by contractors. The winning contractor is bound by all of the contract documentation, including the construction drawings (click here for more information).

Construction Drawings:

  • Represent the building as a whole as designed
  • Are produced by the design team
  • In a traditional construction environment, are created before the project is bid on
  • Are official contract documents
  • Are subject to mark-ups, change orders, and redlining throughout the project

Shop Drawings:

  • Represent building components as designed
  • Are produced by the contractor and subcontractors
  • In a traditional construction environment, are created after the project is awarded and before construction begins
  • Are not usually official contract documents
  • May be subject to mark-ups, change orders, and redlining

As-Built Drawings:

  • Represent the building as a whole and all its components as actually constructed
  • Are produced by the contractor and subcontractors
  • Are produced after the project is complete
  • Are sometimes mandated by the contract but are not part of the contract documents
  • May be subject to change during later renovations, but represent the final documents upon completion of initial construction

Production – During Construction

Lean Project Delivery

  • Lean construction is a method of production aimed at reducing costs, materials, time and effort.
  • Minimize the bad and maximize the good.
  • The desired outcome would be to maximize the value and output of a project while minimizing wasteful aspects and time delay.
  • Beneficial for general and subcontractors
  • Communication drives the project
  • What goals should the project team be working toward?
  • What goals can be achieved reasonably?
  • What commitments has each last planner made?
  • Has each contractor or supplier met their schedule promises?
  • How has each company performed, and what could be changed or improved if any member of the project team fails to meet a milestone?

Prefabricated Construction

  • Material Management and Installation
  • Formal Quality Program
  • Efficient Coordination of Work
  • Diligent Supervision of Work
  • Standardized Internal Inspection and Tests
  • Third Party and Consultant Reviews
  • Improved Communications
  • Experienced Teams and Worker Skills
  • Quality Culture
  • Prefab rooms allow for simultaneous progress
  • Easy assembly for large projects
  • Streamlining onsite labor processes

Types of Prefab:

  • Panelized Wood Framing
  • Timber Framing
  • Concrete Systems
  • Steel Framing
  • Modular Systems

Benefits of Prefab

  • Eco-Friendly
  • Financial Savings
  • Consistent Quality
  • Flexibility
  • Reduced Site Disruption
  • Shorter Construction Time
  • Safety

Technology and Automation

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We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook

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Architecture of the People for the People: Part 3/12 of the 12 P’s–– A Guideline of Design for Architects and Other People Who Want to Save the World and Design Like an Architect #ilmaBlog #Architecture

A 12 part series on the 12 P’s Doctrine: A Guideline of Design for Architects & Other People Who Want to Save the World and Design Like an Architect; developed by Frank Cunha III, AIA, NCARB, MBA.

PART THREE

Architecture of the People for the People

Culture of Stakeholders: When project stakeholders do not share a common culture, project management must adapt its organizations and work processes to cope with cultural differences.

The following are three major aspects of cultural difference that can affect a project:

  • Communications
  • Negotiations
  • Decision making

Communication is perhaps the most visible manifestation of culture. Architects, owner representatives, project managers, and contractors often confront cultural differences in communication in language, context, and candor. Language is clearly the greatest barrier to communication. When project stakeholders do not share the same language, communication slows down and is often filtered to share only information that is deemed critical.

The barrier to communication can influence project execution where quick and accurate exchange of ideas and information is critical. The interpretation of information reflects the extent that context and candor influence cultural expressions of ideas and understanding of information. In some cultures, an affirmative answer to a question does not always mean yes. The cultural influence can create confusion on a project where project stakeholders represent more than one culture.

Some tips for effective communication

(based on the 10 Tips for Effective Communication by Liz Kingsnorth):

  1. An intention for connection.
  2. Listen more than you speak.
  3. Understand the other person first.
  4. Understand needs, wishes and values.
  5. Begin with empathy.
  6. Take responsibility for your feelings.
  7. Make requests that are practical, specific and positive.
  8. Use accurate, neutral descriptions.
  9. Be willing to hear “No”.
  10. Ways we communicate other than words.

Without the people on a project a great building will never be built.  We need to empathize with all the workers and consultants that help make a project a reality and see things from their perspective and find common ground to develop solutions that work for the overall good of the project. 

If you are dealing with toxic individuals consider the following advice:

  1. Set limits. Take it from me, toxic people do not do well with boundaries.
  2. Pick your battles wisely. It’s tricky to balance being cordial with not wanting to normalize someone’s emotionally abusive behavior.
  3. Recognize and distance yourself from their behavior.
  4. Focus on the positive.
  5. Utilize your support system.

More advice on tackling problematic individuals is available by clicking here.

The skills which are needed to take on task-focused team roles include:

  1. Organizing and Planning Skills. Being organized is essential to getting tasks done.
  2. Decision-Making.
  3. Problem-Solving.
  4. Communication Skills.
  5. Persuasion and Influencing Skills.
  6. Feedback Skills.
  7. Skills in Chairing Meetings.
  8. Conflict resolution.

Who is Going to Use the Architecture You Create?

Finally, and most importantly it is important to consider the occupants who will be using the space.  As most of the work I do is in the public realm, I always consider how best to create spaces that are accessible and inclusive to everyone.  It is important to always focus on the people who will be using the spaces that you design and create.

Hopefully, the analysis provided in this post will help you start to think about ways that working with others can help you build a strong team to help you accomplish your project goals.  Without people, architecture cannot be designed or constructed on a large scale.

Subscribe to our blog for updates on each of the 12 doctrines established by Frank CunhaIII, AIA, NCARB, MBA.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook

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Purpose of Architecture: Part 2/12 of the 12 P’s–– A Guideline of Design for Architects and Other People Who Want to Save the World and Design Like an Architect #ilmaBlog #Architecture

A 12 part series on the 12 P’s Doctrine: A Guideline of Design for Architects & Other People Who Want to Save the World and Design Like an Architect; developed by Frank Cunha III, AIA, NCARB, MBA.

PART TWO

Purpose of Architecture

The purpose of Architecture is to improve human life. Create timeless, free, joyous spaces for all activities in life. The infinite variety of these spaces can be as varied as life itself and they must be as sensible as nature in deriving from a main idea and flowering into a beautiful entity. The overriding essence is found in the intangibles, life–heart–soul–spirit–freedom–enduring within the structure. The basic needs of the human being and the subtle variations of the individual are the source for Real Architecture as well as, of course, the natural environment and the natural use of materials. Thus creating – new- changing- to infinity yet timeless Architecture.

–John Lautner, Architect F.A.I.A.

The quote above from Lautner captures the essence of what Architects try to achieve. You can learn more about Lautner by clicking here for his biography. Great design is all about great purpose. Without a purpose Architecture is just a sculpture. Learn more about “Sculpture Architects” by clicking here.

To design with a purpose is the ability to find a special meaning and correlation (and co-relationship) with the occupant and the built work itself. The space transcends the normal reality and lifts the spirits in a way that is difficult to describe in words, but offers us a special feeling. (You can read about design that transcends by clicking here.)

Architecture that is purposeful can lift the soul – take for example, Notre Dame Cathedral, the design of the space helps lift the occupant in mind, body and spirit through the use of architectural elements: sacredness, sublime, spaces that reach for the sky, ornamental detail, colorful fenestrations, light, beauty, rhythm, patterns and repetition, to name a few.

Not only can sacred spaces serve a purpose and transcend the mind and soul, but so can other great works of Architecture, like museums, train stations, office towers, civic structures, homes and schools. Purpose when combined with architectural beauty and refinement offers people something special that has meaning. That is what our souls crave, people, places and things that can fill our lives with meaning.

Subscribe to our blog for updates on each of the 12 doctrines.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook

Inspirational Photo Sources:

Hedjuk Wall House https://i.pinimg.com/originals/4e/41/e0/4e41e019b44ff5475e74a1c2cb78b6e6.jpg

Residential Architecture Example: http://nestpearls.blogspot.com/2013/03/sublime-architecture-chisels-ideal.html

Libeskind Jewish Museum in Berlin: https://www.world-architects.com/it/studio-libeskind-new-york/project/jewish-museum-berlin

São Bento Railway Station, Porto, Portugal: https://mostlytrue.blog/2019/02/16/sao-bento-railway-station-porto/

Thomas Heatherwick’s 2010 Seed Cathedral pavilion: https://archinect.com/news/article/150032966/paul-goldberger-on-the-science-behind-sublime-architecture

Guggenheim Museum in NYC by FLW: https://www.guggenheim.org/the-frank-lloyd-wright-building


The Principles of Architecture: Part 1/12 of the 12 P’s–– A Guideline of Design for Architects and Other People Who Want to Save the World and Design Like an Architect #ilmaBlog #Architecture

A 12 part series on the 12 P’s Doctrine: A Guideline of Design for Architects & Other People Who Want to Save the World and Design Like an Architect; developed by Frank Cunha III, AIA, NCARB, MBA.

PART ONE

First, we start with the solid foundation and the importance of “Principles” in the practice of Architecture.

Marcus Vitruvius Pollio, commonly known as Vitruvius, was a Roman author, architect, civil engineer and military engineer during the 1st century BC, known for his multi-volume work entitled “De Architectura.” The principles described in his book were later adopted by the Romans.

The Principles of Architecture

For someone to begin to think like an Architect or become an Architect there must be some knowledge of the principles of Architecture.  The knowledge gained is not something that can be grasped in a course or in one year, but it is something that requires a life time.  That is why an Architecture office is called a practice because the architects are practicing a craft.  There is so much to learn about so many different things.  Alas, we must start someplace and start building a solid foundation of knowledge about the topic we love.  As we learn, make (small) mistakes and adjustments we are able to hone our craft and get better with time and experience.  Having a solid foundation of knowledge and precedents will help you become a better designer.

Vitruvius’ discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing by Leonardo da Vinci of Vitruvian Man.

It has been generally assumed that a complete theory of architecture is always concerned essentially in some way or another with these three interrelated terms, which, in Marcus Vitruvius Pollio’s Latin text (De Architectura (On Architecture), a handbook for Roman architects), are given as: 

  • Firmatis (Durability) – It should stand up robustly and remain in good condition.
  • Utilitas (Utility) – It should be useful and function well for the people using it.
  • Venustatis (Beauty) – It should delight people and raise their spirits.

Nevertheless, a number of influential theorists after 1750 sought to make modifications to this traditional triad.  Architects will always tend to argue, evolve, adapt and create more concepts and principles, however,  these fundamental themes are a great starting point to start to build knowledge.

Other concepts to consider as guiding principles of good architectural design:

  • BALANCE – Balance in design is similar to balance in physics. A large shape close to the center can be balanced by a small shape close to the edge. Balance provides stability and structure to a design. It’s the weight distributed in the design by the placement of your elements.
  • PROXIMITY – Proximity creates relationship between elements. It provides a focal point. Proximity doesn’t mean that elements have to be placed together, it means they should be visually connected in some way.
  • ALIGNMENT – Allows us to create order and organization. Aligning elements allows them to create a visual connection with each other.
  • REPETITION – Repetition strengthens a design by tying together individual elements. It helps to create association and consistency. Repetition can create rhythm (a feeling of organized movement).
  • CONTRAST – Contrast is the juxtaposition of opposing elements (opposite colors on the color wheel, or value light / dark, or direction – horizontal / vertical). Contrast allows us to emphasize or highlight key elements in your design.
  • SPACE – Space in art refers to the distance or area between, around, above, below, or within elements. Both positive and negative space are important factors to be considered in every design.

Subscribe to our blog for updates on each of the 12 doctrines.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook


Architecture of Hope #ilmaBlog

Everyone loves when new project is conceived.  The designs that are imagined in collaboration with an Architect and an Owner is magical – it is one of the rare opportunities in life when we have some control about creating something meaningful.  An architecture project offers hope and meaning to a world filled with complexity, anxiety and chaos. 

When a project is developed there is a sense of hope that the world will be a better place.  Great architecture allows people’s lives to change for the better addressing the programmatic needs of the client while offering beautiful, harmonic spaces for the occupants.

When an Architect envisions a space for a client, they are taking a wish and making it a reality.  The new spaces that make up the built work will become treasured by those who are able to experience it.  The building itself will shape the lives of the occupants and allow them to do the things they could not before.  Great architecture is more than just a shelter or a place that addresses the client’s need.  Great architecture transcends time and space and connects us in various ways: literally connects us in real time when using the space but also interacts with the occupants as experiences are etched into the memory of the building.  There is a feeling you get when you are in a great building.  It is difficult to describe but the space itself is more than the sum of its parts.  It is a spiritual experience.  An example of such a building for me is the Guggenheim Museum by Frank Lloyd Wright or the Pennsylvania Academy of the Fine Arts by Frank Furness.

Experiencing these buildings on various occasions exemplifies how Architects can design buildings in a way that epitomizes hope.  There are two definitions for hope: (1) a feeling of expectation and desire for a certain thing to happen and (2) a feeling of trust.  Indeed, experiencing these spaces and many others the occupant does have a strong desire for something to happen and there is a feeling of trust that something will happen.  When visiting these special places, it is easy to see that designing architecture of hope allows the visitor a chance to experience a space that otherwise would be unexciting and humdrum.

When starting out on a project it is important to address this inherent desire to create someplace distinctive and extraordinary by thinking about how we as great Architects can live up to the desires and hope of our clients, even when they may not clearly see or sense the hope in the vision they are trying to construct.  Our jobs as Architects is to offer hope to our clients through our exceptional and distractive skills, blending art and science and craft when practicing Architecture.   If we can do this then we can create an Architecture filled with hope.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,
FRANK CUNHA III
I Love My Architect – Facebook

Suggested Reading:

My Architecture Manifesto: “Architecture Shall Live On” by Architect @FrankCunhaIII #Architect #Design #Theory #AvantGarde #ilmaBlog #DesignTheory #Architecture

Architects Vs. “Sculptor” Architects based on a conversation btw @WJMArchitect and @FrankCunhaIII

Ophiuchus: The Serpent Bearer (Playing With Numbers)


Architect’s Follow Up on the Cathedral of Notre-Dame de Paris and Creating Safer Work Environments #UnderConstruction #Safety #Design #Architecture #LessonsLearned #SafetyFirst #Design #Build #Architect #ilmaBlog

Follow Up on the Cathedral of Notre-Dame de Paris and Creating Safer Work Environments

A few weeks ago on April 15th, 2019, a fire destroyed the roof and wooden spire of the Notre-Dame de Paris.

One of the most famous timber frame fires started just after midnight on the 2nd September 1666 in Pudding Lane. After burning for three days it destroyed nearly 90 percent of the inhabitants of London’s homes.

Getty Images

Possible Causes For Blaze

Although officials say that the investigation could last several weeks and nothing can be ruled out at this time, there is much suspicion that the blaze may have been started by a short-circuit near the spire.

The short circuit may have been possibly caused by electrified bells, or negligence by construction workers carrying out the ongoing renovations, a theory fueled by the discovery of cigarette butts.

Typical Sources of Ignition

Not related to the fire, but for a matter of reference, sources of ignition during construction may generally include: (1) Hot works – cutting, grinding, soldering, hot pitching; (2) Faulty electrical equipment – damaged sockets and equipment, service strikes, temporary supplies and halogen lighting; (3) Arson – works in high crime rate areas, protests and objections to the scheme, disgruntled employees or contractors; (4) Reactive chemicals; (5) Fire Loading; (6) Fire Spread – The Offsite Risks; (7) and Constrained sites.   It will be interesting to see what the investigators are able to uncover in the following weeks.

André Finot, the cathedral’s spokesman, pointed out traces of damage. “Everywhere the stone is eroded, and the more the wind blows, the more all of these little pieces keep falling,” he said. (Photo Credit: Dmitry Kostyukov for The New York Times)

Ongoing Renovations

Fallen stones on the cathedral’s roof. Experts say that the building has reached a tipping point and that routine maintenance is no longer enough to prevent rain, wind and pollution from causing lasting damage. (Photo Credit: Dmitry Kostyukov for The New York Times)
Masonry that has broken away or that was taken down as a precautionary measure has been piled up on a small lawn at the back of the cathedral. (Photo Credit: Dmitry Kostyukov for The New York Times)

According to the New York Times, the biggest renovation at the cathedral took place between 1844 and 1864 when the spire and the flying buttresses were rebuilt.  The most recent overhaul, however, was meant to be understated. “The idea isn’t to replace every single stone. I don’t want to give this cathedral a face-lift,” said Philippe Villeneuve, the chief architect behind the project.  The renovations, which are estimated to cost $150 million euro ($169 million) were still ongoing when the cathedral caught fire.  Most likely something to do with the renovations of the cathedral led to its temporary demise.

Design Input

The event, which occurred during holy week sparked an intense national debate on how the 856-year-old cathedral should be rebuilt.  The French public will get a say on how the fire-ravaged Notre Dame cathedral will be rebuilt, officials say. 

FYI: In a separate blog post, ILMA plans to do a write up on the current designs that are being suggested by Architects and designers around the world.

Construction Workers – Risk Management

As a matter of course, this heartbreaking occurrence give us pause to consider the threats that can occur during construction.  Some risks to workers that need to be managed during construction and renovations include the following: (1) Working at Height; (2) Slips, Trips and Falls; (3) Moving Objects; (4) Noise; (5) Manual Handling; (6) Vibrations; (7) Collapses; (8) Asbestos; (9) Electricity; (9) Respiratory diseases. (Sources: Top 10 construction health and safety risks) and OSHA’s Top Four Construction Hazards); From the perspective of keeping the building safe during renovations and/or construction and saving lives, the following should be considered:

Building Safety – Risk Management

  1. Installation of sprinkler systems and fire detection systems early on in construction
  2. Availability of standpipes
  3. Commissioning the sprinkler system
  4. Access to fire extinguishers
  5. Make sure your fire detection and warning systems work
  6. Maintaining means of egress; Building compartmentation and protected fire routes in as the building is constructed
  7. Protect emergency escape routes
  8. Secure the site against arson
  9. Protect temporary buildings and accommodation
  10. Store equipment safely
  11. Design out hot works
  12. Keep the site tidy
  13. Keep project site and equipment safe
  14. No smoking
  15. Increase security for the site – CCTV, Full height hoarding, signage
  16. Engagement of local fire departments – to assess water pressure and accessibility
  17. Proper fire risk assessment that considers fire loading and fire separation distances

Learning From the Tragedy of the Cathedral of Notre-Dame de Paris

As timber is becoming increasingly more popular in high rises it is important to consider the past when managing the risks of projects utilizing wood framing.  Although there are many studies and test on modern day timber/wood designs, it is still important to consider the risks that are present on any jobsite.  Spending the money to do construction the right way will help reduce the inherent risks with construction – both to safeguard people as well as the buildings that we cherish.

For more information on my take on what happened at Notre Dame, please consider checking out the original articles: Personal Reflection on the Tragedy of April 15, 2019 at Notre Dame Cathedral in Paris and What Makes Notre Dame Cathedral So Important as a Work of Architecture?.

Additional Reading:

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


Bring Your Children to Work Day at @MontclairStateU #ArchWeek19 #CitizenArchitect #BlueprintForBetter #ilmaBlog #Architecture #UniversityArchitect

Brief Announcement
On April 25th, Frank Cunha III & Michael Chiappa participated in a Bring Your Children to Work Day at MSU where we were able to teach the children about architecture, planning, design and construction. We showed them the old ways, the current ways and the future ways that architects envision projects and help build the world around us.

About Bring Your Children to Work Day
National Take Our Daughters and Sons to Work Day is recognized on the fourth Thursday in April each year. This annual event is an educational program in the United States and Canada where parents take their children to work with them for one day.

Presentation
The following is the slideshow we presented to the children:

About the Event
This year some of the parents decided to focus on STEM and what it means to be an Architect….a profession that is both creative and artistic, yet methodical and scientific. We explored what it means to be an Architect and other STEM fields and how anyone, regardless of gender, race, religion or ethnicity can aspire to do great things. Architecture is just one of many pathways where we can lead through change and technology. We looked at old blue prints, 3-D modeling, 3-D printing, building materials, using our original 1908 building (College Hall) for context in describing the process and all of the wonderful people that it takes to conceive of a project — We looked at interior design and site design as part of the overall architectural design of a campus. We emphasized, that although not all the children will decide to become architects, it is important to understand what architects do and how to understand how we think and how/what we do. We all need to learn from each other and work as a team to get things done. It was exciting to see the children work with the campus hand on when we had them work on an interactive puzzle of the campus. One of the students said: ” The campus is like a small city.” It was really fulfilling to see that she understood that the university is like a small city. It felt great to make an impact and promote architecture to young children.

Coincidentally, Architecture Week is held every April as part of the American Institute of Architects (AIA) nationwide celebration of our built environment, so that made the day even more special to me.

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


New Campus Center at Springfield Technical Community College #UniversityArchitect #Rehabilitation #Community #College #Architecture #Transformation #ilmaBlog

All Photos: Chuck Choi

Combining historic preservation, adaptive reuse, and contemporary architecture, Springfield Technical Community College’s new Campus Center repurposes a 764-foot-long by 55-foot-wide warehouse building originally constructed between 1846 and 1864.

A major aspect of the Springfield, Massachusetts, University’s Campus Center is The Ira H. Rubenzahl Student Learning Commons. The Campus Center and Student Learning Commons consolidate academic services and student life activities under one roof. Corten steel canopies along the building’s facade distinguish new entrances into each hub.

Click Here to read the rest of the story.

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


Personal Reflection on the Tragedy of April 15, 2019 at Notre Dame Cathedral in Paris, France #Paris #Fire #NotreDame #Reflection #Architecture #CarpeDiem

Reflection on the Tragedy of April 15, 2019

This week is Holy Week, when millions of Western Christians mark the death and resurrection of Jesus. Under normal circumstances, Notre Dame cathedral in Paris would have been preparing to display its holy relics to the faithful on Good Friday.

But as fire engulfed the sacred site on April 15, 2019, Catholics across the world reacted in horror and disbelief, particularly when the cathedral’s iconic spire toppled amid the flames.

For generations, Notre Dame Cathedral has been a place of pilgrimage and prayer, and, even as religion in France has declined for decades, it remained the beating heart of French Catholicism, open every day for Mass.

Source: CNN

REFLECTION

When something that is tragic like the Notre Dame Cathedral fire occurs, it is important to take time to reflect on what happened.  First, I look at this tragedy as a Christian, then as the grandson of European immigrants, and finally as an Architect.  I reflect on these recent events using three distinct but entwined lenses:

  • As a Christian, I reflect on what it means to be Christian.  Although imperfect, we are all put on Earth to accomplish great things.  Some have more than others, but we all have our crosses to bear.  As Easter approaches, for many Christians around the world who celebrate this holiest of days it is a time of reflection and hope of things to come.  As Jesus said, you are not of this world (we belong to Him).  When these events happen it also makes us aware of our fleeting earthly lives.
  • As a grandson of Europeans, I feel a strong camaraderie with my neighbors in France.  As technology helps the world shrink we are becoming global citizens.  But as someone who has spent many summers and taken many trips to Europe (probably more than 30 trips over my four decades), I feel a strong connection to what happens in Europe.  I have the same feeling in my stomach that I had when 9-11 happened in New York City.  We take for granted that these beautiful structures will always be here with us.  These events remind us that we must cross off trips that are on our bucket lists sooner rather than later.
  • As an Architect, my primary objective is to safeguard the public.  Sure, I love great design and inspiring spaces as much as the next designer.  However, being an Architect means that we must put safety above all else.  When these events occur, I cannot help but think how vulnerable we are.  As Architects we are always trying to evoke safety and security into our projects – Many times decisions are made with money more than risk aversion.  A 100% safeguard world is not possible, but I challenge my fellow Architects to consider ways that we can educate and confront our clients to ensure that all our buildings are safe.  We are all human with earthly perspectives and we are all bound to mistakes as we manage economics with safety.  Take for example, the Seton Hall student housing fires that changed safety for campus of higher educations around the country.  Can this tragedy bring some good? Perhaps as leaders in our industry we can shape the safety and preservation of our landmarks and new building projects to ensure the safety of the occupants.

Churches, castles and forts are the primary reason I chose this profession. Whenever we lose a structure of significance it is like losing a loved one. Like life itself, our art and architecture must be cherished because it is all temporary after all. Carpe Diem.

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


What Makes Notre Dame Cathedral So Important as a Work of Architecture? #NotreDame #Architecture #Design #History

Notre Dame Cathedral is a medieval Catholic cathedral on the Île de la Cité located in Paris, France. The cathedral is considered to be one of the finest examples of Gothic architecture. The innovative use of the rib vault and flying buttress, the enormous and colorful rose windows, gothic arched windows and doorways, and the naturalism and abundance of its sculptural decoration all set it apart from earlier Romanesque architecture.

Notre Dame Cathedral is considered to be of the most well-known church buildings in the world. Construction started in 1163 and finished in 1345. It is devoted to Virgin Mary and it is one of the most popular monuments in Paris. The cathedral underwent many changes and restorations throughout time.

The location of this cathedral has a long history of religious cult. The Celts celebrated rituals there before the Romans erected a temple devoted to Jupiter. It was also the place were the first Christian church, Saint Étienne, was built. It was founded by Childeberto I in 528 AD. In 1160 the church was deemed and in 1163 the construction of the cathedral started. Opinions differ as to whether Sully or Pope Alexander III laid the foundation stones of the cathedral. Several architects took part in the construction, so differences in style are clearly seen.

There are around 13 million people who visit the Notre Dame de Paris Cathedral every year, which means this is an average of 30,000 people every day, growing to around 50,000 pilgrims and visitors who enter the cathedral on peak days.

History

Construction began in 1163 after Pope Alexander III laid the cornerstone for the new cathedral. By the time of Bishop Maurice de Sully’s death in 1196, the apse, choir and the new High Altar were all finished, while the nave itself was nearing completion. In 1200, work began on the western facade, including the west rose window and the towers, all of which were completed around 1250, along with a new north rose window. Also during the 1250s, the transepts were remodeled in the latest style of Rayonnant Gothic architecture by architects Jean de Chelles and Pierre de Montreuil, and the clerestory windows were enlarged. The last remaining elements were gradually completed during the following century.

The Cathedral of Notre-Dame de Paris was built on a site which in Roman Lutetia is believed to have been occupied by a pagan temple, and then by a Romanesque church, the Basilica of Saint Étienne, built between the 4th century and 7th century.

Notre-Dame Cathedral suffered damage and deterioration through the centuries, and after the French Revolution it was rescued from possible destruction by Napoleon, who crowned himself emperor of the French in the cathedral in 1804. Notre-Dame underwent major restorations by the French architect E.-E. Viollet-le-Duc in the mid-19th century. The cathedral is the setting for Victor Hugo’s historical novel Notre-Dame de Paris (1831).

Gothic Cathedral Builders

With the aid of only elementary drawings and templates, master stone masons meticulously directed the construction of the great medieval cathedrals of Europe. The practices of intuitive calculation, largely based on simple mathematical ratios and structural precedent, were closely guarded and passed between successive generations of masons. Specific site conditions and the insatiable demand by church authorities for higher and lighter buildings provided the impetus for continual development.

The Spire

Symbolically, spires have two functions. Traditionally, one has been to proclaim a martial power of religion. A spire, with its reminiscence of the spear point, gives the impression of strength. The second is to reach up toward the skies. The celestial and hopeful gesture of the spire is one reason for its association with religious buildings.

Holy Christian Relics

The Relics of Sainte-Chapelle are relics of Jesus Christ acquired by the French monarchy in the Middle Ages and now conserved by the Archdiocese of Paris. They were originally housed at Sainte-Chapelle in Paris and are now in the cathedral treasury of Notre Dame de Paris.  Relics believed to be a piece of the cross on which Jesus was crucified, as well as the Crown of Thorns he wore, have been kept at the cathedral for centuries. The braided circle held together by golden thread has about 70 or so thorns attached. The relics were obtained from the Byzantine Empire in 1238 and brought to Paris by King Louis IX.

Wood Construction

The framing of Notre-Dame de Paris is certainly one of the oldest structures in Paris with that of Saint-Pierre de Montmartre (1147).

It is poetically and endearingly called the Forest because of the large number of wood beams that had to be used to set it up.  Each beam coming from a different tree. It is a framework of oaks. Its measurements are very impressive: More than 328 feet (100 meters) long, 43  feet (13 meters) wide in the nave, 130 feet (40 meters) in the transept and 33 feet (10 meters) high.

In the choir, there existed a first frame with woods felled around 1160-1170 (it is estimated that some could have 300 to 400 years, which brings us to the 8th or 9th centuries !!!). This first frame has disappeared, but woods were reused in the second frame installation in 1220.

In the nave, the carpentry is set up between 1220 and 1240.  The work of the nave began between 1175 and 1182, after the consecration of the choir. The work stops after the fourth bay leaving the nave unfinished while the elevation of the facade is begun in 1208. The work of the nave will be resumed in 1218 to counter the façade.

On this frame rests a lead roof consisting of 1326 tables 0.20 inches (5 mm) thick weighing 210 tons . In the eleventh and twelfth centuries, roofs were covered with flat tile churches because of the abundant clay deposits. Paris, being far from such deposits, was preferred to lead. In 1196, Bishop Maurice de Sully bequeathed 5,000 pounds for the purchase of lead.

Although the carvings of the choir and the nave went through the centuries, those of the transepts and the spire were redone in the middle of the 19th century during the great restoration campaign of the cathedral under the direction of The Duke . Made according to the principles then in force, they differ from the framework of the choir and the nave, in particular as regards the dimensions of the beams which are much more imposing than those of the Middle Ages and more distant.

The Facade

Notre Dame’s iconic facade evokes a harmony of design based on nature and represents a level of detailed craftsmanship that no longer subsists in contemporaneous architecture. From Georges-Eugène Haussmann’s immense plaza the visitor is captivated by a stunning view of the facade’s three elaborately-decorated portals.

The left-side portal of the Virgin depicts the life of the Virgin Mary, as well as a coronation scene and an astrological calendar. The central portal depicts the Last Judgement in a kind of vertical triptych. The first and second panels show the resurrection of the dead, the judgment, Christ, and apostles.The pièce de résistance is the reigning Christ which crowns the scene.

The portal of Saint-Anne on the right features Notre Dame’s oldest and finest surviving statuary (12th century) and depicts the Virgin Mary sitting on a throne, the Christ child in her arms. Above the portals is the gallery of kings, a series of 28 statues of the kings of Israel.

The magnificent exterior of Notre Dame’s West rose window depicts the biblical figures of Adam and Eve on the outer rim. It measures an impressive 33 feet (10 meters) in diameter, which was the largest rose window constructed in its day.

The final level of the facade before reaching the towers is the “Grande Galerie” which connects the two towers at their bases. Fierce demons and birds decorate the grand gallery but are not easily visible from the ground.

The Cathedral Towers

Notre Dame’s ornate towers became a legend thanks to 19th-century novelist Victor Hugo, who invented a hunchback named Quasimodo and had him inhabit the South tower in “The Hunchback of Notre Dame”.

The towers are 223 feet (68 meters) tall offering remarkable views of the Ile de la Cité, the Seine River and the entire city itself.  After climbing 400 stairs you are rewarded with gargoyles of grimacing demons and menacing carrion birds. The South tower houses Notre Dame’s infamous 13-ton bell.

You can also admire the detail of Notre Dame’s magnificent spire, destroyed during the revolution and restored by Viollet-le-Duc.

The Magnificent Interior

Medieval architects represented their idea of human earthliness in relation to heaven through structures that were at once grandiose and ethereal–and Notre Dame’s interior achieves exactly this. The cathedral’s long halls, vaulted ceilings, and soft light filtered through intricate stained glass help us understand the medieval perspective of humanity and divinity. There is no access to the cathedral’s upper levels, obliging visitors to remain earthbound, gazing upward. The experience is breathtaking, especially on a first visit.

The cathedral’s three stained-glass rose windows are the interior’s outstanding feature. Two are found in the transept: the North rose window dates to the 13th century and is widely considered to be the most stunning. It depicts Old Testament figures surrounding the Virgin Mary. The South rose window, meanwhile, depicts the Christ surrounded by saints and angels. More modern stained glass, dating to as late as 1965, is also visible around the cathedral.

Notre Dame’s organs were restored in the 1990’s and are among the largest in France.

The choir includes a 14th-century screen which portrays the biblical Last Supper. A statue of the Virgin and Christ child, as well as funeral monuments to religious figures, are also found here.

Near the rear, Notre Dame’s treasury includes precious objects, such as crosses and crowns, made of gold and other materials.

Countless processions and historical moments took place inside the cathedral, including the crowning of Henry VI, Mary Stuart, and Emperor Napoleon I.

Sources:

http://www.notredamedeparis.fr/en/la-cathedrale/architecture/la-charpente

https://www.tripsavvy.com/notre-dame-cathedral-highlights-and-facts-1618863

https://en.wikipedia.org/wiki/Haussmann%27s_renovation_of_Paris

https://en.wikipedia.org/wiki/Notre-Dame_de_Paris

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


12 Rules For Architects Using Aspire Project Management Techniques #ilmaBlog #PM #Management #Business #Architecture

  1. Customer Satisfaction: Our highest priority is to satisfy the customer through early and continuous delivery of valuable design solutions.Embrace Changes: Welcome changing requirements, even late in development. Agile processes harness change for the customer’s competitive advantage.
  2. Embrace the Process: Deliver working design solutions frequently, from a couple of weeks to a couple of months, with a preference to the shorter timescale.
  3. Embrace Teamwork: The design team must work together daily throughout the project.
  4. Support Enthusiasm: Design projects around motivated individuals. Give them the environment and support they need and trust them to get the job done.
  5. Face-to-Face is First: The most efficient and effective method of conveying information to and within a design team is face-to-face conversation.
  6. How Do We Measure Progress: Effective, efficient and elegant design solutions are the primary measure of progress.
  7. Less Is More: Simplicity — the art of maximizing leaving stuff out — is essential. Agile processes promote sustainable development.
  8. Allow for Flexibility: The best design solutions emerge from self-organizing design teams.
  9. Execute, Monitor, Adjust: At regular intervals, the design team reflects on how to become more effective, then tunes and adjusts its behavior accordingly.
  10. God Is In The Details: Continuous attention to technical excellence and good design enhances agility.

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

Feel free to contact us if you would like to discuss ideas for your next project!

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FRANK CUNHA III
I Love My Architect – Facebook


The Architect’s Role in Sustainable Design (and How to Use Technology and Innovation to Advance Building Performance) #ilmaBlog #green #design #architecture #greenbuildings

Background

In the design and construction field, there are two major categories of resources: renewable and non-renewable. As opposed to non-renewable resources, which are depleted with their constant use, renewable resources are not. If not managed properly Non-renewable resources might become non-existent when the rate at which they are used is much higher than the rate at which they are replaced. Renewable resources include water, geothermal energy and wind energy. Non-renewable resources include coal, natural gas and oil.  The demand for new construction is on the rise as the world’s population increases and the demand for newer, more efficient modern buildings also increase.

Architect’s Role

Because buildings account for so much energy to build and maintain, architects and designers have become very conscious about our role in minimizing our environmental footprint when we design buildings.  The American Institute of Architects, the largest organization of architects world-wide has a committee called the Committee on the Environment (COTE), which works to advance, disseminate, and advocate—to the profession, the building industry, the academy, and the public—design practices that integrate built and natural systems and enhance both the design quality and environmental performance of the built environment. COTE serves as the community and voice on behalf of AIA architects regarding sustainable design and building science and performance.

Bamboo

Renewable Resources

In green construction processes, there is an emphasis on the use of renewable resources. In many cases, this natural source becomes depleted much faster than it is able to replenish itself, therefore, it has become important that buildings make use of alternative water sources for heating, hot water and sewerage disposal throughout their life cycles, to reduce use and conserve water supplies.

Architects and designers specify rapidly renewable materials are those that regenerate more quickly than their level of demand. Our goal is to reduce the use and depletion of finite raw materials and long-cycle renewable materials by replacing them with rapidly renewable ones.  Some commonly specified rapidly renewable materials include cork, bamboo, cotton batt insulation, linoleum flooring, sunflower seed board panels, wheat-board cabinetry, wool carpeting, cork flooring, bio-based paints, geotextile fabrics such as coir and jute, soy-based insulation and form-release agent and straw bales. Some green building materials products are made of a merger of rapidly renewable materials and recycled content such as newsprint, cotton, soy-based materials, seed husks, etc.

Check out this ILMA article about “Materiality and Green Architecture: The Effect of Building Materials on Sustainability and Design” for more information on this topic.

Responsibility of Architects

Architects and designers who align with AIA’s COTE objectives, (1) recognize the value of their role in environmental leadership to advance the importance of sustainable design to the general public while incorporating sustainable design into their daily practice, (2) influence the direction of architectural education to place more emphasis on ecological literacy, sustainable design and building science, (3) communicate the AIA’s environmental and energy-related concerns to the public and private sectors and influence the decisions of the public, professionals, clients, and public officials on the impact of their environmental and energy-related decisions, (4) educate other architects on regulatory, performance, technical and building science issues and how those issues influence architecture, (5) educate the architectural profession on programming, designing, and managing building performance, (6) investigate and disseminate information regarding building performance best practices, criteria, measurement methods, planning tools, occupant-comfort, heat/air/moisture interfaces between the interior and exterior of buildings, (7) promote a more integrated practice in order to achieve environmentally and economically efficient buildings. One of the tools we will plan to promote to achieve this integration is Building Information Technology (BIM).

Smart-Building

The Role of Technology & Innovation – A Case Study (“The Edge”)

PLP Architecture and the Developer OVG Real Estate, built “The Edge” is a 430,556 SF (40,000m²) office building in the Zuidas business district in Amsterdam. It was designed for the global financial firm and main tenant, Deloitte. The project aimed to consolidate Deloitte’s employees from multiple buildings throughout the city into a single environment, and to create a ‘smart building’ to act as a catalyst for Deloitte’s transition into the digital age.

They key features of this building include the following innovations which address the environmental impact of building such a large edifice:

  • Each facade is uniquely detailed according to its orientation and purpose.
    • Load bearing walls to the south, east and west have smaller openings to provide thermal mass and shading, and solid openable panels for ventilation.
    • Louvers on the south facades are designed according to sun angles and provide additional shading for the office spaces, reducing solar heat gain.
    • Solar panels on the south facade provide enough sustainable electricity to power all smartphones, laptops and electric cars.
    • The North facades are highly transparent and use thicker glass to dampen noise from the motorway.
    • The Atrium façade is totally transparent, allowing views out over the dyke, and steady north light in.
  • The building’s Ethernet-powered LED lighting system is integrated with 30,000 sensors to continuously measure occupancy, movement, lighting levels, humidity and temperature, allowing it to automatically adjust energy use.
  • 65,000 SF of solar panels are located on the facades and roof, and remotely on the roofs of buildings of the University of Amsterdam – thereby making use of neighborhood level energy sourcing.
  • The atrium acts as a buffer between the workspace and the external environment. Excess ventilation air from the offices is used again to air condition the atrium space. The air is then ventilated back out through the top of the atrium where it passes through a heat exchanger to make use of any warmth.
  • Rain water is collected on the roof and used to flush toilets and irrigate the green terraces in the atrium and other garden areas surrounding the building.
  • Two thermal energy wells reach down to an aquifer, allowing thermal energy differentials to be stored deep underground.
  • In The Edge a new LED-lighting system has been co-developed with Philips. The Light over Ethernet (LoE) LED system is powered by Ethernet and 100% IP based. This makes the system (i.e. each luminaire individually) computer controllable, so that changes can be implemented quickly and easily without opening suspended ceilings. The luminaires are furthermore equipped with Philips’ ‘coded-light’ system allowing for a highly precise localization via smartphone down to 8 inches (20 cm) accuracy, much more precise than known WiFi or beacon systems.
  • Around 6,000 of these luminaires were placed in The Edge with every second luminaire being equipped with an additional multi-sensor to detect movement, light, infrared and temperature.
  • The Philips LoE LED system was used in all office spaces to reduce the energy requirement by around 50% compared to conventional TL-5 Lighting. Via the LoE system daily building use can be monitored. This data is fed to facility managers via the BMS allowing:
    • Remote insight into the presence of people in the building (anonymous). Heating, cooling, fresh air and lighting are fully IoT (Internet of Things) integrated and BMS controlled per 200 sqft based on occupancy – with zero occupancy there is next-to-zero energy use.
    • Predictions of occupancy at lunchtime based on real time historical data and traffic and weather information to avoid food-waste.
    • Unused rooms to be skipped for cleaning.
    • Managers to be alerted to lights that need replacing.
    • Notification of printers needing paper.
  • Every employee is connected to the building via an app on their smartphone. Using the app they can find parking spaces, free desks or other colleagues, report issues to the facilities team, or even navigate within the building.
  • Employees can customize the temperature and light levels anywhere they choose to work in the building via the mobile app. The app remembers how they like their coffee, and tracks their energy use so they’re aware of it.
  • The vast amount of data generated by the building’s digital systems and the mobile app on everything from energy use to working patterns, has huge potential for informing not only Deloitte’s own operations, but also our understanding of working environments as a whole. Discussions are currently ongoing regarding the future of this data and its use for research and knowledge transfer.
  • The green space that separates the building from the nearby motorway acts as an ecological corridor, allowing animals and insects cross the site safely.

Conclusion

Because buildings account for nearly 40 percent of global energy consumption, architects and designers have been working to impact the built environment in a positive way.  Although not every project can be as green as The Edge, by selecting materials that are renewable while reducing energy are two big contributions we can make to help ease the increasing demand for construction.

Technology can play a big part in our role to design more sustainable buildings through the use of building information modeling, energy management software, building management software, online sustainability calculators, energy modeling software, new lighting innovations, new techniques to capture and deliver energy and clean water while reducing waste, and mobile applications utilizing IoT.

Sources:

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

Feel free to contact us if you would like to discuss ideas for your next project!

Sincerely,

FRANK CUNHA III
I Love My Architect – Facebook


History of Architecture

Jacqueline Gargus is a professor of architecture at the Knowlton School. Educated at Wellesley College and the University of Pennsylvania, she joined the Knowlton School faculty in 1988. She has also taught at the Harvard Graduate School of Design and has been a Senior Research Fellow at the Bauhaus Universität, Weimar, and the Technical University of Vienna. She is the author of Ideas of Order: A Formal Approach to Architecture (Kendall Hunt, 1994) and the multimedia digital video textbook, Architectural History 1, produced by iTunes University. Her most recent book is Architecture Guide: China (2016), co-authored with Evan Chakroff and Addison Godel.

Follow this link for access to over 40 youtube videos that take you from antiquity through mid-1800’s.

History of Architecture Youtube Playlist

If you just cannot get enough (like me) click here for another 100 episodes: iTunes History of Architecture Course

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

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FRANK CUNHA III
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What is the Thinking Hand in Architecture (and why we, as architects, must defend the natural slowness and diversity of experience) #ilmaBlog #Discourse #Theory #Architecture #Design

ILMA The Thinking Hand 01

2009 Book, The Thinking Hand written byArchitect Juhani Pallasmaa

In The Thinking Hand, Architect Juhani Pallasmaa reveals the miraculous potential of the human hand. He shows how the pencil in the hand of the artist or architect becomes the bridge between the imagining mind and the emerging image. The book surveys the multiple essences of the hand, its biological evolution and its role in the shaping of culture, highlighting how the hand–tool union and eye–hand–mind fusion are essential for dexterity and how ultimately the body and the senses play a crucial role in memory and creative work. Pallasmaa here continues the exploration begun in his classic work The Eyes of the Skin by further investigating the interplay of emotion and imagination, intelligence and making, theory and life, once again redefining the task of art and architecture through well-grounded human truths.

Pallasmaa notes that, “…architecture provides our most important existential icons by which we can understand both our culture and ourselves. Architecture is an art form of the eye, the hand, the head and the heart. The practice of architecture calls for the eye in the sense of requiring precise and perceptive observation. It requires the skills of the hand, which must be understood as an active instrument of processing ideas in the Heideggeran sense. As architecture is an art of constructing and physical making, its processes and origins are essential ingredients of its very expression…”

Linking art and architecture he continues, “…as today’s consumer, media and information culture increasingly manipulate the human mind through thematized environments, commercial conditioning and benumbing entertainment, art has the mission to defend the autonomy of individual experience and provide an existential ground for the human condition. One of the primary tasks of art is to safeguard the authenticity and independence of human experience.”

Pallasmaa asserts that,

“Confidence in future architecture must be based on the knowledge of its specific task; architects need to set themselves tasks that no one else knows how to imagine. Existential meanings of inhabiting space can be articulated by the art of architecture alone. Thus architecture continues to have a great human task in mediating between the world and ourselves and in providing a horizon of understanding in the human existential condition.

The task of architecture is to maintain the differentiation and hierarchical and qualitative articulation of existential space. Instead of participating in the process of further speeding up the experience of the world, architecture has to slow down experience, halt time, and defend the natural slowness and diversity of experience. Architecture must defend us against excessive exposure, noise and communication. Finally, the task of architecture is to maintain and defend silence. The duty of architecture and art is to survey ideals and new modes of perception and experience, and thus open up and widen the boundaries of our lived world.”

(Source: https://www.wiley.com/en-us/The+Thinking+Hand%3A+Existential+and+Embodied+Wisdom+in+Architecture-p-9780470779293)

We would love to hear from you about what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends.

Feel free to contact us if you would like to discuss ideas for your next project!

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FRANK CUNHA III
I Love My Architect – Facebook